Showing posts with label Robert Walser. Show all posts
Showing posts with label Robert Walser. Show all posts

November 14, 2019

"Do I again go in search of lost time with Marcel Proust, or am I to attempt yet another rereading of Alice Walker’s stirring denunciation of all males, black and white?"

"My former students, many of them now stars of the School of Resentment, proclaim that they teach social selflessness, which begins in learning how to read selflessly. The author has no self, the literary character has no self, and the reader has no self. Shall we gather at the river with these generous ghosts, free of the guilt of past self-assertions, and be baptized in the waters of Lethe? What shall we do to be saved? The study of literature, however it is conducted, will not save any individual, any more than it will improve any society. Shakespeare will not make us better, and he will not make us worse, but he may teach us how to overhear ourselves when we talk to ourselves."

Wrote Harold Bloom, in "The Western Canon."

That jumped out at me this morning, because I've been thinking about the idea of forgetting oneself.

Last night, I was reading the story, "Kleist in Thun" (from this collection by Robert Walser), and I was struck by this passage:
The whole countryside down to the water is sheer garden, it seems to seethe and sag in the bluish air with bridges full of flowers and terraces full of fragrance. Birds sing so faintly under all the sun, all the light. They are blissful, and full of sleep. His elbow on the windowsill, Kleist props his head on his hand, stares and stares and wants to forget himself. The image of his distant northern home enters his mind, his mother’s face he can see clearly, old voices, damn it all—he has leapt up and run out into the garden. There he gets into a skiff and rows out over the clear morning lake. The kiss of the sun is indivisible, unabating. Not a breath. Hardly a stir. The mountains are the artifice of a clever scene painter, or look like it; it is as if the whole region were an album, the mountains drawn on a blank page by an adroit dilettante for the lady who owns the album, as a souvenir, with a line of verse.
I'm reading Robert Walser because I was massively impressed by "What the Eye Can’t See," the third act of "Small Things Considered," last Sunday's episode of "This American Life." Excerpt:
[In one of his novels, Walser] wrote, "In one thing, we pupils are all similar. We are small, small all the way down the scale to utter worthlessness. One thing I do know for certain-- in later life, I shall be a charming, utterly spherical zero."...

He'd poke fun at himself for being small, but there was always an edge to it. Worse than being weak, were the people deluded enough to think they're great. It's so pompous. He wasn't mean, exactly, more just entertained by their foolishness. I started to see the world that way, too. But then one day... I saw... Walser had spent the last third of his life in a mental hospital...
I was out walking when I heard the Bloom paragraph and remembered the Walser, so I had a lot of thoughts about what people mean when they speak of forgetting oneself. It can be positive or negative. I thought of the Joni Mitchell song:
I am on a lonely road and I am traveling
Traveling, traveling, traveling
Looking for something, what can it be?
Oh, I hate you some, I hate you some, I love you some
Oh, I love you when I forget about me
Is she oppressed or ecstatic?

So... the topic is: forgetting oneself.