Richard Cohen (the WaPo columnist) doesn't "quite know what a handbasket is, but the Democratic Party is heading in one to electoral hell with its talk of socialism and reparations."

He's got an image, but he can't picture it. I picture something like this:



But damn, I find it annoying, starting off a column so lazily.

I don't quite know what a handbasket is, but the Democratic Party is heading in one to electoral hell with its talk of socialism and reparations. Given a Republican incumbent who has never exceeded 50 percent in Gallup's approval ratings poll and who won the presidency thanks to a dysfunctional electoral college, the party is nevertheless determined to give Donald Trump a fair shot at re-election by sabotaging itself....

Yes, yes, I know, it's perfectly predictable, the point you're going to make. But you waste my time with a cliché, and you don't know how to use it. It pops in your head and you just start jabbering, padding out your column with the tedious news that you don't understand your own unfresh metaphor. How do you head anywhere in a basket? Is someone carrying the basket? Is it a basket with some automotive power? Is it a basket placed for some reason — by whom? — at the top of a slippery slope?

I'm so glad I stopped to ask, rather than to continue to read the scribblings of Richard Cohen (who is not, I hasten to add, the Richard Cohen to whom I once said, as quoted in the previous post, "Maybe it's not right to bring children into this world"). I presume the column continues to point out the obvious, which you're free to expound on in the comments. I want to talk about going to hell in a handbasket.

First, here's the fantastic Hieronymus Bosch painting, "The Haywain Triptych" (click to enlarge):



Wikipedia explains the painting:

The central panel features a large wagon of hay surrounded by a multitude of fools engaged in a variety of sins... An angel on top of the wagon looks to the sky, praying, but none of the other figures see Christ [in the cloud] looking down on the world. The rightward bow of the figures around the wagon provides the force for the viewer’s eye to move with them on their journey and the cart is drawn by infernal beings which drag everyone to Hell, depicted on the right panel.

So it's a hay wagon, and the movement toward Hell is generated by some nasty characters:



I found that through the Wikipedia article "To hell in a handbasket," but a hay wagon is not a handbasket. A wagon has wheels. So how does a handbasket — which doesn't sound like something with wheels — work as a coveyance to hell?

"Going to hell in a handbasket", "going to hell in a handcart", "going to hell in a handbag", "go to hell in a bucket", "sending something to hell in a handbasket" and "something being like hell in a handbasket" are variations on an American allegorical locution of unclear origin, which describes a situation headed for disaster inescapably or precipitately.

So apparently, not only doesn't Richard Cohen know, Wikipedia doesn't know! But it does offer this:

I. Windslow Ayer's 1865 polemic alleges, "Judge Morris of the Circuit Court of Illinois at an August meeting of Order of the Sons of Liberty said: "Thousands of our best men were prisoners in Camp Douglas, and if once at liberty would 'send abolitionists to hell in a hand basket.'"

That's the idea of sending and not simply going. Notice that in Cohen's locution, getting into a handbasket is a quick way to go to Hell. But why? If someone else puts you in a basket — Mrs. Gulch or the Sons of Liberty — then they've got themselves in good position to take you wherever they want, the nasty demons....



But Cohen imagines the Democrats getting into a handbasket on their own. Won't it just sit there, going nowhere?



Cohen hasn't thought this through, so I will. Once they get in the basket, they've made it easy for their antagonists to pick up the basket and throw it wherever they like. And it won't be the White House.



Oh! There's Trump, building his wall!