Showing posts with label creeley23. Show all posts
Showing posts with label creeley23. Show all posts

January 31, 2013

Althouse unfair to F. Scott Fitzgerald?

Midway through my journey of isolating and writing about sentences from "The Great Gatsby," I find myself confronted by one creeley23 — a commenter within the confines of this Althouse blog — who says: "Hmm... rereading the first ten pages of Gatsby I see that Ann is picking klunky, atypical sentences out of the text."

I have chosen things like: "Sometimes a shadow moved against a dressing-room blind above, gave way to another shadow, an indefinite procession of shadows, that rouged and powdered in an invisible glass." And: "A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea."

But, in my defense, I have also chosen: "A breeze stirred the gray haze of Daisy’s fur collar." And: "Americans, while occasionally willing to be serfs, have always been obstinate about being peasantry."

September 3, 2012

"If everybody could love Alfred Hitchcock, I think it would be a better world."

Odd intro, by Cat Stevens (in 1976), to "Peace Train."

Yesterday, we were talking about Sun Myung Moon's idea for peace: marriage across national and cultural boundaries.

I ran into the Cat Stevens peace suggestion just now, by chance and unrelated to Sun Myung Moon (even by marriage). I was over on YouTube, clicking on the next song after "Longer Boats," a song we were talking about and trying to fathom:
Mary dropped her pants by the sand
And let a parson come and take her hand
But the soul of nobody knows
Where the parson goes, where does the parson go?
Please spare me the usual Cat Stevens hating. That's been talked to death. (Here's an elaborate Wikipedia page on your favorite Cat Stevens topic.) The subjects of this post are: 1. odd suggestions for world peace and 2. what is the song "Longer Boats" about? 

I'll start you off on the right track:

Topic #1: In 1969, right after they married, Yoko Ono and John Lennon sat in bed together for world peace. And — take note! — John Lennon and Yoko Ono had married across national and cultural boundaries.

Topic #2: The suggestion from Stevens is that he was imagining aliens in spaceships coming to earth and bringing us a better world, apparently free of the inferior traditional religions of human beings. In that view, there's no parson molesting Mary. Mary and the parson are simply traipsing off into a new way of life, liberated by the philosophy of the aliens.

IN THE COMMENTS: Now, this is smart, from creeley23:
I take Stevens' Hitchcock remark before "Peace Train" as a reference to the train-into-the-tunnel ending of North By Northwest, i.e. it was a coded reference to the "make love, not war" sentiment of the time.
Well, then. I wasn't going to say it, but I thought the "longer boats" were longer cocks! That's why it was so telling that Mary dropped her pants. And I thought "the parson" was some wags name for his waggler: Where does the parson go? I thought I had it all figured out!

September 1, 2012

How the Democratic Convention should retaliate against the GOP's Clint Eastwood "empty chair" routine.

Get your own great American movie director who supports your side and knows how to be funny in a 1-man empty chair routine.

Bring on Woody Allen to do a political version of his hilarious courtroom scene in "Bananas":



IN THE COMMENTS: creeley23 said...
My bet is that they'll go to Tom Hanks or George Clooney or maybe double-team them.

The bit will be smooth and rehearsed, it will affect an insouciant air (like our trolls), and it will attempt to ridicule Clint Eastwood's performance, but it won't have his edge.
I bet you're exactly right! My suggestion was a joke. Obviously, you can't have Woody Allen when you've got your war-on-women theme. (Even though they will have Bill Clinton.) But I do think they will have some kind of a response — if only in the form of numerous references to Clint Eastwood (e.g., regular speakers with little asides about how they just saw Clint Eastwood talking to a chair, somebody else talking to a chair, Clint Eastwood talking to some other inanimate object, Clint Eastwood talking to some other person, possibly Mitt Romney, who is less animate than an inanimate object like a chair).