"It appeared to contain a tape, and was postmarked May, 1965, when Reed was twenty-three, working as a songwriter at Pickwick Records, living with his parents, and busking on street corners with his new friend John Cale. 'The Velvet Underground & Nico' would come out two years later.
Should they open it? They spent years deciding. 'We were treating it like a relic,' Anderson said. They finally did, and the results, an album called 'Words & Music: May 1965,' came out [last] month."
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Interesting. I've always been a big Lou Reed and Velvet Underground fan (I was first introduced to them by a friend in the 80s), but I do like the electric guitar renditions better.
It's called a "poor man's copyright" to mail a copy of your manuscript to yourself and not open it.
Moe Tucker lives in Douglas Georgia. I used to see her at the Alma post Office. She’s totally Tea Party/MAGA.
Here's a comment from Eric Hammerbacher (which I'm quoting here because it belongs here (and was posted by mistake elsewhere)):
"Feels synchronicitous that I literally just went to search through my fb history to find yr post from March ‘21ish that I had shared then about the Beatles’ “Helter Skelter” and Charles Manson but couldn’t find it even though I don’t remember deleting it; I had thought of it earlier today when HS came on the Beatles Sirius XM channel 18 and I thought hmm I have the agency within to change the channel so I clicked to 19 Bob Marley and it was literally playing “One Love/People Get Ready”, lol"
poor man's copyright
"poor man's copyright"
If this is a well-known method, why did Anderson, et al. dither for years about opening it?
The New Yorker should mention this legal point. I suspect that Anderson, et al. knew copyright was the reason for the package, then assumed that the tape it contains duplicated material they already had. They were weighing the risk of destroying the "relic" against the possibility that the tape had something different and good enough to sacrifice the unopenedness of the package.
I walked out this morning and I wrote down this song
I just can't remember who to send it to
In 1982, the English musician Brian Eno said that while the album only sold approximately 30,000 copies in its first five years, "everyone who bought one of those 30,000 copies started a band."
I know that's not true because I certainly didn't. Couldn't find another Nico.
Love the straight blues waiting for the man starts off the record, less so the folky one that concludes it. The folkiness in several tracks in general is very interesting because while there has been a lot of demo electric and acoustic stuff released, and I’ve probably got all of it, can’t recall anything so explicitly similar to early 60s folk and Dylan in particular. Pale Blue Eyes sounds like an early Dylan homage on this, although those weird harmonies are off putting. My favorite band to come out of NYC.
Men of good fortune sounds like a Phil Ochs song!
Ha, Walk Alone is a funny song, and somehow has a callout to The Big Lebowski, despite the movie appearing some 30 years later (coitus!) Enjoy the intimacy and images of Reed and Cale busking on street corners.
this reminds me of Hemingway writing novels in the 40s and 50s and then locking them away in a safe deposit book. Islands in the Stream and True at first light come to mind. I often wonder if George R.R. Martin has already written most of his last "Game of thrones" series and is just sitting on it, so he can publish it later and get an extended copyright for his family.
'Perfect Day' is one of the most haunting songs I have ever heard. Listen to the BBC version once then listen again and replace 'you' with 'heroin'.
Hmmmm. ”It appeared to be postmarked May 1965” is what I think the story is trying to say. Doesn’t necessarily mean I’ll believe it, but fascinating if true.
We used to believe at that time that this was a cheap way to copyright something, to send it to yourself in the mail. You could in this way prove that you were in possession of it as of a particular date.
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