Showing posts with label Ellen Burstyn. Show all posts
Showing posts with label Ellen Burstyn. Show all posts
September 30, 2024
July 3, 2019
In 1964, when I was 13, I went to the movies to see "A Hard Day's Night," and it was a double feature.
The other movie — the movie I've chosen for 1964 in my "imaginary movie project" — was "For Those Who Think Young."
That poster says it's "The swingin'est young people's picture of the year," and I saw it immediately after that other "young people's picture," "A Hard Day's Night." Two entirely different visions of "young."
Compare Pamela Tiffin (who was was 22 in 1964) with Pattie Boyd (who was 20):
I made both of those screen grabs, and I can tell you Tiffin was done up like that for a day at the beach. Tiffin oozed maturity. Movies like this were called "beach party" movies, but her character was a college student who was continually attending to her studies and she was insistent that her boyfriend, the rich kid (James Darren), treat her with complete respect. Boyd played a schoolgirl whose role was to gawp at the Beatles and say her one line, "Prisoners?!"
Why didn't I pick "A Hard Day's Night" for my project? It fits the requirement that I need to have seen it in the theater when it came out. But I'd already rewatched "A Hard Day's Night" a time or 2, and I want to compare my original response with what I feel now, so... too much static. And there's something specific I remember about seeing "For Those Who Think Young" when I was 13: I enjoyed it more than "A Hard Day's Night."
But why? That's a mystery to solve. First, I loved Bob Denver. The show "Gilligan's Island" debuted in the fall of that year, but I knew him from my favorite TV show, "The Many Loves of Dobie Gillis," which was on from 1959 to 1963. I had a 8"x10" glossy photo — I'd sent in for it — of Denver as Maynard G. Krebs. I loved the beatnik character who questioned all of society's conventions — especially work.
Let me show you about 10 minutes of "For Those Who Think Young," beginning with the Bob Denver character. He's meditating, and this is 4 years before The Beatles took up Transcendental Meditation. This segment continues with some Tiffin/Darren interplay and reaches a peak with Bob Denver buried in the sand using his mouth in a way that I found gut-bustingly hilarious in 1964. And don't miss Nancy Sinatra:
Did you see that early #MeToo wokeness? Nancy hits Bob for kissing her in an entirely nonphysical way. The meditation is so strong.
The Bob Denver character, Kelp, is employed as Darren's assistant, and we see him running over to serve him and Tiffin some drinks in tall glasses. Before running off, Kelp then slips one of those glasses into his swimsuit pocket, where it bulges like an erection I didn't notice in '64.
That poster says it's "The swingin'est young people's picture of the year," and I saw it immediately after that other "young people's picture," "A Hard Day's Night." Two entirely different visions of "young."
Compare Pamela Tiffin (who was was 22 in 1964) with Pattie Boyd (who was 20):
I made both of those screen grabs, and I can tell you Tiffin was done up like that for a day at the beach. Tiffin oozed maturity. Movies like this were called "beach party" movies, but her character was a college student who was continually attending to her studies and she was insistent that her boyfriend, the rich kid (James Darren), treat her with complete respect. Boyd played a schoolgirl whose role was to gawp at the Beatles and say her one line, "Prisoners?!"
Why didn't I pick "A Hard Day's Night" for my project? It fits the requirement that I need to have seen it in the theater when it came out. But I'd already rewatched "A Hard Day's Night" a time or 2, and I want to compare my original response with what I feel now, so... too much static. And there's something specific I remember about seeing "For Those Who Think Young" when I was 13: I enjoyed it more than "A Hard Day's Night."
But why? That's a mystery to solve. First, I loved Bob Denver. The show "Gilligan's Island" debuted in the fall of that year, but I knew him from my favorite TV show, "The Many Loves of Dobie Gillis," which was on from 1959 to 1963. I had a 8"x10" glossy photo — I'd sent in for it — of Denver as Maynard G. Krebs. I loved the beatnik character who questioned all of society's conventions — especially work.
Let me show you about 10 minutes of "For Those Who Think Young," beginning with the Bob Denver character. He's meditating, and this is 4 years before The Beatles took up Transcendental Meditation. This segment continues with some Tiffin/Darren interplay and reaches a peak with Bob Denver buried in the sand using his mouth in a way that I found gut-bustingly hilarious in 1964. And don't miss Nancy Sinatra:
Did you see that early #MeToo wokeness? Nancy hits Bob for kissing her in an entirely nonphysical way. The meditation is so strong.
The Bob Denver character, Kelp, is employed as Darren's assistant, and we see him running over to serve him and Tiffin some drinks in tall glasses. Before running off, Kelp then slips one of those glasses into his swimsuit pocket, where it bulges like an erection I didn't notice in '64.
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