I'm reading Rhonda Garelick's "Americans Love a Makeover, as Long as It’s Invisible/The gutting of the East Wing of the White House and our national preoccupation with 'renovation'" (NYT).
AFTERTHOUGHT: Taking Garelick's analogy very seriously, I could believe that Trump's buildings are, for him, the equivalent of a woman's body and face.
There has alway been a womanly aspect to Trump, and I think that is one of the (many) things that trouble those of us who have focused on his weirdness over the years. A transwoman is easier to fathom. Rather that to be focused on his own body and face, he has pushed this awareness out to the buildings that surround him. He's deeply invested in extreme achievement in the field of aesthetics — he's said "I'm a very aesthetic person" — and he may be too much like those actresses who overindulge in plastic surgery as they experience their time running low.
If I am right, it's not just a matter of the "gruesome in-between stages" of the reconstruction work. It's also the final result. Why does the NYT include that photo of Kristen Chenowith?
