In support of that view, Boccaccio ends his book with what has become the famous story of “patient Griselda.” Gualtieri, the Marquis of Saluzzo, has no wish to marry, but his subjects pressure him. So he takes, as a wife, a peasant girl, Griselda. In time, Griselda gives birth to a daughter and a son. Both babies are taken away from her, with the strong suggestion that they will be put to death. Griselda makes no protest. So Gualtieri tightens the screw. He declares that he needs a noble wife, not a peasant. Stoically, Griselda returns to her father’s house, leaving even her dresses behind, since she feels that they belong to her husband. Soon Gualtieri calls her back, saying that he needs her to oversee the preparations for the wedding. “Gualtieri’s words pierced Griselda’s heart like so many knives,” but she agrees. On the wedding day, a boy and a girl appear whom Griselda does not know. Gualtieri introduces the girl as his bride-to-be. Griselda praises her. Finally, Gualtieri can go on no longer. He tells Griselda that the boy and the girl are her children (he had them brought up by kinfolk in Bologna), and that he is taking Griselda back, more beloved now: “I wanted to teach you how to be a wife”—that is, submissive.Much more at the link as Acocella reviews a new translation and compares it to other translations.
Also at the top link: much feistier women and much sexier stories. Read the one about the barrel.