A largely self-taught illustrator, Mr. Sendak was at his finest a shtetl Blake, portraying a luminous world, at once lovely and dreadful, suspended between wakefulness and dreaming. In so doing, he was able to convey both the propulsive abandon and the pervasive melancholy of children’s interior lives.Here's an excellent, recent interview with him:
His visual style could range from intricately crosshatched scenes that recalled 19th-century prints to airy watercolors reminiscent of Chagall to bold, bulbous figures inspired by the comic books he loved all his life, with outsize feet that the page could scarcely contain. He never did learn to draw feet, he often said.
The term "children's illustrator" annoys him, since it seems to belittle his talent. "I have to accept my role. I will never kill myself like Vincent Van Gogh. Nor will I paint beautiful water lilies like Monet. I can't do that. I'm in the idiot role of being a kiddie book person." He and Eugene never considered bringing up children themselves, he says. He's sure he would have messed it up. His brother felt the same way: after their childhood, they were too dysfunctional. "They led desperate lives," he says of his parents. "They should have been crazy. And we – making fun of them. I remember when my brother was dying, he looked at me and his eyes were all teary. And he said, 'Why were we so unkind to Mama?' And I said, 'Don't do that. We were kids, we didn't understand. We didn't know she was crazy.'"