"... either masochism or self-love. Instead, fat stigma is toyed with, embodied, and satirized, sometimes through sexualized caricatures of gluttony. 'Good Morning' shows her—with her underpants pulled down and stuffed with a loaf (or more) of sliced white bread—holding a knife and a jar of Nutella.... A fat woman is by cultural default already an object of ridicule; inviting laughter by clenching a baguette between her legs, or ironing a pizza to her chest, could easily spin out of her control. Perhaps Susiraja’s blank affect is the key to her peculiar power to retain the upper hand. Indifference is one of the purest forms of defiance, but her disciplined impassivity, her refusal to cue the viewers’ reaction, is more than that. Her unwillingness to feed us meaning is more provocative, and disquieting, than an obvious dare, and it leaves a more lasting impression."
Writes Johanna Fateman, in "Iiu Susiraja’s Self-Portraits Are More Than a Dare/The photographer uses her own body without straightforward interest in either masochism or self-love" (The New Yorker). Lots of stunning/hilarious photos there. Perhaps a paywall will stop you, but here's her webpage. You can see the same photos there — and even more.
Wait. How do we know "she is not a clown"? It can't be the "blank affect." One of the prime ways of clowning is to do ridiculous things while maintaining a flat facial expression. There's a special and well-known word for it: deadpan.
The OED tips me off that "pan" was once American slang for "face" or "mouth." To quote "Great Comics" (1924): "Open yer pan afterwards about this and you'll be in stir for the next thousand years."
And I see that Nathanael West used "dead pan" in "Miss Lonelyhearts":
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