"... in which the author’s voice comes through (and where the character was imagined as more of an 'unfinished' type, à la Marilyn Monroe, whom he wanted for the role). Capote was disappointed by the casting of Audrey Hepburn; ergo, clips from the movie actually misrepresent his vision."
I watched 2/3 of that documentary last night and stopped only because of streaming problems (which I attribute to my internet service, AT&T, not to the streaming service, Criterion Channel).
In that trailer, Capote, at 1:12, says "Here is a man who has devoted his whole life to art and is a genius" and then, at 1:28, "Most people think because somebody is a creative individual, they must be intelligent. It is not so. Like Tennessee Williams."
"... or about $450, under new municipal rules that ban a variety of activities in the city’s historic center. The regulations are intended to 'guarantee decorum, security and legality' by prohibiting actions that are 'not compatible with the historic and artistic decorum' of Rome’s center, according to the city’s website.... Dozens of startled people, most of them presumably tourists, were reprimanded on a broiling Wednesday afternoon by a small force of municipal police officers — this reporter counted at least eight — who admonished step-sitters by blowing twice on their whistles and gesturing stiffly to stand up.... A tired-looking father with a stroller in his hands and a toddler on his shoulders, was coming down the steps when he was stopped by a cry of 'Hey Mister.' The stroller, an officer said, cannot touch the steps. The father grudgingly complied.... 'You see one stroller — we see millions of them. This is a historic monument that has to be preserved,' [the police officer] said, declining to give his name because he was not authorized to speak to reporters. He asked to be identified as 'a municipal police officer who loves Rome.'... The Rome newspaper Il Messaggero said Wednesday that photographs of empty stairs 'were not an image of strength, but of desolation.' The newspaper accused the mayor of trying to apply 'Swiss rigor' to what was a quintessentially Roman spot for relaxation."
Famous tourist attractions are too crowded these days. You travel to see something, and it's full of people, and way too many of them are taking pictures of themselves. It affects who travels, and I suspect the city would prefer the travelers who spend a lot money, the people who stay at that hotel at the top of the steps and not the people who'd like to lounge on the steps eating street food.
ADDED: Audrey Hepburn totally littered that ice cream cone!
Grant declined, believing he was too old to play Hepburn's love interest (though he played opposite her ten years later in Charade.) Other sources say Grant declined because he knew all of the attention would be centered around the princess. Peck's contract gave him solo star billing, with newcomer Hepburn listed much less prominently in the credits. Halfway through the filming, Peck suggested to [the director William] Wyler that he elevate her to equal billing—an almost unheard-of gesture in Hollywood.
I'm just noticing that Hepburn's character, a princess, is named Ann. Ann, with no "e." Strange! I wonder if I'd noticed that years ago, I might have eventually gotten around to watching this movie. I have seen the other Hepburn-as-Italian-tourist movie, Katharine Hepburn as an aging spinster in "Summertime." Generally, I'm not big on the cliché movie idea of woman traveling and finding herself by getting into a sexual relationship. Oh, I don't know. It could work on me. I love "A Room With a View." The Italian city in this one is Florence:
A correction in the NYT on an article titled "St. Vincent, an Experimenter in Music and in Makeup." The originally botched sentence is: "I got an unfortunate grief haircut over the holidays that I like to call 'Audrey Hepburn with an anger problem.'" I guess the transcriber was picturing this:
Now does that look like Audrey Hepburn with an anger problem?
Maybe that's what Hillary's stylists were going for, but it badly misses the mark because of the glossy fabric and the menswear collar. And because it's a blouse. Jackie and Audrey are wearing jackets — jackets made of stiff fabric, probably wool. There's no shirtliness about their garments. Jackie's neckline has the look of a folded-over cowl and Audrey's is as plain as possible, like a sliced-off pipe. Both women look encased. The neckline seems wide so they can retract their cute heads into the shell if they needed to for protection. It's darling (possibly) but not at all presidential.
... as I idly scanned Buzzfeed headlines, but I see it's written by a "Buzzfeed fellow" named Spencer Althouse, and I'm always looking for new posts in the storied line collected under my "other Althouses" tag.
I'm 22, an identical twin, and I don't trust men who shave their armpits. Comedy writer, aspiring screenwriter, Academy Awards enthusiast.
So... there are 2 other Althouses.
Here's Spencer's collection of "The 31 Most Sinfully Sexy Nuns In Movie History." As the countdown continues, you become more and more sure that #1 is Audrey Hepburn in "The Nun's Story," but she's not.
"... even the one introduced to American audiences in the persons of Bette Davis, Irene Dunne, Margaret Sullavan, the other Hepburn (though she could talk herself into a self-centered corner, too), Carole Lombard, Rosalind Russell, Jean Arthur, as well as Barbara Stanwyck. Instead Audrey rather resembles her physical antithesis Marilyn Monroe (who wanted to play Holly) in that they have very distinctive voices, but not voices that are good for talking to people."
I hear some of the lefty bloggers are having trouble with it, even daring to mock it. Let me help you we a couple reference photos:
Get it?
When's the last time we had a VP with bangs?
And some cheeky people are typing: VPILF. Oh, no! That's so wrong! But, that said, I don't think it would be so unusual to have a VPILF. Why I dream of Dick Cheney every night! j/k.
ADDED: Sorry, I said "a couple" and then had some internet troubles. Here's another:
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