"... and the experience of pain and longing. Among the major gods, only Athena is personified (by an ethereal Zendaya), but she is not the warrior goddess of the poem. She is more like a projection of Odysseus’s own conscience, materializing the way an angel might land on one’s shoulder. She represents his desire for goodness, home, and order. (In the scenes of Troy’s sacking, we return to a repeated image of Athena’s statue being beheaded, the ultimate violation.) This is all very far from the dominant film depiction of Greek mythology that I remember from my own childhood, 1981’s Clash of the Titans, in which the gods hang out together in togas on Mount Olympus, with Laurence Olivier as Zeus dictating much of the action."
Writes Gal Beckerman, in "The Odyssey Was Never About the Gods/Christopher Nolan’s largely deity-free blockbuster adaptation only highlights the humanity of the original" (The Atlantic)(gift link).

37 comments:
Great literature rarely makes a great movie. Looks like this will be another one.
Give me that old-time religion.
I'd rather watch puppies and kittens than any hot garbage out of Hollywood (D)
"The Odyssey Was Never About the Gods/Christopher Nolan’s largely deity-free blockbuster adaptation only highlights the humanity of the original”
The original was and still is very much about the gods. Nolan’s bastardized version is all about propitiating the gods of that golden idol, Oscar.
The controversies are part of the promotion.
I loved Clash of the Titans as a kid. Harryhausen's last movie. Not a Matt Damon fan but I'll probably end up seeing this.
I'll be missing Nolan's "Odyssey." I'm simply Bridgerton'ed out.
I prefer the original that lasted millennia, rather than this “retelling” that may make a few weeks in the theater.
Did the gods sent two boats and a helicopter?
Clash of the Titans was a bunch of stop-motion action sequences interspersed with the gods talking and plotting. They used gods for thematic glue and to pace the action. It was standard Hollywood 'middlebrow' content and stuffed everything into a limited time (given the budget for costly stop-motion production).
If they have a better narrative device today I'd be happy to not see the gods, as those sequences were uneven and pulled one out of the action. A good version of this plot may require a Part 1 and Part 2 or a trilogy, following from Lord of the Rings 10-hour run time.
I'll give this one a chance.
How many Odyssey's have been made? I can't remember one that I thought was actually good. The one with Armand Assante (1997) I looked forward to, but didn't like it all that much (despite literally dropping my jaw when Vanessa Williams first showed onscreen as Calypso).
I understand reimagining a story millennia old, but why do they always do it the same way today? It's like someone who puts ketchup on everything. Sometimes it makes sense, but on everything? It's just so the kids will eat it.
The ancient, while also timelessness of the story is the fascinating part. Someone should do it as written for a change. That would get me in the seat.
I liked the version with Armand Asante and Vanessa Williams, especially when Odysseus and Telemachus get their revenge. Epic.
Wait, you were a child in 1981?
Anyway, I'll see it (hopefully at a drive-in) and judge for myself.
Master and Commander bastardized O'Brien, but it is still a great movie.
My best memory of Clash of the Titans is Judi Bowker's full posterior nudity. Young boy's first crush.
I'm rather fond of Offenbach's La Belle Hélène, which leaves the gods out of it.
The Gods were very much part of Homer's Odyssey. It was basted in the older notion that there were two spheres of existence -- the earthy and the celestial. The celestial sat above the earthly and its denizens could greatly mess with humans.
Ulysses' journey home got side-tracked by the cyclops, who was the son of Poseidon. Before blinding the cyclops, Ulysses had told him his name was 'nobody' so the cyclops wouldn't know who had done it. However, once he escaped Ulysses left his pride (hubris) overcome him and he taunted the cyclops by telling him his name. That got Poseidon angry, and all of his travails on his journey stemmed from Poseidon tormenting him. Another god, Athena, tries to aid Ulysses because she is in a spat with Poseidan. Eventually Zeus, who has be pretty fickle during the entire affair, decides that Ulysses has suffered enough and allows him to go hime.
The Odyssey is about pride, both in men and the Gods, and how harmful it is and what to do about one's own pride.
Well, you know "The Atlantic" doesn't publish anything written by anyone with more than two neurons to rub together. "The Odyssey" is entirely about the gods and one mortal struggling for agency within a cosmos dominated by conflicting divine wills. With the exception of Ismarus and the land of the lotus eaters, where does Odysseus land where he does not encounter a god, a demigod, or a monster?
I'm fine with minimizing the gods. One of the things I liked most about "Troy" was that Brad Pitt's Achilles wasn't a demigod, he was just a great warrior. Who cares that he killed dozens of Trojans if they couldn't kill him back? This Achilles had skin in the game, which made him a better character.
If Odysseus had just given his sailors testosterone injections, it wouldn’t have taken him 10 years to get home. The quest for the golden peptide. ¯\_(ツ)_/¯
There’s a wonderful and poignant moment towards the end of the Odyssey when Odysseus returns home after a long absence and his old dog looks up and wags its tail. Some things didn’t change in 2,700 years.
Without meaning offense, Clash of the Titans was not from the professor's childhood. (And personally, Kirk Douglas's portrayal of Odysseus, shown in 16 mm in English class over a couple of sultry May afternoons, remains riveting. )
Okay, O Brother Where Art Thou was a pretty epic takeoff that I loved.
"'The Odyssey' is entirely about the gods and one mortal struggling for agency within a cosmos dominated by conflicting divine wills."
The Odyssey contains moral parables as well. Throughout fate rewards the gods and their clients who exhibit the virtues of patience (Penelope), persistence and cunning (Odysseus), loyalty and temperance (Telemachus) and penalize lust (Paris and Helen), wrath (Agamemnon & Clytemnestra), greed and sloth (many of the crew), and guile (Circe). It does all this 1500 years before the Christian era and pope Gregory came up with the 7 deadly sins and heavenly virtues, and shows these concepts were well-established within the Western Tradition long before the 10 commandments were known.
My daily driver is a Honda Odyssey. It is the pinnacle of automotive achievement.
The Odyssey, along with its counterpart the Iliad, is the original Western epic journey.
At its core, it’s the story of a handsome, quick-witted man of action—a battle-hardened naval commander in his prime—who embarks on extraordinary adventures, effortlessly seduces a string of superhumanly beautiful and dangerous women, and finally returns home to violently dispatch the arrogant intruders who have overrun his household. Even the iconic twang of his bowstring as he strings it feels like the pre-echo of a round being chambered.
In short, it is the original action movie.
Many years ago I saw Charlie Bethel’s The Odyssey. It’s a one man show, empty stage with a ladder and some other bits and Bethel telling the tale. Lots of youngsters in the audience, over 2 hours long. Mesmerizing. An amazing experience and highly recommended. Special effects don’t come close to your imagination.
Many, many years ago I also either posed the question or heard/read the question posed: "Odysseus was shacking up with a literal goddess! Why would he be so eager to go back to his by-then aged wife?"
That is one of the big questions.
Also, is there anything sadder than the scene with his aged dog near the end?
Also, I have read the poem 'Ulysses' (Tennyson) probably a hundred times and it just gets more meaningful as I get older.
No room for any of them Gods, with all those Producers around.
The version that I read started out “Odysseus was a man who was never at a loss,” which I thought was pretty cool, but the translation that this movie uses goes “Odysseus was a complicated man.” Which sounds more like it was faithful to the work of art that has survived 3,000 years?
It’s agenda driven pap intended to produce a docile and tractable population that is easily managed.
Is it true that in theaters showing this movie, there are signs in the men’s rooms asking men to pee sitting down?
I only saw part of the trailer. Who was the warrior that reminded me of Marvin the Martian?
I saw it last night. It was very good.
My reading of the Odyssey left me with great pity for the crew of Odysseus.
Anthony
Duty. ophiele
If I remember correctly the godess seduced Odysseus with a potion.
What did you like about it? The removal of Athena, who was not only a major character, but one of the most interesting? Was it casting Telemachus as a mature man when in the original he was a teenager trying to protect his mother and his father’s legacy from the depredations of a group of hardened men? Or was it something else?
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