Kill Bill, Vol. 2 is gargantuan. An enjoyable afternoon was spent at the movies, seeing the new Kill Bill. I'm just going to say one thing general and one thing specific about the visuals and one thing specific about the music.
One thing general about the visuals: There were always numerous interesting details on screen to look at, which rarely happens in film and counts for a lot with me.
One thing specific about the visuals: In the scene at night in the graveyard, with the coffin lid up and the decayed body of the corpse partly exposed, the corpse's hand is sticking up and formed into a position to cause the shadow on the coffin lid to be a rabbit's head, as if the corpse were making a shadow puppet.
One thing specific about the music: In a key scene, the music is composed in part of a slowed down version of The Zombies' "She's Not There." If I were insane, I would take this as a personal message to me, because I am on record loving "She's Not There," and I spent the morning experiencing a slowed down piece of music (see below). In fact, as we were driving away from the ironworks, we were talking about the potential for slowing down other pieces of music. The Zombies' song was much less slowed down than the Beethoven however, which is now into its last half hour and must be evanescing into the sublime round about now.
UPDATE: Why a rabbit? I'm not positive it is a rabbit. It's a tiny detail. I'd have to see the movie again to check it out. But I note that there are at least two rabbit references in Kill Bill, Volume 1: "Silly rabbit, Trix are for kids" and (in Japanese) "Time for the rabbit to come out of her hole" (at page 60 and 87 of the script found here). Ah, you figure it out!