... you can keep up the conversation while M and I do I-90 miles.
UPDATE: Home, at 3 a.m. We drove about 980 miles, nearly all on Route 90. We'd turned the heat off for the long weekend, and it was down to 48° indoors. Bracing!
... set loose on a wild, untamed continent
... it destroyed a neighborhood, isolated downtown from Center Square and created a stark mall that is lightly used and segregated from city life....Pure evil.
The only thing that would make me leave my house at that time, without alcohol but out of control, would be a raging fight with my wife.
Let us consider this waiter in the café. His movement is quick and forward, a little too precise, a little too rapid. He comes toward the patrons with a step a little too quick. He bends forward a little too eagerly; his voice, his eyes express an interest a little too solicitous for the order of the customer. Finally there he returns, trying to imitate in his walk the inflexible stiffness of some kind of automaton while carrying his tray with the recklessness of a tight-rope-walker by putting it in a perpetually unstable, perpetually broken equilibrium which he perpetually re-establishes by a light movement of the arm and hand. All his behavior seems to us a game. He applies himself to chaining his movements as if they were mechanisms, the one regulating the other; his gestures and even his voice seem to be mechanisms; he gives himself the quickness and pitiless rapidity of things. He is playing, he is amusing himself. But what is he playing? We need not watch long before we can explain it: he is playing at being a waiter in a café....The name of the restaurant was — aptly! — The Daily Grind.
I haven't been through Albany in years. But I do recall that the NY State Education Building is this gigantic federalist pound cake of a building that takes up the entire block and comes right up to the sidewalks. The scale is just so wrong. It's a frightening building....... made me want to post the little video I took while walking by that building yesterday. The post title is part of the video dialogue:
"He had been the master of the close-up of body parts," Ollman said of Weston. In "Dunes, Oceano," however, "the model is moving in space, there is no horizon line. It was a breakthrough for him, largely because of Charis' spontaneity. Her uninhibited style gave Weston a freedom that was vitalizing to him," [said Arthur Ollman, director of the School of Art, Design and Art History at San Diego State.]Ah, so it's one of those stories about a husband and wife. And then it was one of these stories: "She fell from her place as 'exalted goddess to the more human, unenviable and inglorious role of helpmate and art wife." Oh? Is it so unenviable to be a "helpmate"? Would you want to be a helpmate to a great artist whom you dearly loved? And what exactly does an "art wife" do? Are we supposed to have a stereotype in our heads about that? I suppose — I would suppose if I were writing a roman à clef — that she thought of herself as a great artist and found the subordination irksome. Look at the photograph again and see the subordination.
Weston was aware of a change in his style. "The first nudes of C. were easily amongst the finest I had done, perhaps the finest," he wrote in his daybook in April 1934....
The 28-year age difference between Wilson and Weston gave their romance "a Bohemian, May to December quality," photography dealer and historian Stephen White said in a 2007 interview with the Los Angeles Times. "Charis brought an essence of youth, when Weston was starting to wear out."
Soon after they met in Carmel in 1934, she began to pour her writing talents into advancing his career. Along with editing his articles for Camera Craft magazine, she wrote some of them under his name, she recalled in her memoir. "My goal was to make the articles sound exactly like Edward Weston," Wilson wrote.
"She did write under his name," Ollman confirmed. "It was easy for her and slavishly hard for him."
"If I did talk to Charlie on the phone, I would say, 'I truly understand what it's like to be you, more than anyone could ever imagine on so many levels.'”On so many levels...