"'I mean, who was the stylist for that movie?' she gasped, hand to heart. (For the record, it was Molly Rogers, who took over from her mentor, the legendary Patricia Field, mid-way through filming as Fields’s 'dance card was full' with other projects such as
Emily in Paris). Perhaps the worst criticism was aimed at the outfits Streep agreed to tolerate for her role. 'They put her in a coat with couch pillow tassels on it! It was criminally ugly,' said one aghast attendee. 'I’ll never get over it.' Or, as Peter Davis, the editor-in-chief of Avenue magazine, said, laughing: 'They should rename it
The Devil Wears Bad Clothes.' He went on: 'The fashion was awful but not so bad it was good, like
Ab Fab, which the filmmakers should have rewatched for inspiration before rebooting this cheesy, tacky, and worst of all, boring movie.'"
From
"Why billionaire fashionistas hate The Devil Wears Prada 2/At an exclusive soiree on Billionaires’ Row celebrating a private screening of the sequel, guests bemoan sequins, sofa-esque tassels and a ‘lousy script'" (London Times).