Showing posts with label Ann-Margret. Show all posts
Showing posts with label Ann-Margret. Show all posts

January 26, 2025

"Ms. Tilevitz, the sex therapist, said that a certain confidence can be gained by wearing generously sized sweaters."

"'There is a sexiness women can feel internally when they wear something that allows them to disappear from anyone else,' she said, comparing the garments to a security blanket. At a time when women in America have lost rights to their bodily autonomy, sweaters that 'obfuscate the body' can also serve as a sort of armor, said Kat Henning, 37, a senior footwear designer.... 'You feel a little under attack and being swaddled in a beautiful knit that completely covers you, not being available as a sex object, makes women feel better,' said Ms. Henning, whose has knits from Lauren Manoogian and Wol Hide, a brand in Philadelphia. Kelsey Keith, 40, a creative director in Berkeley, Calif., ... described their appeal this way: 'It’s about dressing on your own terms. The male gaze is not even a consideration.'"

From "Hefty Sweaters for Heavy Times/Thick, woolly and oversize knitwear has for some become a form of soft armor" (NYT).

Sweaters! This time, they're political.

Last time around, the political knitwear was the pussy hat, and you had to go to a big protest. This time, the knitwear is much larger, and you don't have to go anyplace... other than deeply inside it.

April 8, 2023

"One of Ann-Margret’s most famous moments in 'Tommy' involved geysers of baked beans being shot directly at her."

"'They came down a chute and then — pow! — it threw me about five feet back!' she said. 'And it smelled!' She recalled that [Ken] Russell said her character was meant to be experiencing a nervous breakdown during the scene, but to some viewers it looked more like she was having an orgasm. 'That’s fine with me!' she added brightly. Townshend thinks the director, Russell, took a bit too much pleasure in having her do the scene repeatedly. 'Ken loved to have a beautiful woman in his clutches covered in beans,' he said. 'Let’s just do it again!' For the new album, he believes Ann-Margret made a perfect choice in having him perform with her on the Everly Brothers song. 'My acoustic guitar style is loosely based on Don Everly’s,' he said."

ADDED: As for the beans — to add to the endless succession of beans — Roger Daltrey got there first. Here's Rolling Stone in 1967:

April 21, 2018

Contemplating the shrine to the mid-60s.

P1160894

Detail of the display, from the LBJ library,  under the 1964-1966 sign:

P1160896

The model on the cover of Playboy looks kind of like Ann Margret, but it's Venita Wolf, She was a minor actress who lived from 1945 to 2014 — not too minor to have a Wikipedia article:
Venita Wolf... appeared in the Star Trek episode "The Squire of Gothos" (1967) as Yeoman Teresa Ross.



Other than that, she had only a short stint on popular television from 1966 to 1969, including guest roles in The Flying Nun, The Monkees, Gunsmoke and The Beverly Hillbillies, among others. She appeared unbilled in The Oscar (1966) but her only feature film credit was a supporting role in the beach movie Catalina Caper (1967)...
"Arabesque" was a 1966 movie. It was, like "Charade," one of those Hitchcock movies not by Hitchcock but by Stanley Donen.

"The Kandy-Kolored Tangerine-Flake Streamline Baby" is a Tom Wolfe book from 1965. Here's its Wikipedia article:
Many versions of the book are headed by an incomplete quotation from Kurt Vonnegut: "Verdict: Excellent book by a genius." Vonnegut's full quotation was "Verdict: Excellent book by a genius who will do anything to get attention." 
Speaking of orangeness, there's Tang. And that grand triad of mid-60s fun: the Spirograph, the Frisbee, and Operation.

August 13, 2007

"The lines of cleavage penetrated everywhere."

I'm so glad -- I'm glad -- that Ann-Margret appeared in that video -- the second one -- in the previous post, because I love when diverse things happen to fall together. I could make a great paranoid if only I could believe such things happen for a reason and if it scared me. But I think it just happens, and it amuses me. And makes me blog.

You know we've been talking about Hillary and cleavage these last few weeks, and just this morning I was reading William Safire's "On Language" column about the word "cleavage":
Cleavage is a strong but multifaceted old noun that has gained an additional meaning. The Teutonic verb cleave means “to split asunder”; the split hoof of many animals is said to be cloven.
And the devil!
The O.E.D. found cleavage to have made its appearance in 1816 about the mechanical division of crystals “sometimes called cleavage by lapidaries” (cutters of gems, nothing to do with lap-dancing). It also became a metaphor in church controversies: “When differences of religious opinion arose, they split society to its foundation,” noted an 1867 essay on Martin Luther. “The lines of cleavage penetrated everywhere.”

We now turn to its sexual sense.... In the zoologist Ernst Haeckel’s 1875 “History of Creation,” the propagation of the egg cell by repeated self-division was described as “the so-called ‘cleavage of the egg,’ ” which we now know forms blastomeres and changes the single-celled zygote into a multicellular embryo, and which brings us to the recent explosion in the word’s usage....
Eggs!
“There was cleavage on display Wednesday afternoon on C-SPAN-2,” wrote Robin Givhan, a Pulitzer Prize-winning fashion writer for The Washington Post. “It belongs to Senator Hillary Clinton. . . . There wasn’t an unseemly amount of cleavage showing,” the reporter granted, but she found it “a provocation” and “startling to see that small acknowledgment of sexuality and femininity.”

The word was then in political play....

The last time the word got this much publicity was more than a half-century ago....

I did not realize it at the time, but the lapidarian-religious-medical meanings of cleavage had only recently been joined by a new sense of “the cleft between a woman’s breasts as revealed by a low-cut décolletage.” That O.E.D. definition has as its earliest citation a Time magazine article of Aug. 5, 1946: “Low-cut Restoration costumes . . . display too much ‘cleavage’ (Johnson Office trade term for the shadowed depression dividing an actress’s bosom into two distinct sections).” Unless a search engine belches out an earlier usage, that’s a coinage stunner: it was Hollywood that invented the latest sense of cleavage.
This inspired me to do some research. Legal research, as chance would have it. Imagine! Me, a law professor, doing legal research. Has the Supreme Court ever used the word "cleavage," and, if so, has it used it in the recent, Hollywood sense of a cloven bosom?

The answer is that the Court has used the word 31 times, beginning in 1913, and 30 of these instances have had nothing to do with human anatomy: "society's racial and ethnic cleavages," "possible cleavage between black and white voters," "the fundamental cleavage which Article I made between apportionment of Representatives among the States and the selection of Representatives within each State," "more or less definite lines of cleavage among the Justices" -- you get the point.

But there is one use of the word stands out, and it's a reference to Ann-Margret:
Nicholson has been running through an average of a dozen women a year but has never managed to meet the right one, the one with the full bosom, the good legs, the properly rounded bottom. More than that, each and every one is a threat to his malehood and peace of mind, until at last, in a bar, he finds Ann-Margret, an aging bachelor girl with striking cleavage and, quite obviously, something of a past. `Why don't we shack up?' she suggests.
That's from a Rehnquist opinion, but Rehnquist did not come up with that prose. He's quoting a Hollis Alpert review of the movie "Carnal Knowledge" (and finding the movie not obscene).

Don't you wish you were there when the Justices watched that movie? Fortunately, that case, Jenkins v. Georgia, came up during the period covered in the Bob Woodward & Scott Armstrong book "The Brethren":
A screen was set up, and several Justices attended the special showing. As the film progressed, there was little of the usual cackling, running commentary or leg slapping.

"I thought we were going to see a dirty movie," Marshall commented at the end of the movie. "The only thing obscene about this movie is that it is obscenely boring," said White. The Chief left early. He told his clerks the camera work and the lighting had been well done. Rehnquist said he liked the music.
I would like to end this post with a nice YouTube clip, but my head is reeling after looking through some of the crazy stuff a search for Ann-Margret turns up. Like this. I think I'm going to go home and act like this. Wait. This is good. And this is blurry and full of bad, but still good.

Now, go research something.

ADDED: Damn! I put the wrong link on "going to go home and at like this." Ruined the joke. Try it now. 

ACTUALLY: I've removed all the those links in the end. They've all gone bad. Some YouTube policing, presumably. I hope you caught them when they were good. 

AND: Links restored.