"We merely believed two of the most powerful cultural icons of our time. Bill Cosby and Bill Clinton..."

"... each pointed my generation of aspirational teenagers toward a Black Camelot.... [Cosby] invested the cultural capital of being America’s dad into becoming America’s minister on Black aspirations. Despite being raised in subsidized public housing in Philadelphia, the comedian Cosby merged with the well-to-do Dr. Heathcliff Huxtable of 'The Cosby Show.' That’s the Bill who built Hillman to show Black families what was possible. But it was another Bill — William Jefferson Clinton — who made Cosby’s fictional world feel like an early draft of the real world. Clinton gave us Black cool in a white Southern package. He was from a place called Hope, like a divinely chosen character we could have learned about in vacation Bible school. He played saxophone on 'The Arsenio Hall Show' and prayed well in Black churches. His casual affinity with and for Black Southern culture was political gold...."

Writes Tressie McMillan Cottom, in a new piece in the NYT called "I Believed in the Promise of Hillman College. What Happened?"