Showing posts with label Barry Manilow. Show all posts
Showing posts with label Barry Manilow. Show all posts

January 20, 2026

"Hi, I'm Jerry Lewis. Bob Dylan has always been a protester not only to the fashion of his times but the trends of the thing."

"And that's super, simply marvelous. So when Parimutuel Records came to me and said, 'Hey, Jerry, whoever you want to record would you just do? Manilow would be good. You want we should give Barry a call? And I said, 'Uh-uh, I want to do Dylan 'cause he makes me feel good a lot and that's why I chose his stuff to be on my album 'Lewis Sings Dylan.' Oh yeah!"

An obscure but great clip of SCTV in 1984 at YouTube.

Amazing how long Martin Short has been around....

And amazing how long people have been kicking Jerry Lewis around. Here he is, in a musical scene, in his prime, in the 1960 movie "The Bellboy":


I ran across that movie on The Criterion Channel the other day, and I've been watching it in bits. I like watching things that can be watched in bits, and "The Bellboy" is great for that. As the opening monologue explains, "There is no story and no plot. That's right, I said, no story and no plot. It is actually a series of silly sequences, or you might say it is a visual diary of a few weeks in the life of a real nut." Perfect for our times. It's almost TikTok. 

July 23, 2012

Mariah Carey becomes an "American Idol" judge.

Which means Randy Jackson is staying (since he is her manager).

Carey was a guest mentor on "American Idol" in 2008, and she did an excellent job. I see I wrote: "Kudos to Mariah for doing the show the Barry Manilow way." The link goes to a post of mine that criticizes Dolly Parton for not guest-mentoring the Barry Manilow way. Here's the really old post, from 2006, praising Barry Manilow:
I just want to say how much I like Barry Manilow. Not his music, which isn't to my taste, but him as a person. Unlike Stevie Wonder and various other guests, he did not do the show to get the kids to sing his songs, and he took his role as a music teacher seriously. He really analyzed each performance and came up with concrete help and never seemed to be at all about self-promotion. I know you could say that this nice-guy thing is just his gimmick, but if it is, it works well, and maybe more people ought to try it.
I don't know who the third judge is going to be in the new "American Idol," but I'd be perfectly happy to have Barry Manilow.

March 21, 2006

"American Idol" -- the final 11.

"She has no range," says Barry Manilow about Mandisa. He means that she can sing well throughout her large range. Apparently, he uses words to mean the opposite of what they mean. Tonight should be amusing, with Barry guiding the kids through the songs of the 1950s. And Mandisa was thrilling! "A very sexy performance... like a great stripper's song," says Simon. "I absolutely loved it."

Bucky Covington sings the great Buddy Holly hit "Oh Boy," and Simon calls it "a pointless karaoke performance," which makes John come out and say "That's true of every 'American Idol' performance," and I'm all, "Did you hear Mandisa? Do you want to hear Mandisa?" Answer: "No."

"You give me fever... fever all through the night." Paris Bennett, she's 17, people. Barry's uneasy with that. But she does it well.

Chris Daughtry -- my favorite -- sings "I Walk the Line." Wow! The judges don't wheel out their stock phrase "You made it your own," but in this case, he really did. He got all alternative, really Ed Kowalczyk, I think. Simon: "You are the first artist we've had on the show who's actually refused to compromise." Ha! Who is most insulted by that line? I'm going to say Bo Bice. [UPDATE: Reading Television Without Pity, I see that Live actually did a version of "I Walk the Line." At least last week, when Chris did the Chili Peppers version of "Higher Ground," the band was mentioned. I tend to think that Live was mentioned in the practice session, but edited out for the show, so I wouldn't accuse Chris of wrongly taking credit.][IN THE COMMENTS: The question is raised whether Chris did the Live version, which I have never listened to myself. Nevertheless, I think it's damned strange that Chris's version made me think of the lead singer of Live if he wasn't doing the Live version! Admittedly, both guys have bald heads and sing in the grunge mode.]

Katharine McPhee, they love her. I thought it was a little screetchy and unsubtle, but she's good, and she's very pretty.

Barry gives some insight into what's so exciting about Taylor Hicks: he sings way high, but it doesn't sound like it's high. Hicks is doing a Buddy Holly song too: "Not Fade Away." "My love is bigger than a Cadillac."

Lisa Tucker is in serious danger, I think. She's too young to make enough of an impression in this group. When she tries really hard -- and she does -- she ends up seeming like a little hypercharged robot. I like the song, "Why Do Fools Fall In Love?," but I hear the original playing in my head, and by comparison, she seems weak.

Oh, but wait, there's still Kevin Covais. He needs to go soon. And yet, he does amuse us so much. Aw, but he sang "When I Fall in Love" so sweetly (after Barry told him to be vulnerable, and he got it). Even Simon accepts this. Poor Lisa!

Elliott Yamin. He sings "Teach Me Tonight." It's very complex and difficult, and he sings it quite well. How far can he go if he is the best singer, but the worst looking?

Barry Manilow doesn't know the song "Walking After Midnight"! Bizarre! It's Kellie Pickler's song tonight. Barry tries to get her to find the deep emotional meaning in the song, and she doesn't really find it. But they all love her.

Ace Young strains desperately through "In the Still of the Night." They're trying to help him. They've put him last, and they've found a 7-year-old girl to introduce him. He does a sweet long falsetto "niiiiiiightttt" at the end that might just save him.

Summary: Lisa's leaving.

ADDED: I just want to say how much I like Barry Manilow. Not his music, which isn't to my taste, but him as a person. Unlike Stevie Wonder and various other guests, he did not do the show to get the kids to sing his songs, and he took his role as a music teacher seriously. He really analyzed each performance and came up with concrete help and never seemed to be at all about self-promotion. I know you could say that this nice-guy thing is just his gimmick, but if it is, it works well, and maybe more people ought to try it.