"Among the early regulars was a group from the Second City comic troupe, including Don Novello, John Belushi and Bill Murray. They downed beer and coffee..."

"... and marveled at Mr. Sianis’s kind but firm handling of first-timers who expected his tiny grill to turn out anything other than cheeseburgers...."

I'm reading "Sam Sianis, ‘Cheezborger’-Flipping Owner of Chicago’s Billy Goat Tavern, Dies at 91/His dive bar became famous thanks to Mike Royko’s columns, a baseball curse and a 'Saturday Night Live' skit" (NYT).

"The phrase 'cheezborger cheezborger' entered the pop-culture lexicon and made the Billy Goat and Mr. Sianis a tourist attraction. During the summer of 1978, at the inaugural ChicagoFest festival on Navy Pier, Mr. Sianis set up a booth where he and Mr. Belushi recreated his quirky grill for thousands of fans."

"At the moment, [Saturday Night Live UK] has a grinning, whooping, gurning American mania to it."

"... [W]e and our US cousins have wildly differing senses of humour.... Much of the best British comedy relies on understatement, subtle wordplay, self-deprecation, self-mortification. It’s why Larry David is the American many Brits find most funny: he, like us, understands that life is a vale of tears, suffering and torturing yourself over mild social awkwardness...."

Writes Charlotte Ivers, in "Saturday Night Live UK review: Britain is funny but this isn’t yet/There’s talent in the cast — shame this Sky One debut was four parts American gurning, one part Princess Diana" (London Times).

A description of the "cold open": "Keir Starmer... and David Lammy... are psyching themselves up to phone Donald Trump, with the help of their 'Gen Z adviser.'... Keir: 'Oh golly, what if Donald shouts at me?' Gen Z adviser: 'You’re looking for more of a special situationship.'"

Also: "In a sketch parodying news headlines, the question is asked whether, once Andrew Mountbatten-Windsor is in prison, he will 'be able to keep his mouth shut.' This is followed, I regret to inform you, by the punchline: '"I hope not," said his cellmate’s penis.'"

I don't see what's American about those jokes. And I don't see why the SNL format forces writers to use American-style humor! Worse, don't excuse your bad jokes by claiming they are American. The SNL format — cold open, monologue, sketches, Weekend Update, music performance — is an empty shell into which writers can insert whatever humor the producers want. Take responsibility. Or withdraw into the vale of tears and suffer and torture yourself. Apparently, you find that amusing. 

As for the "grinning, whooping, gurning American mania" — I only know the word "gurning" from the perennial reports of the World Gurning Championships. I see the NYT had one last year: "In This Pageant, the Ugliest Face Wins/The World Gurning Championships in northern England celebrate the centuries-old art of face-pulling."

That's been going on for years. I remember reading about the World Gurning Championships in LIFE magazine in the 1960s:

Here, you can buy that issue of LIFE on eBay. It was March 14, 1969. The cover story is "The Daring Contraption Called LEM." Inside: "The Race for the SST." And here's an ad: "McDonald's introduces Big Mac/A meal disguised as a sandwich." And: "Why is the Camaro the pace car again?/Because it's the Hugger."

That's all so American. And the American point of view was that gurning was a British oddity.

ADDED:

More clips from the show: here.

MAHAspital.

Has there ever been a worse impersonation on "SNL" than Pete Davidson's complete failure even to attempt to seem the slightest bit like Tom Homan?

Look:

I guess they just hoped the audience didn't know Homan, but if you've ever seen him talk, you know he has an especially funny way of talking. What a treat for a comedian to be invited on the show to do a long Homan impression in the cold open. Maybe they thought we'd just be so thrilled to see Pete Davidson again that it would be okay for him to do Homan as just some guy in a bald wig.

Davidson, you lazy bum, compare your Homan to Jim Carrey's brilliant Broderick Crawford:

Ever since I first heard Tom Homan, he's reminded me Carrey's Broderick Crawford. I watched that in real time, some 30 years ago and I've always remembered it as one of the funniest things I've ever seen on television.

The Eternal Cher.

Last night on SNL:

BONUS: Arianna Grande takes the Macauley Culkin role in a "Home Alone" takeoff... and really looks the part:

ADDED: I watched that second video after posting it, and I just want to add that I don't think they'd have gone through with it if they hadn't already put so much money and effort into producing it. The idea of beginning with a lovely Christmas celebration and descending into mayhem calls to mind the Conan O'Brien Christmas party and its horrible aftermath.

Did Trump say something about Karoline Leavitt's mouth?

I'm trying to understand the background to the satire in last night's "SNL" cold open:

It's better to know the background before attempting to get the satire. The fun is lost if you have to research it after the fact, but that's what I did. The question in the post title was my Google search, and I came up with this:

Wow, he actually said, about Leavitt, "When she goes on television, Fox, like I mean, they dominate. They dominate when she gets up there with that beautiful face and those lips that don't stop — pop pop pop — like a little machine gun."

"SNL" is so lucky to have him. The best lines are straight from the transcript of his ad lib remarks. What can they add?

Well, what they add is the sexualization. Trump was admiring her professional performance as press secretary. "SNL" is turning it into something completely sexual. They think they have a privilege to set back the progress of women in the workplace.

My tiny, squeaky voice says they don't.

"WTF is going on here with Michael Wolff giving PR strategy to Jeffrey Epstein?"

Said the podcaster Brian Reed, quoted by The Guardian in "Blurred lines: how Michael Wolff aspired to be part of elite circles he wrote about/The writer who features prominently in newly released Jeffrey Epstein emails has achieved extraordinary access but faced questions about his journalistic ethics."

Wolff's attempt at an explanation: "I was engaged then in an in-depth conversation with Epstein about his relationship with Trump and this seems to be part of that conversation."

The Guardian also quotes what NYT reporter Maggie Haberman said about Wolff back in 2018 (when his Trump-bashing book "Fire and Fury" came out: "He believes in larger truths and narratives.... So he creates a narrative that is notionally true, that’s conceptually true; the details are often wrong."

Reminds me of the old Ratherism "fake but accurate."

Back to The Guardian:

The Property Brothers take on the White House.

"SNL" is back.

With lots of clips — the whole show? — at YouTube. 

I tried to pick one out for this post, but somehow I couldn't. Maybe you can. Bad Bunny was the host. The cold open was about that Pete Hegseth harangue.

The show has been around for 50 years, and I remember watching the first season, when the running joke was that they barely deserved to be on the air. It began like this:

I'm not the slightest bit uncomfortable about belonging there, with George, rather than here, with Bad.

"This order would reduce the number of interracial couples in TV commercials"/"Oh, it's just too many, right?"

"You see them in the kitchen together making meals from HelloFresh. He's wearing loafers, she's got tight braids. You're like: Where'd they meet, you know, what do they even talk about? It's insane."

Most of what is in that sketch has Trump signing orders with respect to things Trump has actually made an issue of his own, but I don't think he's ever seemed antagonistic toward interracial couples. I wonder how that made it into the sketch. And the line "He's wearing loafers, she's got tight braids" prompts us to picture the man as white and the woman is black, but the humor I've been hearing about these ads is that the man is always black and the woman is white. Anyway, the issue of interracial couples in TV commercials is a general topic for comedians these days. It's not connected to Trump, so it's rather scurrilous to throw this subject into the mix.

An "SNL" sketch that surprisingly spoofs the idea that you're not allowed to ask where that baby came from.

The world gave "SNL" some great material and "SNL" did not squander the opportunity. Enjoy the near perfection of "The White POTUS."

Why it's not complete perfection: 1. You need to have watched Season 3 of "The White Lotus" to get most of the jokes, 2. The joke about the watch is bad. It was like the old "moron" jokes of the 1960s — e.g., why did the moron throw his watch across the room?/He wanted to see time fly — and the idea that Eric Trump is a moron isn't worth spending time on. 

"I'm kidding. I'm kidding. Maybe not. Maybe not. Awesome. Awesome, awesome. You've got to make a joke. You know... legalize comedy! Legalize comedy! Come on, legalize it!"

"Don't ask me nothin' about nothin' – I just might tell you the truth."

Sang Timothée Chalamet, on "SNL" last night, where he was the host, in a bunch of skits, and also performed, in his Bob Dylan persona, as the musical guest.

There were 3 songs — "Outlaw Blues" and, surprisingly "Three Angels"...

... and "Tomorrow Is a Long Time"...

What did you think? It's very hard for me to judge... other than that I was delighted that "Three Angels" was chosen and disappointed that the sound wasn't balanced properly in the end of the song and we lost Timmy's voice. But does anyone hear the music they play, does anyone even try?

I'm interested in the fashion interpretation of Bob's famous polka dots. Bob's were a shirt. Timmy's — same size and color — were a hoodie. The shift from shirt to hoodie sheds light on the choice to do "Three Angels." It's a rap song.

ADDED: I haven't been able to force myself to go see Chalamet's movie yet, so I don't know how close these performances last night are to his embodiment of Bob in the movie. In a Reddit discussion, the top comment is: "Actually credit for Timmy for not doing Bob, I much more appreciate a Dylan cover that's not trying to be Bob and that rendition of Three Angels sounded fresh." 

"From now on, there will be two genders... And we're done with LGBT. No more drag. No more guys and wigs. No more whatever these guys were wearing."

"What a weird way to dress, right? A little zesty darling. I'm off to start America. Hand me my wig and my tights and my big blousy shirts."

That was the cold open on "SNL" last night. Nice job, and I appreciate that the players — who had to freeze into a tableau at one point and remain frozen — quite professionally held the pose and resisted cracking up. James Austin Johnson, as Trump, had some funny lines — like the one I quoted above — and the players did not devolve into the old "Not Ready For Prime Time" raggedness — which was great in its day. 

Lin-Manuel Miranda showed up — to play Hamilton — and he froze into the tableau along with all the others and committed to holding the pose. I think it was planned that he — and he alone — would crack up at a specific point — but that point does not arrive until the players have held the pose for 4 whole minutes, with "Trump" cracking jokes the whole time.

Trumpers and anti-Trumpers — did anyone not like that?

Dave Chappelle does the opening monologue on "Saturday Night Live."

Here it is, from last night, all 17 minutes:

"On Friday, the staff often hears Michaels say, 'We have nothing.' He’ll be staring tensely at the index cards on his bulletin board, which lay out each tentative segment."

"Employees a quarter of his age are amazed that, after fifty years, he can still seem scared. If things look particularly bleak, he’ll ask writers if they’ve been saving any good material for an upcoming host, telling them, 'Sometimes you have to burn the furniture.' On Saturday afternoon, in Studio 8H, there’s a run-through of the sketches. The show is often considerably too long at this point, so more sketches might be cut... Sometimes the guest host nixes a sketch. In 2015, Donald Trump was to play a tree standing next to the Giving Tree, the Shel Silverstein character who gives and gives of herself until she’s reduced to a stump. The sketch ended with the Trump tree calling the Giving Tree a sucker. Trump refused to do the piece, not because it portrayed him as heartless but because he worried that the tree costume made him look fat."

From "Lorne Michaels Is the Real Star of 'Saturday Night Live'/He’s ruled with absolute power for five decades, forever adding to his list of oracular pronouncements—about producing TV, making comedy, and living the good life" (The New Yorker).

"Just remember, you’re a living organism on this planet, and you’re very safe."

ADDED: It really happened:

"Here comes Mr. Bob Dylan himself..."

The best part of this is how much James Austin Johnson looks like old Bob Dylan.

It's interesting that a woman plays Chalamet. That might have some verisimilitude, except that it made Chalamet much shorter than Dylan. In real life, Bob is 5'7" and Timothée is 5'10".

ADDED: Uproxx has an interview with James Austin Johnson about his Dylan imitation and links to this 2022 appearance on the Tonight Show where he sang "Jingle Bells" in Dylan voices from difference eras of Dylan:

James Austin Johnson sings “Jingle Bells” as Bob Dylan through the decades. #FallonTonight pic.twitter.com/kuPegi5Dhw

— The Tonight Show (@FallonTonight) November 29, 2022

"Did you just do the weave?"/"It's my own version of the weave, I call it the wander."