Substack लेबल असलेली पोस्ट दाखवित आहे. सर्व पोस्ट्‍स दर्शवा
Substack लेबल असलेली पोस्ट दाखवित आहे. सर्व पोस्ट्‍स दर्शवा

१६ फेब्रुवारी, २०२४

"You are dead to me. Please get off Twitter and just stay on Substack."

Tweeted Elon Musk at Matt Taibbi, reported at Mediaite.

८ एप्रिल, २०२३

Let's just drop in for a moment on the massive squabble between Matt Taibbi and Elon Musk.

२८ मार्च, २०२१

"... simultaneously transforming into hyperventilating country club snots with sweaters tied around their necks in 1980s movies."

I don't know who "the Bruenigs" are, and I haven't paid too much attention to the metamorphosis of Yglesias, but I have been following the transformation of Glenn Greenwald and Andrew Sullivan, and these tweets strike a chord.

I've got to hypothesize that this has something to do with the financial incentives at Substack, where Yglesias, Greenwald, and Sullivan have relocated. Again, I have no idea about "the Bruenigs." 

It's possible that when Yglesias/Greenwald/Sullivan says something that jibes with conservative ideology, it gets massive linkage that translates to cold hard cash. Imagine trying to think with such static. 

Or do you have more of the Samuel Johnson view of it? "No man but a blockhead ever wrote except for money." Maybe it's hard to imagine writing without feeling that your fingers tapping on the keyboard are printing money? It's the definition of professional.

I have no idea, really, what Yglesias/Greenwald/Sullivan are doing — what they consciously believe they are doing, what they want deep down, how they really lean politically, and whether they're authentic in their writing. I can only decide what sort of thing I want to read — what to invite into my head.

२४ मार्च, २०२१

"Media Twitter does not hate Substack because it’s pretending to be a platform when it’s a publisher..."

"... they don’t hate it because it’s filled with anti-woke white guys; they don’t hate it because of harassment or any such thing. I don’t think they really hate it at all. Substack is a small and ultimately not-very-relevant outpost in a vastly larger industry; they may not like it but it’s not important enough for them to hate it. What do they hate? They hate where their industry is and they hate where they are within their industry. But that’s a big problem that they don’t feel like they can solve. If you feel you can’t get mad at the industry that’s impoverishing you, it’s much easier to get mad at the people who you feel are unjustly succeeding in that industry. Trying to cancel Glenn Greenwald (again) because he criticizes the media harshly? Trying to tarnish Substack’s reputation so that cool, paid-up writer types leave it and the bad types like me get kicked off? That they can maybe do. Confronting their industry’s future with open eyes? Too scary, especially for people who were raised to see success as their birthright and have suddenly found that their degrees and their witheringly dry one-liners do not help them when the rent comes due.... Life in the 'content' industry already sucks. A small handful of people make bank while the vast majority hustle relentlessly just to hold on to the meager pay they already receive.... They have to tweet constantly for the good of their careers, or so they believe, which amounts to hundreds of hours of unpaid work a year. Their publications increasingly strong arm them into churning out pathetic pop-culture ephemera like listicles about the outfits on Wandavision.... [T]hey have a right to be angry. But they don’t have much in the way of self-awareness about where their anger really lies.... They’re so angry because they bought into a notoriously savage industry at the nadir of its labor conditions...."

From "It's All Just Displacement/Blue checkmarks are mourning bad careers in a broken industry" by Freddie DeBoer (Substack).

२२ मार्च, २०२१

"In this case, a win for the cancellation artists would validate the dark prophesies one often finds in conservative writing, including on Substack..."

"... a future where 'woke capital,' in thrall to left-wing activists, makes it effectively impossible to hold a professional-class job without enthusiastically embracing progressive orthodoxy — especially on issues of identity. That world already seems uncomfortably close for journalists and academics, given that most of their institutions lean left. But self-publishing? It ought to be immune from cancellation unless the mob can somehow convince you to fire yourself. That changes, however, if activists can enforce a secondary boycott on the newsletter services, payment processors or web hosts that writers use. If that happens, it’s hard to see where viewpoint diversity could survive for long, except possibly in conservative outlets big enough to run their own technology and thereby survive the purge.... [E]conomist Cameron Harwick suggested... We actually are witnessing woke capital do what capital normally does, if the capitalist controls a monopoly. That is, extracting excess returns from the market — what economists call 'rents.'... And woke capital, Harwick argues, is actually the creation of a labor cartel: the highly progressive monoculture of professional workers. To keep them happy, institutions that employ a lot of professionals have been pressured toward a narrow ideological consensus, corresponding to the views of roughly the left-most 8 percent of the American electorate. It’s a hidden fringe benefit that Harwick dubs 'ideological rents.' If Harwick is right, then cancel culture can’t be defeated by Republican senators hassling Facebook or Twitter, because that doesn’t touch the monoculture...."

Writes Megan McArdle in "The Substack controversy’s bigger story" (WaPo).