Tubagoat writes, on the mildlyinfuriating subreddit, after ugly_duckling_5 — commenting on a post about a woman who gave an overlong answer to the question "How was your day?" — said:
"I'm lost on talking about your day for 45 minutes. Reminds me of books where the author spends an entire chapter describing a wall."
Classy-girl-93 follows up: "At least the tortoise was going somewhere."
Was he, really? I was curious. I looked it up. From the full text:
The sun lay on the grass and warmed it, and in the shade under the grass the insects moved, ants and ant lions to set traps for them, grasshoppers to jump into the air and flick their yellow wings for a second, sow bugs like little armadillos, plodding restlessly on many tender feet. And over the grass at the roadside a land turtle crawled, turning aside for nothing, dragging his high-domed shell over the grass. His hard legs and yellow-nailed feet threshed slowly through the grass, not really walking, but boosting and dragging his shell along. The barley beards slid off his shell, and the clover burrs fell on him and rolled to the ground. His horny beak was partly open, and his fierce, humorous eyes, under brows like fingernails, stared straight ahead. He came over the grass leaving a beaten trail behind him, and the hill, which was the highway embankment, reared up ahead of him. For a moment he stopped, his head held high. He blinked and looked up and down. At last he started to climb the embankment. Front clawed feet reached forward but did not touch. The hind feet kicked his shell along, and it scraped on the grass, and on the gravel. As the embankment grew steeper and steeper, the more frantic were the efforts of the land turtle. Pushing hind legs strained and slipped, boosting the shell along, and the horny head protruded as far as the neck could stretch. Little by little the shell slid up the embankment until at last a parapet cut straight across its line of march, the shoulder of the road, a concrete wall four inches high. As though they worked independently the hind legs pushed the shell against the wall. The head upraised and peered over the wall to the broad smooth plain of cement. Now the hands, braced on top of the wall, strained and lifted, and the shell came slowly up and rested its front end on the wall. For a moment the turtle rested. A red ant ran into the shell, into the soft skin inside the shell, and suddenly head and legs snapped in, and the armored tail clamped in sideways. The red ant was crushed between body and legs. And one head of wild oats was clamped into the shell by a front leg. For a long moment the turtle lay still, and then the neck crept out and the old humorous frowning eyes looked about and the legs and tail came out. The back legs went to work, straining like elephant legs, and the shell tipped to an angle so that the front legs could not reach the level cement plain. But higher and higher the hind legs boosted it, until at last the center of balance was reached, the front tipped down, the front legs scratched at the pavement, and it was up. But the head of wild oats was held by its stem around the front legs.
Now the going was easy, and all the legs worked, and the shell boosted along, waggling from side to side. A sedan driven by a forty-year-old woman approached. She saw the turtle and swung to the right, off the highway, the wheels screamed and a cloud of dust boiled up. Two wheels lifted for a moment and then settled. The car skidded back onto the road, and went on, but more slowly. The turtle had jerked into its shell, but now it hurried on, for the highway was burning hot.
And now a light truck approached, and as it came near, the driver saw the turtle and swerved to hit it. His front wheel struck the edge of the shell, flipped the turtle like a tiddly-wink, spun it like a coin, and rolled it off the highway. The truck went back to its course along the right side. Lying on its back, the turtle was tight in its shell for a long time. But at last its legs waved in the air, reaching for something to pull it over. Its front foot caught a piece of quartz and little by little the shell pulled over and flopped upright. The wild oat head fell out and three of the spearhead seeds stuck in the ground. And as the turtle crawled on down the embankment, its shell dragged dirt over the seeds. The turtle entered a dust road and jerked itself along, drawing a wavy shallow trench in the dust with its shell. The old humorous eyes looked ahead, and the horny beak opened a little. His yellow toe nails slipped a fraction in the dust.

52 comments:
After reading the first several lines I could smell freshly cut grass
Embrace the paragraph break. Next do James Joyce's chornicle of Leopold Bloom's one boring day.
Why did the turtle cross the road?
Answer: To provide filler for John Steinbeck.
Having said that, it held my interest. Great writers can do that. And there's some drama in it. OMG, is the turtle going to be run over. No, he just keeps marching on, doing his thing. Like the Old man and the sea. Only without the shark.
Did classy girl get credit for her clever reply?
She saw the turtle and swung to the right, off the highway, the wheels screamed and a cloud of dust boiled up. Two wheels lifted for a moment and then settled. The car skidded back onto the road, and went on, but more slowly. The turtle had jerked into its shell, but now it hurried on, for the highway was burning hot.
This is very good. No wasted words. Good imagery. AND "for the highway was hot" is a good touch.
If you want boring:
It was the peak of summer in the Berkshires. He was alone in the big old house. Normally particular about food, he now ate Silvercup bread from the paper package, beans from the can, and American cheese. Now and then he picked raspberries in the overgrown garden, lifting up the thorny canes with absent-minded caution. As for sleep, he slept on a mattress without sheets – it was his abandoned marriage bed – or in the hammock, covered by his coat. Tall bearded grass and locust and maple seedlings surrounded him in the yard. When he opened his eyes in the night, the stars were near like spiritual bodies. Fires, of course; gases – minerals, heat, atoms, but eloquent at five in the morning to a man lying in a hammock, wrapped in his overcoat.
Imagine being a turtle. Everything is like that, and then you live forever in slow motion. It must be infuriating.
Grok gives me this when I ask it to rewrite the passage as one readable sentence: "Under the warm sun, a land turtle dragged his high-domed shell steadily across the roadside grass, brushing off barley beards and clover burrs while ants and grasshoppers moved beneath, until he reached the highway embankment, strained and scraped his way up the steep gravel slope, paused at the four-inch concrete lip, lifted himself over with frantic hind legs after crushing a red ant and catching a wild oat head under one front leg, then hurried across the burning pavement—swerving aside from a woman's sedan and getting flipped off the road by a deliberate truck—only to right himself slowly, drop three oat seeds into the dirt as he crawled down the embankment, and continue along a dusty side road, his humorous eyes fixed ahead and yellow toenails slipping faintly in the dust."
Humorous eyes
Steinbeck has "humorous eyes" 3 times.
whatever the opposite of TLDR is, this is it.
But, does he mean 'humorous' in the sense of 'amused', or in the sense of 'vitreous humor'? The latter, I think.
…pay attention wannabe authors- this is how you verbose
…like those people who build snowmen over stumps I want to build a bait turtle of C-4…
The turtle was the best part of the book.
I prefer Franklin, myself.
Joe Pesci Turtle:
You mean, let me understand this cause, you know maybe it's me, it's a little fucked up maybe, but I'm funny how, I mean funny like I'm a clown, I amuse you? I make you laugh, I'm here to fucking amuse you? What do you mean funny, funny how? How am I funny?
Steinbeck: Just... you know, your humorous eyes, what?
Turtle: No, no, I don't know, you said it. How do I know? You said I'm humorous. How the fuck am I funny, what the fuck is so humorous about me? Tell me, tell me what's funny!
"Grok gives me this when I ask it to rewrite the passage as one readable sentence: "Under the warm sun, a land turtle dragged his high-domed shell steadily across the roadside grass, brushing off barley beards and clover burrs while ants and grasshoppers moved beneath, until he reached the highway embankment..."
I am delighted to learn Grok is not compelled to use non-gender specific plural pronouns when relating the mundane adventure of a "tortoise".
However, Classy-Girl-93 didn't know her herps. Steinbeck describes a box turtle, which despite its preference for dry land, is not a tortoise. Since the setting is Oklahoma, he's likely to be an Ornate box turtle (Terrapene ornata ornata), a member of the Family Emydidae, which not only contains land dwellers, but the decidedly aquatic terrapins and pond turtles. Living on land does not a tortoise make. In Steinbeck's day box turtles were commonly thought to be tortoises simply by their lubbering ways. However, genetic taxonomy firmly assures us that they are turtles -- another case of convergent evolution.
I asked Grok about the "humorous eyes." Excerpt: "By giving it 'humorous' eyes, Steinbeck adds a layer of wry, almost ironic awareness or quiet amusement to its dogged determination. It's as if the turtle knows the absurdity of its struggle—the ridiculousness of tiny legs pushing a heavy shell up a wall, the pointless cruelty of the truck driver, the endless plodding ahead—and yet it proceeds anyway, with a kind of dry, world-weary humor about the whole futile-seeming endeavor.This mirrors the migrants' plight: they face overwhelming hardship, displacement, and random hostility, but they endure with a resilient, sometimes grim humor or acceptance of life's ridiculous hardships. The 'humorous' quality (often paired with 'fierce' or 'frowning') is an oxymoron that captures that mix—fierce focus on survival combined with an underlying, unspoken recognition of how comically mismatched their efforts are against vast indifferent forces (banks, drought, mechanization, mean drivers).The repetition hammers home the human-like quality, drawing the reader's attention to those eyes as the window into the turtle's (and by extension, the migrants') enduring spirit: not defeated, not naive, but quietly amused in the face of it all, which makes their tenacity even more poignant and admirable."
But God help you when the turtle's eyes get hard.
Steinbeck was a trained marine biologist. "Log from the Sea of Cortez" is a lot better book than "Grapes of Wrath". You can ask Grok.
This scene appears near the beginning of "The Grapes of Wrath", and is an important metaphor for the Joad family's upcoming journey from Oklahoma to California and all the troubles and setbacks that they'll face. The tortoise's persistence anticipates the toughness (and humor) of Ma Joad as she tries to keep her family intact. Over the course of the book, several other animals get run over on the road (the family dog, a rabbit, snakes, etc.), but they don't survive like the tortoise. And in each case shortly afterwards, one of the human characters dies or leaves their journey. It's a whole theme with Steinbeck.
Patel, mentioned below, has "humorous eyes." Could use other words to describe them, but why be mean.
Cutting a wide swath, sparing no semantic drips.
The woman almost flipped her car and the truck driver knocked the turtle off the highway to make it safer for other drivers.
Nice vignette on differences between men & women.
George Costanza was a trained marine biologist, too. Wasn't he?
So how's your day going, Rabel? I'm glad you asked.
I'm getting a new roof. Don't know if you've ever had the experience, but the words "Stop the hammering" come to mind.
It's almost scary. I keep waiting for one of the workers to fall through. I'm brushing up on my Spanish so I can greet him properly.
I feel kind of like the turtle when the truck rolled him over.
"George Costanza was a trained marine biologist, too. Wasn't he?"
Yes, and he saved a whale from death by a blowhole-in-one.
On the subject of trained marine biologists famous for non-scientific careers, there's also Emperor Hirohito.
Rabel: "I keep waiting for one of the workers to fall through. I'm brushing up on my Spanish so I can greet him properly."
Just say 'Voy llamar a La Migra." He will get up and skedaddle. Don't want him suing you. In Topsy Turvy Two Tier World, the accident will be your fault! CC, JSM
Patel has “Jack Elam eyes”…
Maybe the woman decided from the outset that she wasn't that interested in him, so she filibustered the date. I remember a date like that too. The woman just talked non-stop about herself for what seemed like an eternity, never asked me a single question.
The contractor is a gigantic Cuban and a nice guy. He's legal, I checked his Mississippi drivers license. We don't give those to illegals.
His crew, well, don't ask, don't tell.
And they're working their skinny brown asses off.
It was said that Tooter Turtle used a “wizard’s magic”…
There's a famous passage in Cryptonomicon where Neal Stephenson goes on for a couple pages about the main character eating a bowl of Captain Crunch.
Thank you for the reminder of why I will never again read Steinbeck
Bob Boyd said...
"But God help you when the turtle's eyes get hard."
Box turtles are probably more phlegmatic. Snapping turtles have no sense of humor. Their eyes are always hard.
Spooky synchronicity--Edward ("the best essayist of his generation") Hoagland died last week aged 93. One of his essays, and an anthology title, was "The Courage of Turtles."
I didn't find anything online that I could use without signing in, so couldn't refresh my memory, but I have a generally positive memory of his work without recalling much detail.
Gamera was always pissed off about something, and there was no box big enough to hold him.
Many turtles only cross about half the road. Sad.
TLDR
I last read that book back in the Cretaceous Period. It reads so much better now. I might have to reread that thing.
“ Maybe the woman decided from the outset that she wasn't that interested in him, so she filibustered the date….”
It wasn’t a date. They met in a bar. Seems like she wasn’t very interested in him, but she didn’t know an effective way to get him to leave. He was persistent. I say he was the one that dragged it out. He should’ve got a clue. She needs better techniques to let men know she’s not interested.
Steinbeck is still the greatest American writer of all time. His greatest work is East of Eden…not the famous movie that only covers the last 20% of the novel.
His characters and dialogue are way beyond any other writers. Don’t miss the book.
If you find East of Eden too long and serious to read, then try Cannery Row. It’s hilarious.
"Here's another clue for you all: The tortoise was Paul!"
Someone did a time-and-distance analysis of Steinbeck’s Travels with Charley, a supposedly true travelogue, and proved that Steinbeck faked it. But creating a convincing and interesting fake may take more talent than writing a true one.
Steinbeck beat the drum too much. He’s not close to the greatest writer of all time. His style was decent but his preachiness shows the weakness of his writing. As Keats would say, Steinbeck didn’t have negative capability.
"George Costanza was a trained marine biologist, too. Wasn't he?"
As acting coaches will tell you, you are either trained, or you are not trained.
Is this to be an empathy test?
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