Showing posts with label Queen Victoria. Show all posts
Showing posts with label Queen Victoria. Show all posts

May 24, 2019

NYT crossword spoiler alert... "This??? This is your Queen Victoria's 200th birthday tribute puzzle? Just ... her name?"

"Look, do a damn tribute or don't do a tribute, but this half-assed half-themed junk has got to go. I kept looking around for Victorian material. Kept thinking there was some theme building that I just couldn't see.... 'Grandmother of Europe,' ugh, why are we 'honoring' her? Was the idea ... what was the idea? Just put her name in the middle and then build a very old-fashioned, very old, kinda mediocre themeless around her? LINDY in a LANDAU, that's what this thing was. For the NONCE. It's painfully hoary, and could not have been more off my wavelength if it tried.... Who the hell is Manchester, the WRITER (24D: London or Manchester). That clue killed me, and kept me from accessing the NE in a way that had me wondering if I was even going to finish. Satan is The DEUCE!?!? LOL, when? Who? Woof."

Rex Parker rages against the Queen Victoria 200th birthday puzzle.

How should the 200th birthday of Queen Victoria be commemorated? I check Google...



What do you think — her nude side or weird facts?

Here's the image at The Guardian:



It's a painting Victoria gave her husband on his 33rd birthday. But it's her 200th birthday. Isn't there something better than musing about whether "Victorian" should mean "prudish" if she wasn't all that prudish or was she?

January 24, 2016

"According to the 26-year-old street artist from Bristol, she felt compelled to 'redress the balance' after a lifetime of being assaulted by phallic street art..."

"Everyone's got something to say, so they should say SAY IT. There ain't enough female street artists. FACT. That's gotta change. I don't give a f*ck if I agree with anyone else or if they agree with me, if I got something to say then I'll spray paint it. EVERYONE should do the same.... The feedback I'm talking about is from c*cks sprayed on bus stops, get me? It's pure STREET feedback. All I'm doing is evening out the balance, for every c*ck there should be a vaj. That's NATURE, innit?"

From "Feminist Street Artist Vaj Graff Painted A Vulva On A Statue Of Queen Victoria To Fight The Patriarchy."

I disapprove of vandalism, but the drawing on a statue is surprisingly artful....



Made me think of the old Bob Dylan lyric:
While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates
Goodness hides behind its gates
But even the president of the United States
Sometimes must have to stand naked
Reading that in the context of Queen Victoria and the possibility of a female President of the United State infuses new meaning in the song title: "It's Alright, Ma (I'm Only Bleeding)."

January 27, 2013

"Can you tell us a little bit about how you've gone about intellectually preparing for your second term as president?"

The New Republic promotes its "redesign" in email that says I "signed up to get an early look at." (I did?) I'm sent to this interview with Obama, which takes so absurdly long to load that I go off and write other posts before rediscovering the open tab. I see Obama's smiling eyes peeking out over the top of the headline "Barack Obama is Not Pleased." I pause and contemplate 2 things: 1. Do the redesigners not understand the rules of capitalization? and, 2. Did they intend to allude to the famous Queen Victoria quote "We are not amused" — that is, did they intend to imply that Obama uses the royal "we"?

The subtitle is "The president on his enemies, the media, and the future of football," so I guess that's what he's "not pleased" about. I can see not being pleased by one's enemies, but how can he not be pleased by the media? The media fawn over him. What more can he want? And the future of football... I guess TNR threw that in to signal that there's going to be some fun somewhere on this page that took so long to load.

I scroll down past 6 paragraphs of introductory text to get to the actual interview, and that's the first question: "Can you tell us a little bit about how you've gone about intellectually preparing for your second term as president?" See what I mean about fawning? My first bite of the "redesign" is thoroughly cloying. It seems to be cloying even to Obama. He says:
I'm not sure it's an intellectual exercise as much as it is reminding myself of why I ran for president and tapping into what I consider to be the innate common sense of the American people.
I wish I could read what went through his head when he heard that question, before he said, in so many words, that's a stupid question. I think it was something like: These elite media guys are so in love with their idea of me as an intellectual. 

That first question was asked by Chris Hughes. It took 2 fawning elite media guys to interview Obama. The other one is Franklin Foer, and his first question is: "How do you speak to gun owners in a way that doesn't make them feel as if you're impinging upon their liberty?" Later, FF comes up with:
Sticking with the culture of violence, but on a much less dramatic scale: I'm wondering if you, as a fan, take less pleasure in watching football, knowing the impact that the game takes on its players.
Wait. We were talking about the "culture of violence" when we talked about gun rights and we're continuing to talk about "the culture of violence" when we talk about football?! Noted.

By the way, credit to FF for extracting from Obama that he shoots guns "all the time," "up at Camp David," where "we do skeet shooting." I never hear about Obama going to Camp David. Where are the photos of Obama skeet shooting at Camp David?

There's some mystery within that pronoun "we."

January 24, 2009

"I am alive" — a literary sentence in the comments to the bookstore thread — tells a harrowing real-life story.

We were in the middle of talking about the emptiness of the emporium, when Zachary Paul Sire wrote:
Off topic, but thought you all should know: I am alive.
Poor Zachary had a ruptured spleen, and in valiant, bloggerly style, blogged it, with photos of himself — in a hospital gown — taken at arm's length. Perhaps the blogosphere is full of photo-essays showing the details of emergency rooms, not to mention accident scenes — wounds and all. (Point to some!)

I once posted "I just wrecked my car!" — and, though I blogged about how, almost immediately, I thought about blogging the accident, I did not get out my camera to get the photos. (Later, at the wrecker's, I got the photos.) So I admire Zachary's presence of mind in taking those photos, especially since he was in pain — though presumably he was also bored and, unlike me at the car crash, not in the presence of victims, police, and EMTs who would have thought ill of me if I'd displayed a hearty bloggerly spirit. (In case you're wondering why my readers didn't seem to give a damn back then, I didn't have commenting turned on.)

Anyway, I love Zachary's intrusion into the late night thread to tell us about his situation. When you go to comment on my blog, you can see that part of the instructions for commenting are: "You can digress, but digress creatively. Amuse us!" So OT was OK. And maybe I should rethink "amuse." Another reason to rethink "amuse" is that people — probably remembering Queen Victoria's most famous quote "We are not amused" — think I'm using the royal "we." I'm not. And actually, neither was Victoria. But speaking of memorable lines... I love "I am alive." It's one of those very short sentences that feel entirely literary.

Is it a famous quote? I Google and see it's at least a video game.

But it has the feeling of something old, something I read long ago. Is it the last line of Daniel DeFoe's "A Journal of the Plague Year"? The e-text is on-line. So:
A dreadful plague in London was
In the year sixty-five,
Which swept an hundred thousand souls
Away; yet I alive!
Yet I alive! I love that.

Is it "Moby Dick"?
The drama's done. Why then here does any one step forth?—Because one did survive the wreck.

... So, floating on the margin of the ensuing scene, and in full sight of it, when the halfspent suction of the sunk ship reached me, I was then, but slowly, drawn towards the closing vortex. When I reached it, it had subsided to a creamy pool. Round and round, then, and ever contracting towards the button-like black bubble at the axis of that slowly wheeling circle, like another Ixion I did revolve. Till, gaining that vital centre, the black bubble upward burst; and now, liberated by reason of its cunning spring, and, owing to its great buoyancy, rising with great force, the coffin life-buoy shot lengthwise from the sea, fell over, and floated by my side. Buoyed up by that coffin, for almost one whole day and night, I floated on a soft and dirgelike main.
Perhaps you can help me find "I am alive" (and things close to it) in literary — or cinematic or video-game-ic — works of art. Don't talk about statements in the third person. The first-person statement is the interesting thing here. If you are not alive, you are in no position to comment. By the same token, to say anything is to say "I'm alive." What prompts the always-true words "I am alive" is the consciousness that you might not have been able to say it (or anything else). While it is always within our mental grasp to be suddenly intensely impressed by the vivid fact of being alive, we don't — we could! — say it out loud or write it down... in the comments section of someone else's blog.

Or, no, there is a second reason to say "I am alive." You might need to cry out to someone who thinks you are dead. DeFoe tells of a piper, who went door to door for food and drink "and he in return would pipe and sing and talk simply." But times were hard, and he'd nearly starved, "and when anybody asked how he did he would answer, the dead cart had not taken him yet, but that they had promised to call for him next week." One night, he'd finally gotten some drink, and he was lying drunk in a doorway where the people inside "hearing a bell which they always rang before the cart came, had laid a body really dead of the plague just by him, thinking, too, that this poor fellow had been a dead body, as the other was, and laid there by some of the neighbours." A man named John Hayward loaded both bodies onto the cart:
From hence they passed along and took in other dead bodies, till... they almost buried him alive in the cart; yet all this while he slept soundly. At length the cart came to the place where the bodies were to be thrown into the ground, which, as I do remember, was at Mount Mill; and as the cart usually stopped some time before they were ready to shoot out the melancholy load they had in it, as soon as the cart stopped the fellow awaked and struggled a little to get his head out from among the dead bodies, when, raising himself up in the cart, he called out, 'Hey! where am I?' This frighted the fellow that attended about the work; but after some pause John Hayward, recovering himself, said, 'Lord, bless us! There's somebody in the cart not quite dead!' So another called to him and said, 'Who are you?' The fellow answered, 'I am the poor piper. Where am I?' 'Where are you?' says Hayward. 'Why, you are in the dead-cart, and we are going to bury you.' 'But I an't dead though, am I?' says the piper, which made them laugh a little though, as John said, they were heartily frighted at first; so they helped the poor fellow down, and he went about his business.
But I an't dead though, am I? It's a terrifying question to have to ask, but, thank God, the answer is always "yes."

May 16, 2008

"I am against corporations; ain't going to give them any powers."/"The corporations — they want this? What will they pay for it?"

Teddy Roosevelt condemns the 2 extremes — in the year that blog forgot: 1899.

Also noted today:

Queen Victoria pats a terrier.

And:

Reverend W.W. Reynolds wrings his ... hands over "women of refinement and exquisite moral training addicted to the use of the bicycle."

ADDED: Fortunately, 1899 is one of the years in the NYT archive that you can access without paying (or having an educational account), so everyone will be able to read the underlying news stories for free.

I'm still trying to figure out the best way to deal with the problem of the TimesSelect wall that blocks the middle section of the 100 years I'm blogging in my new side project The Time That Blog Forgot. I've thought of a few ideas:

1. Use a style of blogging that makes consulting the underlying article unimportant. You'll know there is an article supporting the post, but you won't need to read it.

2. Try to get the NYT to give me a way to link that bypasses the system they have in place. And, by the way, why do they have this system? How much money can they make off the old archive? How can it be worth the annoyance and the ill will that is created? Also, they need to replace the PDFs with text files. I know they have the text on line somehow, because when I Google words from the center of the article, it comes up first.

3. Find other historical archives that can be searched by the day and year.

May 8, 2008

"Well, here we are on top of the world, and we have arrived at this peak to stay there forever."

"There is, of course, a thing called history, but history is something unpleasant that happens to other people. We are comfortably outside all of that I am sure."

So wrote the historian Arnold Toynbee, describing his childhood impression — he was 8 in 1897 — of the Diamond Jubilee — the celebration of 60 years of Queen Victoria's monarchy.

Quoted by Fareed Zakaria in "The Future of American Power: How America Can Survive the Rise of the Rest" — a very interesting article that is (qualifiedly) optimistic about America — even though we know what happened to Britain.
The problem today is that the U.S. political system seems to have lost its ability to fix its ailments. The economic problems in the United States today are real, but by and large they are not the product of deep inefficiencies within the U.S. economy, nor are they reflections of cultural decay. They are the consequences of specific government policies. Different policies could quickly and relatively easily move the United States onto a far more stable footing. A set of sensible reforms could be enacted tomorrow to trim wasteful spending and subsidies, increase savings, expand training in science and technology, secure pensions, create a workable immigration process, and achieve significant efficiencies in the use of energy. Policy experts do not have wide disagreements on most of these issues, and none of the proposed measures would require sacrifices reminiscent of wartime hardship, only modest adjustments of existing arrangements. And yet, because of politics, they appear impossible. The U.S. political system has lost the ability to accept some pain now for great gain later on.

As it enters the twenty-first century, the United States is not fundamentally a weak economy or a decadent society. But it has developed a highly dysfunctional politics. What was an antiquated and overly rigid political system to begin with (now about 225 years old) has been captured by money, special interests, a sensationalist media, and ideological attack groups. The result is ceaseless, virulent debate about trivia -- politics as theater -- and very little substance, compromise, or action. A can-do country is now saddled with a do-nothing political process, designed for partisan battle rather than problem solving.
Ceaseless, virulent debate about trivia...

Hmmm.... must move on to the next post.