My question is, will "Steamboat Willie" from 1928 ever fall out of copyright? Why should the Disney corporation continue to profit on something that should have fallen into the public domain by now>
Contrary to my Botch Crotch Bomber (Cat Scratch Fever) allusion, it appears that Nuge is no longer the Motor City Madman.
I left Michigan and I moved to Texas, where they don’t rape and pillage my paycheck. And where I can keep a machine gun in the front seat of my vehicle.
Hey, if you ever want to get back at Ted Nugent, just play this 1980s video Little Miss Dangerous, obviously recorded when his record company thought Don Johnson was the future of music.
Hey, just watched Ted guest on Miami Vice. He was a bad guy, but the rest of the story was so convoluted, not sure what was going on. Man that show was bad.
Ted's second stage incarnation hit the national circuit just in time for part of my misspent youth; I don't regret one second I spent listening to him.
My question is, will "Steamboat Willie" from 1928 ever fall out of copyright? Why should the Disney corporation continue to profit on something that should have fallen into the public domain by now...
Does anyone else watch "Better Off Ted"? Until I got to the Ted Nugent tag, I thought that was a line from it, and completely imagined it being spoken by Veronica. It fit perfectly.
Why should anyone else profit on Disney's invention? You think you should own a piece of Mickey Mouse? Communist tool.
Then the founding fathers were "Communist tools." They created copyright protection, but the original act of 1790 limited it to 14 years, with a 14 year renewal. After that, written works passed into the public domain.
Also, Walt Disney doesn't profit from Mickey Mouse any more. He's dead. Unless they really do have his head frozen in the Disney vault and plan to revive him.
Copyright law has been extended many times, and now borders on the ridiculous. Since a corporation doesn't die, it can essentially keep written works out of public domain for generations, long after the original author has died and even his/her children have died. A work can be protected for up to the life of the author, plus 70 years. This was done by Rep. Sonny Bono in the 90's, essentially so "Steamboat Willie" wouldn't pass into the public domain. But for an individual author, a boot written in his 20's who lives into his 80's, this means a book could stay out of the public domain for 130 years! Or worse, it could stay out of print for 100+ years because the author's family can't agree to whom to sell the rights.
You can argue that a trademark for an existing corporation shouldn't be infringed, but a book written in the 1920's is still protected?
I know other intellectual property, such as patents, have the same protections, but it's a bit different. You can patent a drug, but that doesn't stop another drug company from coming up with a very similar drug that does the same thing. But if you write a story that borrows elements from another book written 80 years ago, you can be sued.
It's not as if corporations like Disney are above revising old stories now in the public domain, like the "Three Musketeers," or other film studios doing adaptations of H.G. Wells or Jules Verne.
I'm not a lawyer, so I can't claim to be an expert on this, but it occurs to me that while property rights are necessary for liberty to flourish, property rights are still limited, and can be terminated under certain circumstances. If the state wants to build a road through your property, it has the power of eminent domain to do so. If a person tries to hold up construction and "hold out" indefinitely, it won't work. If you own a decrepit run-down house in a bad neighborhood, the city can condemn it and tear it down (and bill you for it).
The key phrase here was authors were to retain ownership of their written works for a "limited" time. Anyone want to venture a guess that in a few years that Congress will simply extend the copyright act again another 20 years, so Disney can keep "Steamboat Willie" out of the public domain? Doesn't that make a mockery of the original language of the constitution, that ownership of the original works are for a "limited" time?
Kids should be shown the entire Warner Bros. cartoon library, including the banned ones. They should also be shown MGM's cartoon library as well as Harvey Films. I'm hard pressed to tell who distributed Walter Lantz's works (Woody Woodpecker), but they should be shown those as well. Kids might learn America once had a sense of humor, or as Carlos Mencia says, "Take a joke, America."
Tweety had rights but only because they were backed up by the mother. Sylvester always got the frying pan on the head. Didn't he have the right to eat?
I think that toon called into question rights discourse and how it was legitimated by the superpowers (in this case, the mom, that you only ever saw from the waist down).
For too long cartoon character were judged by the fluffiness of their tails or the floppiness of their ears. Sponge Bob was the character who broke down the pro-mammalian stereotypes that too many of our cartoons are based on. As the first invertebrate to achieve world wide fame and success, he did much to open the door for Obama.
Support the Althouse blog by doing your Amazon shopping going in through the Althouse Amazon link.
Amazon
I am a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for me to earn fees by linking to Amazon.com and affiliated sites.
Support this blog with PayPal
Make a 1-time donation or set up a monthly donation of any amount you choose:
27 comments:
My question is, will "Steamboat Willie" from 1928 ever fall out of copyright? Why should the Disney corporation continue to profit on something that should have fallen into the public domain by now>
Was that satire?... as opposed to an actual interview with Ted Nugent? I can't tell.
I’m the luckiest son of a bitch to ever scare white people with an electric guitar.
Little Richard is dead?
Cheers,
Victoria
This was covered in the Coyote Gospel in Animal Man #5 twenty years ago by Grant Morrison.
Little Richard mostly scared people with his hairdo, makeup and pencil-thin mustache.
Animals dont have rights .. they dont even pay taxes commensurate with their carbon footprint.
Little Richard is dead?
Little Richard played the piano, when he wasn't playing with himself.
Contrary to my Botch Crotch Bomber (Cat Scratch Fever) allusion, it appears that Nuge is no longer the Motor City Madman.
I left Michigan and I moved to Texas, where they don’t rape and pillage my paycheck. And where I can keep a machine gun in the front seat of my vehicle.
Hey, if you ever want to get back at Ted Nugent, just play this 1980s video Little Miss Dangerous, obviously recorded when his record company thought Don Johnson was the future of music.
What dreck!
Hey, just watched Ted guest on Miami Vice. He was a bad guy, but the rest of the story was so convoluted, not sure what was going on. Man that show was bad.
Ted's second stage incarnation hit the national circuit just in time for part of my misspent youth; I don't regret one second I spent listening to him.
Little Richard never scared me.
Hank Ballard--I was scared of Hank Ballard.
"Why should the Disney corporation continue to profit on something that should have fallen into the public domain by now"
Why should anyone else profit on Disney's invention? You think you should own a piece of Mickey Mouse? Communist tool.
"My brain is gonna squirt through the phone lines and stain your face."
He sure has a way with words.
What I'd give to watch him tear the execrable Bill Maher a new asshole.
My question is, will "Steamboat Willie" from 1928 ever fall out of copyright? Why should the Disney corporation continue to profit on something that should have fallen into the public domain by now...
No time soon, thanks to Sonny Bono.
He was a bad guy, but the rest of the story was so convoluted, not sure what was going on. Man that show was bad.
And how did all the sand fall out of the sky?
That was too surreal even for Nugent, who usually is radical but coherent. I suspect that was satire.
Of course cartoon animals have rights. They are cartoon rights.
At least until Cass Sunstein gets involved.
Speaking of food derived from plants and not animals, I just now invented a coffee vanilla latte with Kahlúa and blended with a banana.
Hey Ted. Have you met Althouse?
Very cool lady, yet not one word about cartoon animal rights?
What's up with that?
I just wish old Ted wasn't so ambivalent...
Sometimes I think Ted would benefit from some recreational drug use.
Does anyone else watch "Better Off Ted"? Until I got to the Ted Nugent tag, I thought that was a line from it, and completely imagined it being spoken by Veronica. It fit perfectly.
Why should the Disney corporation continue to profit on something that should have fallen into the public domain by now
Indeed. I know this keeps me awake at night.
David said:
Why should anyone else profit on Disney's invention? You think you should own a piece of Mickey Mouse? Communist tool.
Then the founding fathers were "Communist tools." They created copyright protection, but the original act of 1790 limited it to 14 years, with a 14 year renewal. After that, written works passed into the public domain.
Also, Walt Disney doesn't profit from Mickey Mouse any more. He's dead. Unless they really do have his head frozen in the Disney vault and plan to revive him.
Copyright law has been extended many times, and now borders on the ridiculous. Since a corporation doesn't die, it can essentially keep written works out of public domain for generations, long after the original author has died and even his/her children have died. A work can be protected for up to the life of the author, plus 70 years. This was done by Rep. Sonny Bono in the 90's, essentially so "Steamboat Willie" wouldn't pass into the public domain. But for an individual author, a boot written in his 20's who lives into his 80's, this means a book could stay out of the public domain for 130 years! Or worse, it could stay out of print for 100+ years because the author's family can't agree to whom to sell the rights.
You can argue that a trademark for an existing corporation shouldn't be infringed, but a book written in the 1920's is still protected?
I know other intellectual property, such as patents, have the same protections, but it's a bit different. You can patent a drug, but that doesn't stop another drug company from coming up with a very similar drug that does the same thing. But if you write a story that borrows elements from another book written 80 years ago, you can be sued.
It's not as if corporations like Disney are above revising old stories now in the public domain, like the "Three Musketeers," or other film studios doing adaptations of H.G. Wells or Jules Verne.
I'm not a lawyer, so I can't claim to be an expert on this, but it occurs to me that while property rights are necessary for liberty to flourish, property rights are still limited, and can be terminated under certain circumstances. If the state wants to build a road through your property, it has the power of eminent domain to do so. If a person tries to hold up construction and "hold out" indefinitely, it won't work. If you own a decrepit run-down house in a bad neighborhood, the city can condemn it and tear it down (and bill you for it).
The key phrase here was authors were to retain ownership of their written works for a "limited" time. Anyone want to venture a guess that in a few years that Congress will simply extend the copyright act again another 20 years, so Disney can keep "Steamboat Willie" out of the public domain? Doesn't that make a mockery of the original language of the constitution, that ownership of the original works are for a "limited" time?
Kids should be shown the entire Warner Bros. cartoon library, including the banned ones. They should also be shown MGM's cartoon library as well as Harvey Films. I'm hard pressed to tell who distributed Walter Lantz's works (Woody Woodpecker), but they should be shown those as well. Kids might learn America once had a sense of humor, or as Carlos Mencia says, "Take a joke, America."
The Stupid, it burns... A cartoon and a motivational poster!
H/T: LMA
Tweety had rights but only because they were backed up by the mother. Sylvester always got the frying pan on the head. Didn't he have the right to eat?
I think that toon called into question rights discourse and how it was legitimated by the superpowers (in this case, the mom, that you only ever saw from the waist down).
For too long cartoon character were judged by the fluffiness of their tails or the floppiness of their ears. Sponge Bob was the character who broke down the pro-mammalian stereotypes that too many of our cartoons are based on. As the first invertebrate to achieve world wide fame and success, he did much to open the door for Obama.
Post a Comment