"That suggests that [Kamala] Harris needs to show the American people her strongest, most acute and controlling desire, the ruling passion of her soul.
I know what Trump wants. He wants to dismantle the elites who he thinks have betrayed regular Americans.
It’s unclear what Harris wants most deeply, other than the vague chance to do good and to be president. You don’t communicate your deepest desire when your campaign is run by a committee. Candidates who are not driven by a single, specific, compelling desire become reactive. They hedge and trim according to the polls. People can sense their cautious, calculating nature. On the other hand, those who are compelled by a single strong desire are obsessed with a well-defined problem, which touches the taproot of their soul. They are on the attack, on the move."
Writes David Brooks, in
"How Harris Can Finish Strong" (NYT).
Why are we talking about drama? David Mamet's idea was about how to command the
attention of the audience. If Harris is reduced to the level of needing to get us to pay
attention, she is already falling far short of what it takes to become President. And somehow this brings us back to a topic that's annoyed me for a long time, which I mark with my tag
"how does Kamala feel." The election is not about her feelings, and there has always been something insane about acting like it is.
The convention went so well, we were told, because the theme was joy, and Kamala was joyful. No, she wasn't, but they seem to have thought they could keep that bubble bouncing for her super-short run to Election Day. What about our feelings?