October 20, 2019

Elton John and his movie alter ego Taron Egerton together, singing, in L.A. yesterday.



I'm interested in this because I actually watched the movie "Rocketman" last night. I rarely watch a movie — maybe once a month on TV and once a year in the theater — but I felt like seeing "Rocketman" because I'd blogged about Elton John's new autobiography yesterday and audiobooked 25% of it on a long walk. The book has much more depth about music and human relationships, and the movie has the visuals — all the expressive faces and, of course, the music itself, plus lots and lots of costumes. I know the movie got to me because:

1. It made me cry within the first 17 minutes. Later, I saw in the book that the very same thing made Elton John cry:
But I’d kept away from the set and tried to avoid looking at the rushes: the last thing you want is the person you’re playing gawping at you while you’re pretending to be him. But watching the film... I started sobbing during the scene set in my gran’s house in Pinner Hill Road, where my mum and dad and gran are singing ‘I Want Love’. That was a song Bernie had written about himself, a middle-aged man with a few failed marriages behind him, wondering if he’ll ever fall in love again. But it could have been written about the people who lived in that house....
What's so sad about that scene is that each character — his mum and dad and gran and he himself — are all in the same house, but each sings the song alone. They all want love, but they cannot give it to each other. Yes, that's corny and melodramatic, but there's a thorough and theatrical commitment to the melodrama, it does make some sense to say that even the cold, heartless bastards in your life, deep down, want love. You can know that and give them that and still understand that they're not going to give love to you and won't receive love from you.

2. That night, I had a dream — not the dream described below — that was something like a scene in the movie, which I won't describe because it's a bit of a spoiler. In my dream — and there's no movie spoiler here and no quote from the movie — I told some people off with the line: "You are no longer allowed to talk to me from inside my head." That seemed like an important idea to me in the dream and to me now that I'm awake. I'm not referring to the phenomenon of hearing voices in your head, which is a symptom of mental illness, but the very common experience of having your own thoughts and weaving in the imagined responses and interactions of another person. I don't think it would be possible or desirable to exclude everyone from your thoughts, but you might want to identify some individuals in your life who ought to be escorted out. You could still talk to them when they're actually there in real life talking to you. Just don't let them talk to you from inside your head. In the dream, the individuals I was talking to when I said "You are no longer allowed to talk to me from inside my head" were inside my head. That's what a dream is.

7 comments:

Jeff Brokaw said...

I definitely need to watch this — I was in 8th grade when Goodbye Yellow Brick Road came out and knew every word and note of that double album. His and Taupin’s music has aged exceptionally well, and that band and production was top notch.

The sheer volume of great singles and album cuts from 1970-75 is still hard to believe...

Susan said...

In one of C.S. Lewis' Narnia books a young girl was spying on some classmates on a train to find out what they thought of her. She was distressed about their mean girl gossiping. She was told later on that "It is none of your business what other people think of you." Which was an intriguing concept to me.
I have attempted to put that idea into practice for the last 40 years or so and it is wonderfully freeing. I am free to love each and every person all day long without worrying if they love me back. I can do what I know is right all day long and not worry about what people will think about me.
But the best part is that I don't have people in my head arguing about me personally. Sure I think about what this person or that person might suggest in a situation. But whenever I think about something mean or unkind someone has said "it's not my business what they think they are entitled to have their own thoughts."
That allows me to think about whatever I want and not get derailed by the other people in my head who shouldn't be there.

daskol said...

Stuck on an airplane couple days ago, too tired to read and badly timed for sleeping, searching for something to do besides nothing, I watched Rocketman and really enjoyed it. Funny fact: former Game of Thrones star Richard Maddon plays Scottish talent manager John Reid, who is played by an Irish former Game of Thrones star in the Freddy Mercury biopic. Rocketman is a good enough movie for my more mature kid who liked the Freddy Mercury flick: better music and more humanity. Of course "I'm Still Standing," after a 30 year break, is back doing that "Involuntary Musical Imagery" thing in my head again, along with some other Elton earworms.

Phil 314 said...

Enjoyed the movie. Just reviewed that “I want love” sequence, touching.

I had a brief but interesting conversation with my daughter regarding the different personalities of my son in law (her husband) and their son (my grandson). She is pained by their differences and the conflicts created. At this point in my life I wonder if (short of the extreme displayed in “Rocketman”) whether that difference is a good thing in the long run, creating some softness in a hard man and some resilience in a growing child.

Michael Fitzgerald said...

Tim Conway was the best Elton John.

https://youtu.be/sYFprizVGh0

rightguy said...

I saw a documentory about EJ recently and I got the impression that he was pretty ordinary as a person, but with more problems than most of us have. Not a very interesting guy, although his career is truly phenomenal.

I have noticed that when his songs come up on SIRIUS I quickly change the channel, even though I like a lot of other stuff from the 70's. EJohn married a lot of incredibly catchy tunes to some opaque, meandering, & meaningless lyrics :

Levon wears his war wound like a crown
He calls his child Jesus 'cause he likes the name
And he sends him to the finest school in town
Levon, Levon likes his money
He makes a lot they say
Spends his days counting
In a garage by the motorway
He was born a pauper
To a pawn on a Christmas day
When the New York Times
Said God is dead and the war's begun
Alvin Tostig has a son today
And he shall be Levon
And he shall be a good man
And he shall be Levon
In tradition with the family plan
And he shall be Levon
And he shall be a good man
He shall be Levon
Levon's sells cartoon balloons in town
His family business thrives
Jesus blows up balloons all day
Sits on the porch swing watching them fly
And Jesus, he wants to go to Venus
Leave Levon far behind
Take a…

Total crap lyrics if you ask me. Kind of like Horse With No Name as to level of random incoherence. I remember an interview back then when EJ described his songs as "disposable". That is exactly right.

Janette Kok said...

In the dream, the individuals I was talking to when I said "You are no longer allowed to talk to me from inside my head" were inside my head. That's what a dream is.

In the last Harry Potter book, Voldemort throws a killing curse at Harry, and then Harry is in a place that seems to him like King's Cross Station. He has a talk with his late headmaster, Dumbledore, and at the end asks something like, "Is this real? Or is it all in my head?" Dumbledore answers something like, "It is all in your head. That doesn't mean it's not real."