Photo caption at
"The Smithsonian is digitizing political and military posters — 18,000 of them/More than 200 posters a day are being converted to make them more accessible to the public" (WaPo).
I like that job title,
"object handler."
From the article:
Neither of the young Smithsonian object handlers knew of the formidable New York feminist and three-term member of the U.S. House of Representatives. Brookins said she had heard of Abzug, who died 21 years ago, for the “first time in the poster.”...
The Bella Abzug poster, in orange, black and white, shows her in one of her trademark hats, along with the slogan “This Woman’s Place is in the House . . . the House of Representatives!” (The Smithsonian also has one of her hats.)
You'll have to imagine the orange lettering:

Pictures really do help us to remember. Pictures of posters, posters that helped us to have an idea of the candidate at the time. The hat helped too. It's another visual (and the Smithsonian is preserving one of her hats). This woman really did imprint herself on the public by wearing a hat. She was
the one with the hat.
These days, Trump is the one with a hat, and he imprinted himself on us by making his head distinctive not with a hat but with a very odd hairstyle.
Anyway, these kids today. They don't know much about history. But maybe if you give them some pictures, some glimmer will arise. And what do
you really know about history? What's there in your odd head? Isn't it — to be fair — just some posters? Stuff like...

Oh, my. Does he looks like Trump?

It's so powerful, the visual. In the visual archive of my own head, there is
John McCain leaning over and muttering the names of dictators in the ear of Amy Klobuchar at the Trump inaugural. Trump/dictator. It's connected.
And look at the hands... Trump has tiny hands... what is he hiding?

What does the candle mean? Why is it burning low? Look at the other hand, look at the objects... the pen, the sword, the orb...

We are all object handlers in the mind's visual archive.