"For me it caused some emotional upheaval,” said Ms. Kennedy, a 54-year-old mother of 3 girls, college-age twins and a 16-year-old. “There were times I should have been completely emotionally available to my kids and I wasn’t there, even for reading a book with them or watching TV or tucking my daughter into bed. I was unable to be fully present. That’s a loss."I don't know if you care about Kerry Kennedy's emotional upheaval and her inability to be completely emotionally available to her kids while she was getting prosecuted for drunk driving. (Is she completely emotionally available now that she's found not guilty?)
But I'm blogging this because I just love the accompanying photograph by NYT photographer Suzanne DeChillo, in which we get to see not only that "bone-white sofa" — on which Kerry Kennedy is leaning forward, not back — but the out-of-focus wall behind her with 2 large paintings of young girls in white dresses, which I took to be pictures of herself as an innocent child, but now think are probably 2 of her 3 daughters to whom she was incompletely emotionally available.
In front of one painted girl, there's a lamp that has a base that's a globe, and on the mantel there's an indistinct dark blob that I construe as a bronze bust of Kerry's father Bobby Kennedy. Kerry looks stressed and earnest, with her man-hands slightly clasped, glasses atop her head, and a chunky cross hanging from her neck. The cross corresponds to text in the article:
Readers [of the media coverage of the trial] learned she is a devoted Roman Catholic, going to church on the mornings she does not go to the gym.That's a funny sentence. What evidence of devotion is that? If she goes to the gym every morning, then she never goes to church... at least not in the morning. I construe that sentence as deliberate satire gesturing at the jury's charitable construction of the evidence it heard.
