Showing posts with label Bono. Show all posts
Showing posts with label Bono. Show all posts

May 24, 2025

"Bono has stood by his decision to accept the United States Presidential Medal of Freedom, despite admitting to 'looking like a plonker' as President Biden placed it around his neck."

"The U2 frontman, who recently celebrated his 65th birthday, has no regrets keeping the award that he received in January for his humanitarian work in spite of claims that he was morally wrong to do so due to the former president’s track record over Gaza."


According to the OED, "plonker" has meant "A foolish, inept, or contemptible person" since 1955. John Lennon muttered it on TV in 1964. "Plonker" also means "penis." Published examples go back to the 1920s: "Last night I lay in bed and pulled my plonker." I was amused to find that in the OED, but there it was. An older meaning of the word is "Something large or substantial of its kind." You can see how one thing leads to another.

December 9, 2024

"Here comes Mr. Bob Dylan himself..."


The best part of this is how much James Austin Johnson looks like old Bob Dylan.

It's interesting that a woman plays Chalamet. That might have some verisimilitude, except that it made Chalamet much shorter than Dylan. In real life, Bob is 5'7" and Timothée is 5'10".

ADDED: Uproxx has an interview with James Austin Johnson about his Dylan imitation and links to this 2022 appearance on the Tonight Show where he sang "Jingle Bells" in Dylan voices from difference eras of Dylan:

February 7, 2023

I have no plans today, but I still have no time to watch the State of the Union Address.

I set out to skim the White House press release, "The White House Announces Guest List for the First Lady’s Box for the 2023 State of the Union Address," but couldn't even skim to the bottom... though I did skim to the Bono. I don't have time for this.

I do have time to write out that I remember when David Foster Wallace observed the foolishness of press releases that announce that a press release announces something.* That is, it's silly to have an announcement phrased as if it's pointing to something else, when it is the very thing it is announcing. 

Here, we've got "The White House Announces Guest List...." when it really means "Here Is The White House Guest List." 

__________________

* In "Big Red Son," Wallace quoted a press release from Adult Video News that said "The nominations for the 15th Annual AVN Awards were announced today," then dropped a footnote: "The passive mood here’s a bit disingenuous — the release itself is announcing them." A bit disingenuous... ha ha.

August 1, 2022

"The word, not used intentionally in a harmful way, will be replaced. The road to success is always under construction."

Said representatives of Beyoncé, quoted in "Beyoncé to cut ableist slur from Renaissance song/Charities question why lyric was released weeks after similar controversy" (London Times).

The objected to line — on "Heated" — is "Spazzing on that ass, spaz on that ass." 

Who wrote that line? "The song has nine credited writers including Beyoncé and Drake, the Canadian rapper, but it is not clear which of them wrote the lyrics."

What was the "similar controversy" that happened recently? Lizzo used the same word, in the line "Hold my bag, bitch, hold my bag/ Do you see this shit? I’m a spaz."

January 31, 2022

"I’ve had conversations with Bono back in the day... He said that when U2 makes a record, it’s like they’ve got a racehorse..."

"... and they don’t just want the horse in the race, they want to win the race. I said we race the horse and then we let the horse run free. I wasn’t trying to be clever. That was the truth. He was frustrated with me. But the dream was to be in a group that toured and recorded, and we were OK with things being scaled down if that allowed the dream to survive."

Said Eddie Vedder, quoted in "Eddie Vedder Is Still Learning to Live With Loss" (NYT).

January 10, 2021

The many voices of Paul McCartney.

May I recommend this highly detailed episode of "The Beatles Naked" podcast? 

I'm not yet half way through, but I'm so impressed with the analysis. There's so much of it! With the music played, so you can judge for yourself. 

I was interested, for example, in the discussion of the emotional effect of any slightly out-of-tune singing. Is it "soulful"? And has our experience of it changed over the years as present-day music is electronically tuned to perfection?

And is it the case that there is a song that only Paul McCartney can sing and that song is "Helter Skelter"? The Wikipedia article on the song cites a number of cover versions, but the only one mentioned in the podcast is Bono's. It is mentioned with a scoffing laugh (just before saying that if Kurt Cobain had tried, he might have succeeded). I just annoyed myself by listening to the Mötley Crüe version. I also sampled a little of the Marilyn Manson "Helter Skelter." Here's the awful Oasis version.

I'm no expert, but I'd say if you're just going to do it like Paul and just approach what he did, why do it at all? As an homage? But it's an homage with a song that got its reputation twisted up into the Manson murders. Bono said Charles Manson "stole" the song from The Beatles and he was "stealing it back." 

Having just written about the connection between Trump's January 6th speech that — intentionally or unintentionally — seems to have inspired the storming of the U.S. Capitol, I'm interested to stumble so soon into this story of a vocal presentation that may have inspired murder. According to one Manson follower
When the Beatles' White Album came out, Charlie listened to it over and over and over and over again. He was quite certain that the Beatles had tapped in to his spirit, the truth—that everything was gonna come down and the black man was going to rise. It wasn't that Charlie listened to the White Album and started following what he thought the Beatles were saying. It was the other way around. He thought that the Beatles were talking about what he had been expounding for years. Every single song on the White Album, he felt that they were singing about us. The song 'Helter Skelter'—he was interpreting that to mean the blacks were gonna go up and the whites were gonna go down.

Of course, there's no way to hold The Beatles complicit in a murder scheme. At most, they could have thought that too many people are too attached to them and looking for messages and crazy connections and maybe they ought to stick to the peace-and-love songs so they don't accidentally inspire murder. It would be a different matter if The Beatles knew before they put out the White Album that there was a violent group set to rise up when The Beatles gave the signal "helter skelter."

December 4, 2017

The Metropolitan Museum of Art declines to remove a painting that is — according to a petition — "undeniably romanticizing the sexualization of a child."

The painting, by Balthus, is “Thérèse Dreaming." The NY Post has the article, showing the painting (which shows a young girl posed so we get a good look at her underpants).

From the petition: "I am simply asking The Met to more carefully vet the art on its walls, and understand what this painting insinuates. Ultimately, it’s a small ask in consideration of how expansive their art collection is… how overtly sexual the painting is, and the current news headlines highlighting a macro issue about the public health and safety of women."

The NY Post informs us not only that Bono sang at Malthus's funeral, but that Elle Macpherson was also in attendance. Does that vouch for him somehow or is it just a way to nudge us idiots to understand that Balthus was famous? (Not famous enough for my spellchecker to lay off changing his name to Malthus.)

Anyway, the museum's spokesperson shows no empathy for the feelings of our era — The Reckoning  — but loftily informs us that its "mission is to collect, study, conserve, and present significant works of art across all times and cultures in order to connect people to creativity, knowledge, and ideas." And "Moments such as this provide an opportunity for conversation, and visual art is one of the most significant means we have for reflecting on both the past and the present."

So here's the painting:



Let's have the conversation.

I'll just start by saying that I saw the Robert Mapplethorpe exhibit in Boston in 1990, and one of the photographs showed a young girl — younger than "Thérèse" — and she was posed so that we could look up her skirt and there were no underpants. I remember that the elite media portrayed those who said this was wrong as unsophisticated. The photograph conveyed the charming innocence of a child, we were told.

Ah, yes, here's a NYT article, from 1996, "PHOTOGRAPHY VIEW; The Child, the Adult Within and the Blur Between," by Vicki Goldberg, talking a bit about that photograph, "Rosie."
The fact that, though clothed, [4-year-old Rosie] unwittingly displays her genitals puts the spectator in a slightly uneasy position; besides, her expression could be read as wariness.

Mapplethorpe had an agenda: "Children are sexual beings," he said, "but it's an area that makes most people feel uncomfortable."...

[In the 19th century, c]hildren were not yet considered sexual beings, which is why Lewis Carroll could get away with taking nude shots of little girls, at least for a while, and why Freud would later encounter such resistance to his theories of infantile sexuality....
Speaking of Lewis Carroll, here's an excellent New Yorker article from 2015, "Go Ask Alice/What really went on in Wonderland," by Anthony Lane. Excerpt (beginning with a letter from Carroll):
I have a little friend here, Lily Gray, child of Dr. Gray, and one of my chief beach friends at Sandown this year. She is 5, a graceful and pretty child, and one of the sweetest children I know (nearly as sweet as Gertrude)—and she is so perfectly simple and unconscious that it is a matter of entire indifference to her whether she is taken in full dress or nothing. My question is, are you going to allow Gertrude (who I think is also perfectly simple and unconscious) to be done in the same way?
It is impossible to read this now without horror. The politesse, the pointing up of sweetness, and the ascribing of “entire indifference” to the child evoke the classic stratagems of the pedophile, planning his campaign and convincing others (and, more important, himself) that he is doing no wrong—that there is no victim but merely a willing collaborator....

May 15, 2016

"I don't think it's an automatic yes, I think you have to think through what does he think the job involves."

Said Newt Gingrich, asked on "Fox News Sunday" if he'd accept an offer to serve as Trump's running mate.
If he can convince Callista and me that it's doable and that it’s serious and we would, in fact, contribute I think we would be very hard pressed not to say yes. 
Chris Wallace nudged him to do it because the Vice President residence "isn't bad."

Speaking of VP prospects on the Sunday shows, there was also Sherrod Brown on "State of the Union." He was hilariously blindsided. Jake Tapper played a clip from an ad he put out in his 2012  campaign for reelection to the Senate:

January 2, 2015

"Talking about yourself in the third person is a little weird... But Bono embraces it."

"Bono thinks solipsism for an artist is like an overactive thyroid for a comedian; it's hard to fix if it's paying your way..."

The "B" entry from "Bono's A to Z of 2014."

His X is for X-ray — he offers his "titanium elbow for a laugh":



He had a big bicycling injury on his 50th birthday — "a massive injury I can't blame on anyone but myself, mainly because I blanked out on impact and have no memory of how I ended up in New York Presbyterian with my humerus bone sticking through my leather jacket."

September 19, 2014

"How U2 became the most hated band in America."

U2's Songs of Innocence "was released as part of Apple’s keynote event, dished out to iTunes subscribers for free."
The album reportedly cost Apple $100 million, a figure the company is likely to eat. Rather than generating the kind of hype Apple is accustomed to, Songs of Innocence generated a huge Twitter backlash, with the company posting a guide on how to remove the album from your library on its support page. Most damningly, Wired’s Vijith Assar called the “devious giveaway” no better than “spam.”
Actually, he said it was "Even Worse Than Spam."

May 5, 2014

What's wrong with "Meet the Press" is "The Problem (Ray and I Will Be Fixing This Morning)."

Emails the Crack Emcee, alerting us to the new episode of Uncle Ray's "Psychedelic Soul" — [listen live]—  and linking to this Slate piece by David Weigel called "Will.i.am is Not What’s Wrong With Meet the Press."

On the radio show, they're counting down Ray's top albums, and we're starting with #38 N.W.A., "Straight Outta Compton," so language alert (I guess!). You can see the list by scrolling way down here, so Bob Marley, Van Halen, Stevie Wonder, U2, and Jimi Hendrix will be up soon enough.

As for "Meet the Press," somehow I didn't get to it yesterday, but Will.i.am was on. I had it on my DVR along with the other Sunday shows, but this week I watched "Fox News Sunday" and quit. Had to go sit on a rock amidst the trout lilies and consider what Jesus said about soul.

("Lynch mob... macabre..." That was a good rhyme.)

The Jesus quotes with "soul" are:

January 11, 2013

"Artist found burned to death on top of his masterpiece."

"Artist Jorge Selaron may have taken his own life by setting himself on fire on the very steps of his masterpiece, a brilliantly colored public staircase that became a symbol of Rio de Janeiro..."
The stairs, his life's work, were declared city patrimony in 2005, when Selaron was made an honorary carioca, as Rio residents are called. The steps have been featured in Snoop Dogg's "Beautiful" and U2's "Walk On" music videos, as well as part of the video that Brazil made for their 2016 Olympic bid.
Here's the Snoop Dogg video. Here's the U2.

March 21, 2012

Dogged journalist grills a guy who looks like Bono.

Makes a big deal out of it before it's figured out that they guy was not Bono.
Pavel “Bonodouble” Sfera showed up [at some big music event] in his Bono-impersonation garb. ”I went there as a spoof,” says Sfera....
[Jason Mattera, editor at large at Human Events] "started asking questions about why I had taken money out of Ireland and moved it to Holland for a lower tax base,” recalls Sfera....

Sfera says he was “waiting” for Mattera to figure out that he wasn’t really Bono. That moment didn’t come, and Sfera decided not to help his interlocutor. “I let him go,” says Sfera. “I didn’t think he was being legitimate and fair.”
Ha ha. Did I ever tell you that circa 1960, my father looked like Frank Sinatra? He'd get asked for his autograph, and he gave it. Frank Sinatra. My other story like that is that one time — in the 1970s — I was in a restaurant in NYC with my brother and his friend who just happened to resemble Bruce Springsteen. Some young woman rushed up and began hugging him and raving about how she loved all his songs. We didn't know what the hell was happening. I figured it out later, but the lady must believe, to this day, that she got close to Bruce.

What is wrong with people?! I'm never sure I recognize someone!

June 21, 2011

Pick your "Perfect Day."

1. With Elvis Costello:



2. With Pavarotti:



3. With Bono, Dr. John, Elton John everybody:



4. Lou, alone:

June 15, 2011

"Poetry, not special effects, is the engine that drives lyric theater, and 'Spider-Man: Turn Off the Dark' is as unpoetic as you can get."

"[The] book is flabby and witless. The score, by U2's Bono and The Edge, sounds like a double album of B-sides ("Don't think about tomorrow / We've only got today"). Not only are the songs forgettable, but they never succeed in generating any dramatic momentum—all they do is get louder."

Says Terry Teachout, observing that "no stage show, even a multimillion-dollar extravaganza, can offer anything remotely as believable-looking as the digitally generated magic that moviegoers have been taking for granted for the past couple of decades."

Why see a stage show, when there are movies? The makers of stage shows need to have an answer to that. And it really should be a better answer than: this combination of glitz and familiar names will trick the rubes into handing over their money.

May 25, 2011

Scotty wins. Seems to be having a love affair with Lauren.

Beyonce appeared to be in hell while singing a hellishly awful song. Steven Tyler got to follow Bono. Jennifer Lopez's husband had a whole big number because he's Jennifer Lopez's husband. Tom Jones showed up and sang "It's Not Unusual." Besting him in the oldest man competition, Tony Bennett was there. He's 85! He sang with Haley. Like they're a couple. Judas Priest deigned to appear. "American Idol" is not something they scorn. Who can scorn "American Idol" now? They sang with James Durbin. And Jack Black sang with Casey Abrams. That was ugly. Jacob Lusk got Gladys Knight and they sang about Heaven. Lovely. Scotty McCreery did a duet with Tim McGraw who, we're told, is the most-played artist on the radio of the last 10 years. And Lauren Alaina did her duet with Carrie Underwood. And Lady Gaga sang about being "on the edge" while standing on a scenery cliff, which I was worried she'd fall off of, and then she did intentionally fall off in the end, onto some hidden foam, no doubt. I'm sure she'll be back to howl at us on future occasions.

Off the top of my head, that's what I remember from tonight's big "American Idol" results show.

January 23, 2011