"But what if there was a missing layer, a lost generation of artists whose work ran hot-to-feverish in temperature and was driven by a Whitmanesque love of the human body and its longings?"

"This is the question raised with appropriate hippie optimism in 'Sixties Surreal,' an ambitiously revisionist exhibition opening on Sept. 24 at the Whitney Museum of American Art. It brings together about 150 works by 111 painters, sculptors, photographers, collagists, cartoonists, junk assemblage-ists, and at least one Kabballah-ist, most of whom were pushed to the sidelines of the ’60s art scene for various unkind reasons...."

From "Roll Over, Warhol: Taking the ’60s Beyond Pop Art/A thrillingly revisionist history of the era at the Whitney Museum uncovers a current of art that sprang from eros and the uncensored minds of R. Crumb, Martha Edelheit and others" (NYT).

"Of the 111 artists in the show, 47 are women... On a recent afternoon, I visited the studio of Martha Edelheit, a little-known, twice-widowed Manhattanite, now 94, who is about to make her Whitney debut.... She was part of a generation of proto-feminists who painted explicit nudes. In 1965, she recalled, she had a show at the Byron Gallery in Manhattan. The New York Times critic John Canaday came in to look, only to politely explain to the gallery owner that he couldn’t review 'that obscene woman.' Stretching 16 feet wide, across three panels, ['Flesh Wall With Table' (1965)']... embeds a group of female nudes in the space surrounding her drawing table. Languid bodies sprawl from edge to edge of the canvas, snoozing comfortably, their flesh graced with a rainbow of color that progresses from delicate ivories and pinks to dense ceruleans and purples."

Suggestive!