"... and a puckish little man named William Shakespeare Jr. The Fifth is tasked with re-creating his famous ancestor’s work. The avant-garde opera director Peter Sellars was cast as Shakespeare’s descendant, and Godard inserted himself in a role that doesn’t appear in any Shakespeare play: Herr Doktor Pluggy—an inventor who wears a contraption on his head, with cables dangling, doing research in pursuit of something called 'the image.'.... One day, Godard sneaked into [the room of the actor playing King Lear, Burgess Meredith] and short-sheeted his bed. I noticed that the director seemed to derive satisfaction from provoking people... Toward the end of the shoot, Godard mentioned that he deemed everything I did in the film completely authentic except for one moment.... I asked him which one. 'I’ll tell you when it’s over,' he said.... When I finished my scenes, I approached him to ask which moment, and he told me that it was the scene in which Cordelia lies next to her father, dead. This was completely nonsensical, since it was the last scene that I filmed—it hadn’t even been shot when he made the comment."
Writes Molly Ringwald, in "Shooting Shakespeare with Jean-Luc Godard/The actress and writer recalls working with French cinema’s enfant terrible" (The New Yorker).
What sort of person goes in for practical jokes? I mean, someone who's not in the comedy field — a serious, accomplished person: Why would he favor that particular way of fun? It's one thing to devise something original, but to do a standard practical joke like short-sheeting the bed: Who does that?
Ringwald said Godard "sequestered himself from everyone" and, she thinks, "he was actually a bit shy, trapped in his mind. Perhaps the only way he could make sense of anything was to film and edit it."
How does that square with short-sheeting the bed?
As for the remark about inauthenticity, I see a subtle humor there. Wasn't he saying, essentially, you were perfect? The only time she was inauthentic was when she, a living person, had to play the role of a dead body. Yes, the dead-body impersonation hadn't happened yet when he made the remark, but he knew she would play that part and he must have considered it funny to unsettle her as he set up a punchline that would make sense at some point in the future.
27 comments:
1) Does anyone still short-sheet a bed? It took me a long time to understand the mechanics of that joke. How many how-to YouTubes exist? (I'm not looking.)
2) Who in their right mind cast Burgess Meredith as Lear?
Molly was pretty good, as a supporting character, in the Classic: Sixteen Candles
You want to know WHY teens today are Sad, and Unhappy? and cut off their genitals?
It's because modern life SUX, compared to the '80's.
What an atrocious side track French New Wave cinema was.
In the 2005 remake of The Producers, there's a poster for one of Bialystock's prior productions, "King Leer" with a drawn picture of a king...leering. The amount of trouble I would go through and laws I would break to own that prop....
Idle minds with hands.
"What an atrocious side track French New Wave cinema was."
Why?
"Who in their right mind cast Burgess Meredith as Lear?"
Why not?
...considered it funny to unsettle her as he set up a punchline that would make sense at some point in the future.
See Norm's "I didn't even know he was sick" joke.
I didn't recognize Greenwald in 'Dahmer.'
I saw her name in the credits and said, 'Hmm.'
Burgess Meredith “made his Broadway début in Eva Le Gallienne’s “Romeo and Juliet,” in 1930, and through the years had worked with everyone—Kurt Weill, John Steinbeck, James Baldwin, Otto Preminger, Jean Renoir. … At the time, he was planning on writing a memoir disguised as a book of wines he’d enjoyed through the years. My favorite anecdote was when, as a young man, he was “summoned” by Tallulah Bankhead to her suite at the Gotham Hotel, in Manhattan. “That’s when you really knew you’d arrived!” he told us with a roguish grin. He wore his nicest suit, thinking that he was going to have a tête-à-tête with Bankhead. She greeted him at the door completely naked, a champagne glass in hand and a bacchanal raging behind her. “Burgess, dahling!” she cried. He said that one thing led to another, until eventually he found himself with her in flagrante in one of the bedrooms.”
But to you he’s the Penguin, right?
'But to you he’s the Penguin, right?'
No, Mickey.
'Women weaken legs!'
'My favorite anecdote was when, as a young man, he was “summoned” by Tallulah Bankhead...'
Bankhead? Really? Was she a Bond villainess?
I never saw that one.
Ringwald was also in Paul Mazursky's version of The Tempest (called Tempest, starring, but not directed by John Cassavetes).
•
I did get a chuckle out of imagining Godard trying to fit into the Eighties Bratpack.
What if Jean-Luc had directed The Breakfast Club?
My memory is that Molly was the lead in Sixteen Candles, and she was a whiny brat.
If tattoos and piercings and sex changes had been in vogue then, who knows what her character would have done?
Transsexualism may be more acceptable now than going punk would have been back then.
But to you he’s the Penguin, right?
To me he's "The Obsolete Man". It's one of my favorite Twilight Zone episodes. I also liked him in "Time Enough At Last".
Maybe he was channeling thos youthful memories when he played Jack Lemmon's characters father in Grumpy Old Men.
He was the best Penguin, though. I should look up some of his older movies because, now that I think about it, I've enjoyed him in everything I've seen him in.
She dodged a bullet there, although she would probably have made a pretty good Cordelia.....Herewith my notes on Cordelia and Molly. Cordelia is a variant of Misercordia--i.e. God's grace and mercy and also the stiletto that is used to pry between the chinks of the armor and thus dispatch the knight. Early in the play, Cordelia dispenses her affection towards her father in a precise and measured way. This, I think, is in response to the overbearing way that he demands love from her. Later in the play, when he is humbled and in need, she dispenses her affection towards him in a lavish way. I'm not a religious person and not the go to person in theological matters, but perhaps that's how the grace of God works. God doesn't not dispense his grace to the proud but rather to the humbled. As we saw in Pretty in Pink, Molly was particularly great in extending forgiveness and love to a flawed father.
My favorite Penguin is "Penguin In Bondage."
Stuart Margolin died. Very memorable Seventies TV character actor. Won Emmys for "The Rockford Files." Jim's crony "Angel" is now (yes, I'm going to go there) an angel.
He was in "Death Wish" with Paul Dooley, who was Molly Ringwald's father in "Sixteen Candles."
Lazarus said...
My memory is that Molly was the lead in Sixteen Candles
pretty SURE, that Anthony Michael Hall (Farmer Ted) was the lead.
Pretty much, Everything (EVERY THING) that happens in the movie is because of Farmer Ted
(well, except for the small sub plot, about Long Duk Dong)
No one (and i Mean NO ONE) even knew Molly Existed.. Before Farmer Ted got her panties
Burgess Meredith - Peaked in his 70s.
Molly Ringwald - Peaked in her teens.
Does Laslo still post here? I miss his humor.
Godard wanted to cast Woody Allen as the Fool in his version of King Lear. Okay, but I think nowadays Allen would be better cast as King Lear. "Blow winds, and crack your cheeks" soliloquy. These lines could be delivered as throwaway lines. More importantly, Allen's very presence would add a certain amount of piquancy in the role of a father seeking his daughter's love in the same way that Ellen/Eliot Page would be the definitive Viola or Rosalind.
Gilbar...Farmer Ted added lots of color and storyline, but the main plot line revolved around Samantha Baker. Jake, Farmer Ted, Caroline (her wedding), Long Duck Dong all connected to Sam. In the concluding scenes (wedding and birthday celebration with Jake), AMH is away daydreaming about landing Ferris Bueller role.
"pretty SURE, that Anthony Michael Hall (Farmer Ted) was the lead."
Molly Ringwald's character was the primary protagonist. She was the one turning 16, giving the movie its name.
This was beautifully written. Very evocative, well paced, terrific character studies.
The other night my wife was playing a series of short clips from her computer, and I hear the opening notes of the Thompson Twins' "If You Were Here," a song I hadn't heard or thought about in decades, and associate exclusively with "Sixteen Candles."
Wasn't a huge fan of the movie but I liked John Hughes and man, that took me back. So I looked up the movie, reminded myself of some funny moments – and very quickly found complaints about what a horrifically racist Asian stereotype Long Duk Dong was.
And I thought, What? That dude was awesome! I think everyone who saw that movie was thinking, Holy cow, this guy turns out to be so cool! Yeah, what a terrible stereotype, foreign exchange student becomes the life of the party.
She didn’t dodge a bullet. She played Cordelia
And Woody Allen did play the fool character, Mr Alien.
Robert Cook said...
Molly Ringwald's character was the primary protagonist. She was the one turning 16, giving the movie its name.
her OWN family forgot it was her birthday; THAT is how unimportant she was.
The fact that Robert Cook thinks the movie was about HER, says a LOT about Cook
Post a Comment