
"a mind is not really a house, but's a close alternative, sort of an alt-house"
WaPo commenters are why ChatGPT does so well. Their comments seem like coherent sentences, but the words used don't create a coherent thought. What is explicitly fascist? Was Musk proposing having his AI collude with the government to control the population? That's fascism, and while it exists quite a bit these days; I don't think that is what Musk is proposing. Musk is proposing quite the opposite.
I was lucky that the sexuality gods, in minting a kinky Asian queer, anointed me with a fetish fun enough to give me an escape from the cruelty of this racist reality. Latex fetishism is a predilection for form-fitting rubber clothing that’s shiny, slippery, slithery, sultry....
[According to] Tanner Davenport, a Nashville native and co-director of the Black Opry: White country singers struck gold this past decade releasing songs heavily influenced by R&B and hip-hop, but few Black artists are even signed to major Nashville labels....
The immediate success of Combs’s “Fast Car,” Davenport said, “kind of just proves that when you put a White face on Black art, it seems to be consumed a lot easier.... This genre needs to expand their boardrooms and let marginalized people be in these rooms and make a bigger bet on these artists.”...
There are 2 very different issues here. 1. How is the country music genre defined and enforced (and to what extent does it exclude black artists who want to present themselves as within the country genre)? and 2. Should white artists cover songs that were originally written by/for black singers?
[T]he song has always had a particular significance in the Black and LGBTQ+ communities, Davenport said; the Black Opry performed a group singalong of “Fast Car” when it closed out its first show. (Chapman does not discuss her personal life, but writer Alice Walker has disclosed their relationship, which occurred in the 1990s.) “I think the song in general is pretty reflective for a lot of people who do identify as queer, and also for a person of color — the song almost seems like an anthem for us,” Davenport said. “It’s been pretty monumental in our lives, and I think it made us feel like we weren’t alone.”
So, actually, there are 4 issues here. Take the 2 spelled out above and replace "black" with "LGBTQ+."
Another issue is that there's a big difference between covering a new hit by a black/LGBTQ+ artist and covering an old song like "Fast Car." Tracy Chapman had her big hit 35 years ago. It is vastly in her interest for another artist to have a big hit covering it today. To convince straight white people not to cover the songs of songwriters who are not straight and white is to restrict the income of black/LGBTQ+ songwriters.
The author of the article, Emily Yahr, quotes an English professor who declares that "Fast Car," with its dream of driving a car away from painful circumstances, appeals to a wide audience:
Francesca Royster, author of “Black Country Music: Listening for Revolutions” and an English professor at DePaul University, said the song’s story of the narrator feeling trapped and trying to escape is “a really American iconography” about cars holding the promise of freedom. “This is something country music is very invested in, too: invested in, too: the American dream of reinvention and finding happiness after a life of struggle,” Royster said....
And yet:
... as someone who lived in Oakland, Calif., when “Fast Car” came out and saw how it connected to the queer community, she said, it’s difficult to see the success of Combs’s cover knowing that country music, with its historic emphasis on “tradition,” has generally shied away from highlighting LGBTQ+ artists and their stories — which is all part of the complexity of the current life of the song.
But there's nothing LGBTQ+ about the lyrics of that song. That's why the article has to say "part of the complexity of the current life of the song." Some people who like the original recording have a personal bond with it that connects it to things that drop out of the picture when it's sung by a straight white man. But the song stands apart from the original recording and from the artist most closely associated with it. A great song deserves multiple versions and it would be horribly unfair if black/LGBTQ+ songwriters were put in a separate category and protected from covers.
See, my old man's got a problem
He lives with a bottle, that's the way it is
He says his body's too old for working
His body's too young to look like his
At this point, I'm convinced I'm hearing about a sexual relationship. The singer, originally a woman, is unhappy with the man who won't work and doesn't even look good anymore. But then there's this:
When mama went off and left him
She wanted more from life than he could give
I said, "Somebody's gotta take care of him"
So I quit school and that's what I did
Oh, it's dad. Deadbeat dad. Bleh. Sure. Leave him. I always thought she was leaving an inadequate sex partner. "My old man"... in my head, those words resonate with Joni Mitchell:
Homeless people are particularly vulnerable. But other cases involve freakish missteps — people burned by their seat belts or mailboxes. Swimmers attempting to walk across not-so-cool cool decks. The hospital has seen truckers who drive barefoot, step down onto a parking lot surface and end up badly blistered. On the hottest days, patients have been scalded by the water coming out of their garden hoses. “That first burst of water out of there, it’s practically boiling,” said Kevin Foster, a physician and the director of the burn center. One current patient was celebrating his day off with a cocktail, fell and burned 20 percent of his body, requiring surgery and skin grafting, Foster said. “He was not a drinker. It was just enough. He went down and couldn’t get up,” he said. “All it took was that one little thing.”
The top-rated comment over there is:
Jeezuz Christ getting burned from lying on the goddam ground?! From opening your mailbox?! From your garden hose?! And climate change deniers expect us to believe this is "just summer"?
Juan M. Carrillo, a deputy medical examiner in Los Angeles County, described Ms. Presley’s health problems after the bariatric surgery as a “known long-term complication of this type of surgery.”...
For months, she complained of abdominal pain, fevers, vomiting and nausea but did not seek medical attention, according to the report.
We're told "[t]he report stated that although Ms. Presley had a previous history of drug use, she was sober 'for the past few years'" but also that she "was prescribed opiates after her surgery" and then "another type of medication so that she could be taken off the opiates" and "toxicology results showed 'therapeutic levels of oxycodone' in her blood." Maybe I don't know the meaning of the word "sober."
At Wednesday’s hearing, Tempel and her attorney, Summer Murshid... argued, the teacher’s tweets after school hours fall outside the scope of her employment and constitute "the type of speech that falls squarely within the protection afforded by the First Amendment," Murshid said.
"I thought that the fact that the tweet that I made, that 'Rainbowland' wasn’t going to be allowed, was something that the public would be really concerned about and that they would be interested in knowing about it," said Tempel, whose supervisor deemed her a “master teacher” who was “magical with children” in her last employment review.
While I idolized my dad, I just couldn’t go along with him on that one. What about all that planning and practicing for the apocalypse at Our Lady of Victory? What was the point of all those drills?...
I, for one, intended to be among the survivors.