March 8, 2026

Sunrise — 6:54, 7:28.

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Write about whatever you like in the comments.

"The Summer of Love became the template: the Arab Spring is related to the Summer of Love; Occupy Wall Street is related to the Summer of Love."

"And it became the new status quo. The Aquarian Age! They all want sex. They all want to have fun. Everyone wants hope. We opened the door, and everybody went through it, and everything changed after that. Sir Edward Cook, the biographer of Florence Nightingale, said that when the success of an idea of past generations is ingrained in the public and taken for granted the source is forgotten."

Said Country Joe McDonald, quoted on this blog 12 years ago, here, and repeated today, because I'm reading the news that Country Joe has died. He was 84.

Here's his famous set at Woodstock:


Well, come on, all of you big strong men/Uncle Sam needs your help again/Got himself in a terrible jam/Way down yonder in Vietnam....

Waning gibbous moon/daylight-saving sunrise.

"Méliès... filmed ordinary scenes at first, but after accidentally discovering that a jump cut appeared on film as an astonishing transformation..."

"... he pioneered other tricks such as double exposure, black screens and forced perspective. All of these became staples of cinema. On screen, he could make a man appear to take off his head and flip it in the air, or a woman disappear, reappear and double.... Méliès made more than 500 films but never progressed beyond his early technical achievements. The film world passed him by. In World War I, the negatives for most of his films were melted down for silver and celluloid, and he burned more himself after the war. But because his work had once been so popular – and because of widespread pirating – duplicate copies remained, and today about 300 of his films are known to exist. The Library has about 60...."


And here is that amazing 45-second film from 1897 — "Gugusse and the Automaton" — with its delightful jump cuts:


That is, the Library of Congress tells us, "was the first appearance on film of what might be called a robot." That words "might be called" may be there to fend off pedants who will say the word "robot" did not exist until 1920. It comes from a Karel Čapek play titled "R.U.R.: Rossum's Universal Robots" — an etymological detail well known to solvers of crossword puzzles. 

The word "automaton" — used in the Méliès film title — goes back to the 1600s. There's an essay from 1616 with the line, "The soule doth quicken and giue life to the body, the body like an Automaton, doth moue and carry it selfe and the soule."

The quote seems to expect the reader already to have a picture of an automaton. What is that picture? Mechanical toys? Elaborate clocks like the Prague Astronomical Clock (built in 1410)?

Maybe you thought "Gugusse and the Automaton" was — compared to the CGI action movies of today — rather dumb and dull!

And maybe you've journeyed to Prague only to be disappointed by their stupid clock... or were you disappointed by all the tourists wrecking the medieval mood with their disappointment?


"Do you think people are too mean to the clock?"

With AI — "First, people began taking on work that previously would have belonged to someone else or might not have been attempted at all."

"The scope of what counted as 'my job' widened. Second, because AI makes it easy to start and continue tasks, work seeped into moments that used to function as pauses. People would send prompts during lunch, before meetings, or in the evening when an idea came to mind. This dissolved some of the natural stopping points in the workday. Third, workers increasingly kept multiple threads alive at once. They would run AI processes in the background while reviewing code, drafting documents, or attending meetings. Some even ran multiple AI agents simultaneously. This created a rhythm where both the human and the machine were constantly in motion.... What surprised me most was the contrast between how people described their moment-to-moment engagement and how they described their overall experience. In micro moments of prompting, iterating, and experimenting, people talked about momentum and a sense of expanded capability. But when they stepped back and reflected on their broader work experience, a different tone sometimes emerged. They described feeling busier, more stretched, or less able to fully disconnect...."

March 7, 2026

Sunrise — 6:31.

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Talk about whatever you want in the comments.

Does Gavin Newsom have a Zoolander problem?

That question was asked and answered a few days ago.

The answer is yes. And I think people know what that means. A man is so under the spell of the notion that he's good looking that he has absurd confidence in himself.

It's causing him to blabber inanely, with ridiculous confidence:

"As the categories have gotten, well, weirder, I’ve tried to create balance by not mixing tricky wordplay with hard trivia, so that there’s a path to a solution."

"If there’s a particularly hard-to-spot category, I might try to include a hint on the board. While cards are usually arranged to mislead the solver, sometimes the arrangement can be used to help, too. The category of 'Anagrams of Famous Painters' was tough, for example, so the top row of that board read 'EGADS SCRAMBLE ARTIST NAME' (EGADS is an anagram of 'Degas')...."

From "I Make Connections. Here’s What I’m Actually Thinking. The 1,000th Connections puzzle is out today. Wyna Liu, the writer behind the game, knows you have thoughts" (NYT)(gift link).

"I’ve... learned that some people hate when a word on the board is repeated in a category name. So I was honored when a friend showed me a post in the subreddit r/NYTConnections, with the heading 'In celebration of the single worst purple connections category ever …' A solver shared an image of what appeared to be a tattoo: a clam encircled by the words 'Things That Open Like a Clam.' (COMPACT, LAPTOP, WAFFLE IRON and … CLAM.)"

I think the problem is that a clam isn't like a clam. A clam's a clam. It was a great category, just named inaccurately.

Now, that I've got my "mollusks" tag on this post, I'm motivated to blog this other thing. I didn't even know about nudibranchs — lovely colorful mollusks — but I learned about them today when somebody at Metafilter linked to Wool Creature Lab a place that uses the craft of felting to make (to order) images of quite specific nudibranchs. They're beautiful, too beautiful to believe they are accurate images of real creatures. But the scientific name is listed with the felt item, and you can look it up and see photos of the living nudibranch. It's accurate.

"Still, as the war drags on, the risk of retaliation outside the region will increase—and that risk is already very real."

"Even before images of death and destruction in Iran began flooding the internet, Western security officials had expressed concern that Iran or its proxies—Hezbollah in Lebanon, Iraqi Shia militia groups, the Houthis in Yemen—could launch attacks in the United States, Europe, or elsewhere. When Time magazine this week asked President Trump about the threat to the U.S. homeland, he said, 'I guess' Americans should be worried. 'We plan for it. But yeah, you know, we expect some things. Like I said, some people will die. When you go to war, some people will die.'..."

"What Iran Might Do When It Has Nothing to Lose/The risk of a retaliatory attack outside the Middle East is growing" (The Atlantic)(gift link).

"Iran’s retribution against the West could take three possible forms: inspired attacks, in which individuals who are radicalized by current events or Iranian propaganda decide to act on their own; directed attacks, in which Iran relies on third parties such as transnational criminal organizations; and attacks by sleeper cells, which consist of Iranian operatives or terrorist proxies deployed to Western countries years ago in order to respond in the event of a catastrophic U.S.-Iran war."

"One out of every 20 deaths in Canada is now caused by the government’s assisted suicide program."

"What’s even more shocking is how fast the deaths are approved."

"Trump picks his cabinet in part for their aesthetics, and their ability to perform well on TV and Noem was famed for never missing a photo op...."

"But her hunger for publicity also contributed to her demotion. Under Noem’s watch, $220 million of taxpayers’ money was spent on an advertising campaign for border security that prominently featured footage of her on horseback, dressed as a 'cowgirl,' in front of Mount Rushmore.... In recent months, she has drawn negative headlines for using border funds for a multi-million-dollar jet fleet. There are rumours she is romantically involved with Corey Lewandowski.... He joined midway through the 2024 presidential campaign and quickly butted heads with the official campaign chiefs, Susie Wiles and Chris LaCivita. At an event when the scale of Trump’s victory was becoming clear, Lewandowski tried to congratulate LaCivita only to be told: 'F*** you, f*** you and f*** you. You have f***ed with the wrong person. I’m going to f***ing destroy you.'"

"Adam Schiff falls right into Bill Maher’s trap..."

And earlier in last night's show:

March 6, 2026

At the Friday Night Café...

... you can talk all night.

Part of your propaganda.

"I will normally tell people I'll be brief because I know their time is short. I think that is probably true in this case."

Says NPR's Steve Inskeep to former Senator Ben Sasse, who is dying of pancreatic cancer.

Sasse laughs.

His insight on time: "I think we all live on three time horizons. Daily, at the end of your workday and as the sun is setting, can you say that you did meaningful work that day and can you break bread with people you love? No. 2 is kind of a planning horizon. What decisions should you make over the next 30 days that'll pay off over the next 30 years? And then an eternal souls kind of time horizon. And all three of them matter. But one of the silliest things is to allow the planning horizon to crowd out the other two, and I think many times I did that."

"But a recent tragedy-exploiting television series about John F. Kennedy Jr. and Carolyn Bessette features a character using my name and presents her as me."

Writes Daryl Hannah, in the NYT.
The choice to portray her as irritating, self-absorbed, whiny and inappropriate was no accident. In discussing the show, “Love Story,” one of its producers explained: “Given how much we’re rooting for John and Carolyn, Daryl Hannah occupies a space where she’s an adversary to what you want narratively in the story.” Storytelling requires tension. It often requires an obstacle. But a real, living person is not a narrative device. 
There is also a gendered dimension to this thinking. Popular culture has long elevated certain women by portraying others as rivals, obstacles or villains. Isn’t it textbook misogyny to tear down one woman in order to build up another?... 
I have never used cocaine.... I have never desecrated any family heirloom.... I never compared Jacqueline Onassis’ death to a dog’s....