February 14, 2004

I started watching The Apprentice again. I couldn't help it, kind of, because it was on the TiVo and I kept hearing how good the new episode was. Plus, Isaac Mizrahi was on. I love him. It was pretty hilarious when Jessie was talking to him like he was in kindergarten and especially that she wouldn't stop even after he joked that she was talking to him as if he didn't quite speak English (maybe she assumed that as a fashion designer, he must be European). She didn't even stop when he switched from laughing at her to scowling at her. He's such a thoroughly good-natured, affectionate person--watch his regular show and see!--that if he's reduced to scowling, it's got to be really bad.

So Jessie deserved to leave, based on the competition. What is interesting about the show is that your final performance in the boardroom counts as a separate competition, but the players don't seem to have caught on to that yet. They seem to be trying to preserve relationships for the next stage of the competition. Thus, Jessie went noncompetitive right when she had a chance to cause Omarosa to lose, because Omarosa slipped up at that stage. It was certainly better TV to fire Jessie and keep Omarosa around. The last shreds of comedy had already been wrung out of Jessie, but Omarosa has so much more to give.

Why couldn't Omarosa get Isaac Mizrahi's name straight? She kept calling him Isaac Mizarahi. I'm thinking the word "misery" got lodged in her head when she heard "Mizrahi," because she also refered to the Elizabeth Glazer Fund (the charity they were raising money for) as the Elizabeth Glacier Fund.

Prof. Yin is discussing the new episode too. He admits to not being the target audience for the celebrities in question: Russell Simmons is "some hip hop guy" to him. I'll admit to never having heard of Tiki Barber or "Third Watch." I don't care about hip hop stars, myself, except that I enjoy seeing various houses of the stars on "MTV Cribs"--and Russell Simmons was very appealing showing his house, which has a meditation room, on "Cribs."

Anyway, The Apprentice is amazingly well photographed and edited. It is almost worth watching solely for the views of New York City. Add the characters and their cross-sniping, and it really does demand to be watched.

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