"There was so much vulnerability and yearning there. It was heartfelt and pure girl power. Arlene on that song was inspiring. I wanted to record a record like that."

Said Ronnie Spector, about "hearing 'Maybe' for the first time on her grandmother’s Philco radio as a teenager."

Quoted in  "Arlene Smith, Whose Song ‘Maybe’ Helped Define Doo-Wop, Dies at 84/With the Chantels, a groundbreaking female vocal group, she tugged heartstrings with the indelible hit and paved the way for a wave of 'girl groups'" (NYT gift link).

At that point, doo-wop — born of city street corners — was dominated by male acts like the Penguins (“Earth Angel”), Frankie Lymon and the Teenagers (“Why Do Fools Fall in Love”) and the Del-Vikings (“Come Go With Me”).

Despite the fact that a few pioneering Black female groups like the Teen Queens (“Eddie My Love”) and the Bobbettes (“Mr. Lee”) had hits before the Chantels, the record industry “didn’t know what to do with us,” Ms. Smith later said in an interview with the site ClassicBands.com.

"Maybe" is the subject of Episode 65 of the great podcast "A History of Rock Music in 500 Songs." Excerpt:

So they were R&B singers, but the fact that these were Catholic schoolgirls, specifically, points to something about the way their music developed, and about early rock and roll more generally....

Certainly when it comes to the Chantels, the girls had all sung in the choir, and had been taught to read music and play the piano, although a couple of them had eventually been kicked out of the choir for singing “that skip and jump music”, as the nuns referred to rock and roll.

Indeed, at their very first appearance at the Apollo, after getting a record contract, one of the two songs they performed was a Catholic hymn, in Latin – “Terra Tremuit”. That piece remains in the group’s repertoire to this day, and while they’ve never formally recorded it, there are videos on YouTube of them performing it: