Writes Jason Farago in "'Rear View,' a Show About Butts, Is Forward Thinking/At LGDR’s new gallery, blue-chip buttocks by 60 artists, from Degas and Klimt to Cecily Brown and Andy Warhol."
Paul Cadmus, whose retrograde male nudes are enjoying an unmerited revival in attention, appears here with yet more anemic drawings of standing and reclining musclemen, none more consequential than the gents on a Calvin Klein underwear box. (For what it’s worth, the gay male artists in this show all come out looking second-rate, with none of the perverse intelligence of Degas, Schiele and the other straight bros. Did Michelangelo die for this?)....
In [Félix Vallotton's] 'Étude de Fesses'... the right cheek droops inches below the left, which is squared off where the sitzfleisch meets the thigh. The left hip arcs grandly, while the right one nearly disappears into a vertical line. Gentle shadowing picks out small passages of cellulite, and cool, clean vertical brushwork gives his oils the appearance of pastel...."
That's at The New York Times, where they prod me to partake of additional ass-related material like this:
7 comments:
Pieces like this do nothing to help convince me we're not living in Idiocracy the movie.
Stuff like this is why aliens won't talk to us, I'm sure of it.
That's a perfect subject for the NYT. What better way to start the day than reading about butts? The Babylon Bee couldn't have done that any better.
All I know is that within my lifetime an ass famine has become an ass feast, proof at minimum that things can change for the better, and quite possibly that God loves us and wants us to be happy.
"The number 1 movie in America was called 'Ass.' And that's all it was for ninety minutes. It won eight Oscars that year. Including best screenplay."
Transgenders find common cause with trans/socialites in union with feminists/masculinists under the ethical religion of Progressive Liberal sects.
Meanwhile, in Paris, the Louvre is touting “des cheveux et des poiles” show, à fascinating roundup of classical paintings grouped around hairstyles and chest hair. Catering to the lower nature animal we have become.
If you look from the back at the famous Michaelangelo statue of David, you can see not only the sling across his spine and the stone in the pouch in his right hand, but also that he's a little clenched in the glutes, perhaps in nervous anticipation of the contest to come. Of such detail is great art made. The Idiocracy clip from "Ass," on the other hand, wasn't that compelling.
Did the actor who played that role get a screen credit? Do we know who modeled for David?
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