Black Obsidian Sound System (BOSS) — a collective of "queer, trans and non-binary Black and people of colour involved in art, sound and radical activism" — critiques the art industry that nominated it for the Turner Prize.

The London Times reports in "Turner Prize nominee paints Tate and awards culture as villains":  

It said the art industry failed to financially reward collectives, had an “in-built reverence” towards individuals, and regarded “black, brown working class, disabled and queer bodies [as] desirable, quickly dispensable, but never sustainably cared for.”...

In a statement released this week BOSS said that while arts institutions were “enamoured by collective and social practices” they were not “properly equipped or resourced to deal with the realities that shape our lives and work.”...

The Turner Prize jury were passionate about the work of all the collectives they shortlisted, recognising that these collaborative practices reflected the solidarity and community demonstrated across the UK in response to the pandemic....

I'm enamored by this phrase "an 'in-built reverence' towards individuals." I know it's meant as a criticism, but it seems like a good thing — an in-built reverence towards individuals. "In-built" sounds like a synonym — a good substitute — for "systemic." And I like "in-built" better than "built-in." I would have written "built-in," but it's perfectly easy to understand "in-built," and it feels like the familiar English words "inborn" and "inset."

I wonder if the criticism makes BOSS more likely or less likely to get the award. It sounds like the jury wanted credit for nominating a collective and the collective called bullshit on using them that way. It's not an honor just to be nominated.