"The TV show 'Girls' is a right-wing show.... [That's] some labeling we’re grafting onto this thing after the fact."

"But what these pieces of work are doing is telling the truth about the world in a way that is not compromised by artistic or ideological preferences.... about [what]... society wishes were true about these people. So my thing is that if you are telling the truth about the world, then you are going to make right wing art..."

I'm listening to Jonathan Keeperman on Ross Douthat's podcast in an episode called "The New Culture of the Right: Vital, Masculine and Offensive":

 

The quote above is Keeperman's. Douthat responds: "Then you’re saying all great art is somehow right wing." He thinks there can be some great art that is "left coded," but he agrees about "Girls," because "it’s a scabrous satire of a particular kind of upper middle class lifestyle in a liberal city."

Keeperman denies that he's saying "if I like it, therefore it’s right wing art, or if it tells the truth [it's right wing art]." Click on the embedded video if you want to hear Keeperman clarify or hear Douthat wedge in the concept of "vitalism" ("a celebration of individuality, strength, excellence, and an anxiety about equality and democracy as... enemies of human greatness").

That reminds me of the time — back in 2005 — I incurred the wrath of lefties by saying "To be a great artist is inherently right wing."

But back to "Girls." Why talk about "Girls" now? The reason for me is that Lena Dunham has a new essay in The New Yorker: "Why I Broke Up with New York/Most people accept the city’s chaos as a toll for an expansive life. It took me several decades to realize that I could go my own way."