"Taking the baton from Stevie Wonder, Annie Lennox sang the second portion of the 'In Memoriam' segment..."

"... delivering a stark rendition of 'Nothing Compares 2 U' in tribute to the late Sinéad O’Connor. Flanked by Wendy Melvoin and Lisa Coleman of Prince’s legendary Revolution, Lennox concluded the balled by raising her fist in solidarity with Gaza: 'Artists for cease-fire!'"

From "Grammys 2024 performances, ranked from best to worst/Tracy Chapman and Luke Combs’s duet of ‘Fast Car’ was the highlight of the night, along with Joni Mitchell and Annie Lennox’s moving ballads" (WaPo).

Was that "solidarity with Gaza" or an attempt to resolve the longstanding conflict between O'Connor and Prince? No way for the 2 dead artists to declare a truce, but maybe some will see Lennox and Wendy and Lisa as proxies for the departed disputants.

But if we want to talk about symbolism, how does a raised fist represent a cease fire? Doesn't the fist let slip that a cease fire is wanted so that the struggle can continue?

And look at that typo: "balled" for "ballad."

"Pee-wee’s television stint ended in infamy when Reubens was arrested on a charge of indecent exposure in a porn theater. Late-night hosts pounced..."

"... and so did the news media. CBS took reruns of his show off the air. The controversy now seems preposterously overblown. That happened just one year before Sinead O’Connor’s career suffered a blow from her protest on 'Saturday Night Live' against sexual abuse in the Roman Catholic Church — an episode that has come under new examination after her death last week. It’s clear that dopey moralizing scandals are far from a hallmark of our age alone...."

Writes Jason Zinoman in "In Pee-wee Herman, Joy and Fun Got Flat-Out Weird/Paul Reubens committed to profound silliness without ever going mean or dark — though some peers were disappointed that he focused on one character" (NYT).

That awful arrest took place in 1991, O'Connor's tearing of a photograph of the Pope happened in 1992. If you lived though that era — the NYT considers it an entire "age"! — do you remember with any specificity the kind of "moralizing"? I remember the Robert Mapplethorpe photographs and the obscenity case against 2 Live Crew. I remember "Pornography is the theory, rape is the practice." If the "age" that is 1991-1992 is expansive enough to go back to 1985, I remember when 11-year-old Karenna Gore activated her mother by playing Prince's "Darling Nikki."

If only there were blogging back then! The "dopey moralizing scandals" — is that the right phrase? — of the time had to do with fearsome sexuality. I don't think it's wise to explain them as transitory dopiness. We can always predict that 3 decades later we will look back and think we were dumb, but it's also dumb to think that there's no worthy morality, just "dopey moralizing."

By the way, the opposite of "dopey" — which means stupefied by sleep or a drug — is "woke."

Piers Morgan gently rebuffs Sinead O'Connor (whose 17-year-old son died in January).

Link.

"[W]hen 'Nothing Compares 2 U' made her a star, O’Connor said the song’s writer, Prince, terrorized her...."

"She writes that Prince summoned her to his macabre Hollywood mansion, chastised her for swearing in interviews, harangued his butler to serve her soup though she repeatedly refused it, and sweetly suggested a pillow fight, only to thump her with something hard he’d slipped into his pillowcase. When she escaped on foot in the middle of the night, she writes, he stalked her with his car, leapt out and chased her around the highway. Prince is the type of artist who is hailed as crazy-in-a-good-way, as in, 'You’ve got to be crazy to be a musician,' O’Connor said, 'but there’s a difference between being crazy and being a violent abuser of women.' Still, the fact that her best-known song was written by this person does not faze her at all. 'As far as I’m concerned,' she said, 'it’s my song.'... O’Connor converted to Islam several years ago and started going by the name Shuhada Sadaqat.... 'I haven’t been terribly successful at being a girlfriend or wife,' she said. 'I’m a bit of a handful, let’s face it.' But a few months ago, when she moved into her blissfully remote cottage, she found that several other single women lived alone nearby. Soon a couple of them had come by offering bread and scones, and she found herself with a crew of girlfriends for the first time since she was a teenager.... 'Down the mountain, as I call it, nobody can forget about Sinead O’Connor,' she said. But up in the village, nobody cares, 'which is beautiful for me,' she said. 'It’s lovely having friends.'

From "Sinead O’Connor Remembers Things Differently/The mainstream narrative is that a pop star ripped up a photo of the pope on 'Saturday Night Live' and derailed her life. What if the opposite were true?" by Amanda Hess (NYT).

Prince harangued his butler to serve her soup! He weaponized his pillow in their pillow fight! He stalked her in his car and chased her around the highway! And he — he and not she — got to be considered crazy in the good way. She was crazy in the bad way, it seemed, but she's owning her brand of "crazy." 

She said she considered herself a "punk" and when "Nothing Compares 2 U" became a big hit, things felt out of whack, and tearing up the photo of the Pope restored her idea of order to her life.

She wears a hijab now (over a head that's still shaved). And if you read the comments section over there, you'll see, she comes in and answers people:  

The new Woody Allen movie seems kind of like "A Streetcar Named Desire"...

... with Andrew Dice Clay as Marlon Brando:



"'Back when your sister had all that money she wanted nuttin' to do with you; now that she's broke, she's movin' in,' says Andrew Dice Clay, proving that a guy from Brooklyn can handle the cadence of Woody Allen dialogue just fine."

He has less (and much grayer) hair and has put on a few pounds, but the 55-year-old is still unmistakably the guy who once upon a time sold out Madison Square Garden two nights in a row – the only comedian to date to ever do so.

It's great to see Andrew Dice Clay make a comeback. Do you remember how he was destroyed? Interesting to think about how Woody Allen might empathize with a man's destruction, but what happened to ADC is nothing like the problems Allen had. I remember the first time I saw Andrew Dice Clay — on TV, doing his typical routine — and I thought it was obviously a spoof of exaggerated masculinity. Later, I found out that right-thinking women were supposed to assume the "that's not funny" position.

"Even in the nuthouse, they were afraid to take me in, because I’m Sinead O’Connor."

"It is a goldfish bowl... and I can’t get away from being me.... I want to be like any other person, but I’ll have to accept that I can’t be, because sometimes me being me hurts other people... It’s not fun anymore..."