Anyway, quick impressions:
1. Did all the women wear black? The President of the Hollywood Foreign Press Association (which gives out the awards) appeared on stage in a voluminous, flaming red gown, supposedly because in "her Indian culture, it’s customary to wear a festive color during a celebration." Does that amount to a disagreement with the women in black? Were they resisting the usual festivity of the occasion? Do we see some implicit ethnic critique, that the white women of Hollywood were not sensitive to the meaning of color in other cultures? I look up the meaning of wearing black in India:
Black in India has connotations with lack of desirability, evil, negativity, and inertia. It represents anger and darkness and is associated with the absence of energy, barrenness, and death. Black is used as a representation of evil and is often used to ward off evil.2. What impression did it make, to see all that black? On the red carpet, the black made the crowd look much less glamorous. There was much less male/female differentiation, much less of a sense that the crowd was popping with especially beautiful people. In the long shots, it looked like a crowd at a boring cocktail party of ordinary-looking people. Harvey Weinstein wasn't there, but half the people in the crowd seemed not much better looking than him. There's a scruffiness to the men's "head styling," and with everyone dressed alike, the men seemed really nondescript. Inside the theater, in the long shots, the crowd looked more like a sea of white faces than usual. Even though great efforts were made to get close-ups of the black stars at the tables, the long view looked overwhelmingly white. Just the predictable effect of contrast. You'd think movie people would have better sensitivity to how component parts appear in long shots. This all-black design concept highlighted white people.
3. How did the men dress? Many of them wore not only black suits but black shirts and black ties. It looked sharp, albeit insectoid.
4. How did the men behave? I jumped over most of the men's speeches, but I think they were following a strategy of keeping it low key and throwing attention over to women whenever possible. I'd have to see a transcript to know if any of them did that old-fashioned thanking of his wife for putting up with him. I see in the news this morning that Ewan McGregor thanked his estranged wife: "I want to take a moment to thank Ev, who always stood beside me for 22 years and my four children, I love you." And then — because we need more love in this world — he also thanked his girlfriend.
5. I didn't hear any Trump-bashing. Aziz Ansari said: "I genuinely didn't think I would win because all the websites said I was going to lose." And: "I'm glad we won this one because it would have really sucked to lose two of these in a row." Wasn't that a shot at Hillary?
6. Oprah won the Cecil B. DeMille Award and gave a speech that has people saying she should run for President? Don't Trump haters realize that pushing Oprah as a presidential candidate undercuts one of the main arguments about Trump — that he didn't work his way up within politics but had the arrogance to think he could jump in and start at the top? Anyway, here's the transcript of Oprah's remarks. See if you think there's anything in there that's special. She had a tough task balancing her big moment with the need to recognize other people and to make her recognition of others about women in general (rather than black women or black people). It's a pretty gauzy text, but she sold it well:
In my career, what I’ve always tried my best to do, whether on television or through film, is to say something about how men and women really behave. To say how we experience shame, how we love and how we rage, how we fail, how we retreat, persevere, and how we overcome. And I’ve interviewed and portrayed people who’ve withstood some of the ugliest things life can throw at you, but the one quality all of them seem to share is an ability to maintain hope for a brighter morning, even during our darkest nights. So I want all the girls watching here and now to know that a new day is on the horizon! And when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men, fighting hard to make sure that they become the leaders who take us to the time when nobody ever has to say “me too” again.7. Here's the video of the Oprah speech. Notice the NBC logo — NBC, which played an ignominious role in this past year's sexual harassment journalism:
8. I got the video from the fashion writers Tom and Lorenzo, who say: "Yes, we could talk about how amazing she looks; how her gown is KILLA and the fit is insane; how her hair looks amazing and her makeup is beat to the gods. It doesn’t matter. While these two queens love a diva who turns it out, we love even more when a diva comes into her full power and uses that power to affect others. Nothing but respect for our president."
9. In the comments to this post, rehajm says:
I think she makes a big mistake about the media. They aren't entitled to their own truth. Their own truth is weasel words for lies. She sure got all those powerful women in the room riled up. I wonder if they now feel powerful enough to utilize the justice system, the one with a presumption of innocence, or if they expect to keep using the new one that's ripe for abuse.Here's the relevant text from the transcript:
I’d like to thank the Hollywood Foreign Press Association, because we all know the press is under siege these days. But we also know that it is the insatiable dedication to uncovering the absolute truth that keeps us from turning a blind eye to corruption and to injustice... to tyrants and victims and secrets and lies.I was going to say that's a blatant display of a lack of dedication to the absolute truth — puffery and stroking. It was spoken word, so how it feels at the time is most important, but you can see in the text that she said "the insatiable dedication to uncovering the absolute truth," not "its insatiable dedication to uncovering the absolute truth." She never credited the press with having that insatiable dedication. She only held up dedication to truth as an abstract value.
I want to say that I value the press more than ever before as we try to navigate these complicated times, which brings me to this: What I know for sure is that speaking your truth is the most powerful tool we all have.This is the part that bothered rehajm. Interesting. Above, I was stressing the difference between putting "the" or "its" in front of truth, and now the issue is putting "your" in front of "truth."
How can there be "your truth" and also "absolute truth"? One way to reconcile the 2 ideas is to say that "your" refers not to the press, but to the women who tell their stories and who are, as individual human beings, entitled to their subjective point of view. The press is separate, and it must "navigate these complicated times."
The press is under siege — a land-based military metaphor — and out on the Ocean of Complication. It should be dedicated to the absolute truth, and part of the truth is the way women experience their own lives and tell their stories. You can give an absolutely true report of the story that Ms. X told, even if Ms. X is only telling her own story, and that story is not the "absolute truth," but an element of a proper news report that will also contain other elements.
The next lines in Oprah's speech suggest that my interpretation of "your truth" is pretty good:
And I’m especially proud and inspired by all the women who have felt strong enough and empowered enough to speak up and share their personal stories. Each of us in this room are celebrated because of the stories that we tell, and this year, we became the story.Ah! How she slipped from TRUTH!!! to stories...
10. "And here are the all-male nominees," said Natalie Portman, before reading the names of the nominees for best director. (Guillermo del Toro won for "The Shape of Water.") That line resonated when, shortly afterward, the award for Best Musical/Comedy Film went to "Lady Bird,"which was directed by a woman, Greta Gerwig.
11. Did you notice what didn't get anything? "The Post" and "Get Out."
12. That reminds me. "The Post" got nothing, which means that Meryl Streep did not win for Actress in a Drama, so who won? Frances McDormand! She wore the best dress. It was the most anti-fashion dress I've ever seen. Not just black, but high neckline, long sleeves, long full skirt, and cut way large. It was the absence of a dress, even more so than nakedness. [ADDED: Tom and Lorenzo on McDormand's dress: "We’re not going to rip apart her nun’s habit. It’s fine. It’s who she is.... Granted, we think she could’ve worn a comfy pantsuit and come off a little more chic in the process, but whatevs."]
13. And I can't believe they didn't give Best Actor in a Drama to the guy in "Get Out." Who'd they give it too? A white man, Gary Oldman, who played the white man, Winston Churchill. Oh, no. Wait. "Get Out" got classified as a comedy. The actor, Daniel Kaluuya lost to James Franco. And I see "Get Out fans 'outraged' by Golden Globes snub: 'We're in the sunken place.'" You know what that means, the "sunken place"? (SPOILER: It means your body has been taken over by a white person, and you are just going along for the ride, able to see where your body is going, but only at a distance, and unable to speak or control your own motions, which aren't really yours anymore, but that monstrous white person's.)
14. Didn't Gary Oldman get on some political shit list a few years ago? Oh, yes, here: "Gary Oldman can't stop apologizing for that Playboy interview he did where he kept denouncing political correctness." Those were simpler times. Oldman had said: "I just think political correctness is crap. That’s what I think about it. I think it’s like, take a fucking joke. Get over it.... We all hide and try to be so politically correct. That’s what gets me. It’s just the sheer hypocrisy of everyone, that we all stand on this thing going, 'Isn’t that shocking?'"
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