Patty Hearst লেবেলটি সহ পোস্টগুলি দেখানো হচ্ছে৷ সকল পোস্ট দেখান
Patty Hearst লেবেলটি সহ পোস্টগুলি দেখানো হচ্ছে৷ সকল পোস্ট দেখান
৪ জুন, ২০২১
"He failed to keep Patty Hearst, the kidnapped publishing heiress, out of prison for her role in a bank robbery. He fell short..."
"... in his insanity defense of the confessed Boston Strangler, Albert DeSalvo, and could not save himself from contempt of court citations, humiliating handcuffs and disbarment in 2001 for misappropriating millions.
By then, however, his reputation had long been secured with triumphs that began soon after his law school graduation in 1960 with the Torso Murder Case. George Edgerly, a Lowell, Mass., auto mechanic, was accused of dismembering his wife and dumping her parts in a river. He had failed a lie-detector test, complicating the defense. But when the lead lawyer had a heart attack, Mr. Bailey took over and, raising the specter of reasonable doubt, won an acquittal. (Edgerly was later convicted in another murder.)"
Tags:
law,
lawyers,
lie detector,
murder,
Patty Hearst
১৬ অক্টোবর, ২০১৯
"[Felicity] Huffman will be expected to eat breakfast from 5:30 a.m. to 6:15 a.m., lunch from 10:45 a.m. to noon, and dinner after 4 p.m. When she’s not eating, Huffman can do a variety of things..."
"... including listening to music on a pre-approved device. She’s also allowed to work on one in-unit craft project at a time. This includes cross-stitch, drawing, card making, crotchet, origami, scrapbooking and watercolor. If she wants to spend time outside, which is open to her from 6:30 a.m. to 8:30 p.m., Huffman can engage in a series of sports, including basketball, volleyball, track, softball, and tennis. While at the prison, Huffman will be expected to wear an inmate uniform at all times. The uniform consists of khaki pants and a coordinating blouse with a brown t-shirt underneath, with the blouse tucked in and buttoned (minus the top button) at all times."
From the People Magazine account of the actress's living conditions in the minimum security prison where she's serving a 2-week sentence.
The noun "crotchet" means "A whimsical fancy; a perverse conceit; a peculiar notion on some point (usually considered unimportant) held by an individual in opposition to common opinion" (OED). It would be funny if that were considered a craft project to recommend to prisoners.
The "kind of knitting done with a hooked needle" — which is probably what People meant — is spelled "crochet."
ADDED: The prison — the Federal Correctional Institution, Dublin — is where Patty Hearst was held for 21 months. President Jimmy Carter commuted her 7-year sentence in 1979 and Bill Clinton pardoned her in 2001. And Sara Jane Moore — who tried to assassinate Gerald Ford — spent 32 years there. Moore got a life sentence but was released on parole.
From the People Magazine account of the actress's living conditions in the minimum security prison where she's serving a 2-week sentence.
The noun "crotchet" means "A whimsical fancy; a perverse conceit; a peculiar notion on some point (usually considered unimportant) held by an individual in opposition to common opinion" (OED). It would be funny if that were considered a craft project to recommend to prisoners.
The "kind of knitting done with a hooked needle" — which is probably what People meant — is spelled "crochet."
ADDED: The prison — the Federal Correctional Institution, Dublin — is where Patty Hearst was held for 21 months. President Jimmy Carter commuted her 7-year sentence in 1979 and Bill Clinton pardoned her in 2001. And Sara Jane Moore — who tried to assassinate Gerald Ford — spent 32 years there. Moore got a life sentence but was released on parole.
Tags:
Felicity Huffman,
knitting,
Patty Hearst,
prison
২৬ অক্টোবর, ২০১৮
"Dear Democrats... Stop fretting and second-guessing... The great blues artist Muddy Waters put it best: 'You can't spend what you ain't got. You can't lose what you ain't never had.'"
Writes Eugene Robinson in "Democrats Have Nothing to Lose -- but a Majority (Or Two) to Win" (Real Clear Politics).
The appropriation of Muddy Waters for Democratic Party politics is irksome. That song came out in 1964. Lyrics here. Waters sang about losing "a pretty little girl," his "money in the bank," and his "sweet little home," then consoles himself with the line "You can't lose what you ain't never had."
When I heard the first verse, about the girl, I thought he was admitting that he never "had" the girl and he was looking at the bright side: At least he didn't lose her. But when I got to the money and home verses, it's clear that he had those things, so he must have had and lost the girl too, and the meaning of "You can't lose what you ain't never had" must be something like: 1. At least I once had these things (which can be reworded "Tis better to have loved and lost/Than never to have loved at all" or, more mundanely, It's better to be a has-been than a never-was), or 2. What I thought was good wasn't even good, because it only set me up to feel the pain of losing (basically, the opposite of #1).
In Robinson's use of the song, the man, with his elemental personal needs (love, money, and shelter), is replaced by a conglomerate, a party, and its drive for political power. The man lost what he had and is comparing his predicament to that of a person who never had anything. But in Robinson's deployment of the line, the political party ought to feel motivated by the idea that it has nothing now and therefore has nothing to lose. He says, "Democrats, who have so little to defend, can and should play offense with abandon."
Now, it seems less Muddy Waters and more football. The best defense is a good offense. Ah, there's a Wikipedia article on the subject. And it's not as football-based as I'd thought:
In his penultimate sentence, Robinson tries to drag the Waters line in again: "Stop worrying about losing what you 'ain't got' and focus on winning elections district by district, state by state." But in the song it's not "ain't got" — despite those quotes — it's "ain't never had." That it's "ain't never had" doesn't seem to matter to Robinson. I suppose that's because he's a politics guy, and the meaning of words and the value of art don't count for much.
Robinson has one more sentence: "Don't let Republicans bluff you into folding. You're playing a very good hand." Now, the metaphor is poker, and now, the Democrats have got something, "a very good hand." How utterly tedious.
But I presume it's tedious for Robinson too. He's been writing in newspapers for 42 years. I looked up his Wikipedia page. He began his professional career writing about the Patty Hearst trial.
The appropriation of Muddy Waters for Democratic Party politics is irksome. That song came out in 1964. Lyrics here. Waters sang about losing "a pretty little girl," his "money in the bank," and his "sweet little home," then consoles himself with the line "You can't lose what you ain't never had."
When I heard the first verse, about the girl, I thought he was admitting that he never "had" the girl and he was looking at the bright side: At least he didn't lose her. But when I got to the money and home verses, it's clear that he had those things, so he must have had and lost the girl too, and the meaning of "You can't lose what you ain't never had" must be something like: 1. At least I once had these things (which can be reworded "Tis better to have loved and lost/Than never to have loved at all" or, more mundanely, It's better to be a has-been than a never-was), or 2. What I thought was good wasn't even good, because it only set me up to feel the pain of losing (basically, the opposite of #1).
In Robinson's use of the song, the man, with his elemental personal needs (love, money, and shelter), is replaced by a conglomerate, a party, and its drive for political power. The man lost what he had and is comparing his predicament to that of a person who never had anything. But in Robinson's deployment of the line, the political party ought to feel motivated by the idea that it has nothing now and therefore has nothing to lose. He says, "Democrats, who have so little to defend, can and should play offense with abandon."
Now, it seems less Muddy Waters and more football. The best defense is a good offense. Ah, there's a Wikipedia article on the subject. And it's not as football-based as I'd thought:
George Washington wrote in 1799: "…make them believe, that offensive operations, often times, is the surest, if not the only (in some cases) means of defence".That has so little to do with what Muddy Waters was singing the blues about, but is it what Robinson is trying to explain? The column is padded out with the usual things — Trump is awful and the Democrats need to get out the vote. Then Robinson offers the advice "Don't be dour and doubtful, Democrats. Be joyous and determined," which seems more "Happy Days Are Here Again" than Muddy Waters singing the blues.
Mao Zedong opined that "the only real defense is active defense", meaning defense for the purpose of counter-attacking and taking the offensive. Often success rests on destroying the enemy's ability to attack. This principle is paralleled in the writings of Machiavelli and Sun Tzu.
Some martial arts emphasise attack over defense. Wing chun, for example, is a style of kung fu which uses the maxim: "The hand which strikes also blocks."
During World War I, Germany planned to attack France so as to quickly knock it out of the war, thereby reducing the Entente's numerical superiority and to free up German troops to head east and defeat Russia.
In his penultimate sentence, Robinson tries to drag the Waters line in again: "Stop worrying about losing what you 'ain't got' and focus on winning elections district by district, state by state." But in the song it's not "ain't got" — despite those quotes — it's "ain't never had." That it's "ain't never had" doesn't seem to matter to Robinson. I suppose that's because he's a politics guy, and the meaning of words and the value of art don't count for much.
Robinson has one more sentence: "Don't let Republicans bluff you into folding. You're playing a very good hand." Now, the metaphor is poker, and now, the Democrats have got something, "a very good hand." How utterly tedious.
But I presume it's tedious for Robinson too. He's been writing in newspapers for 42 years. I looked up his Wikipedia page. He began his professional career writing about the Patty Hearst trial.
১৯ সেপ্টেম্বর, ২০১৮
Hillary, I will accept your good faith on this subject if you will do just one thing first: Denounce your husband.
I cannot watch the video without screaming at the screen. Having turned it off after a few seconds, I will blog from the text:
MADDOW: “If the Brett Kavanaugh nomination is now hurdling into the suns...""Hurdling" or "hurtling"? Is the nomination running on its own and jumping over obstacles or has it been thrown with great force?
"... which is what I think, and that’s just my take on it. I don’t know if that will be proven right or wrong, there is the question about how the Senate should handle this matter going forward. I mean, there is this screwy precedent now where Republicans would not let President Obama fill an opening on the Supreme Court created by the death of Justice Scalia for nearly a year until they got another shot at the White House in the 2016 election. Some Republican senators during the election campaign said that if you were elected in 2016, they fully intended to hold that seat open for all four years if necessary to give a Republican another shot at holding it. Given that extreme recent history, do you think that Democrats should play that kind of hardball too, be prepared to use those kinds of tactics so as not to be sort of the Patsy being pushed around on this, or do you think Democrats should just go through regular order with whoever Trump has to put up next if the Kavanaugh nomination fails?”(Funny to capitalize "Patsy."*) But that's a great, well-framed question by Rachel Maddow. I just have a problem with the interlocutor, Hillary Clinton, who worked hard to push back the women who accused her husband. She has no credibility on this issue. Make her talk about Juanita Broaddrick first!
CLINTON: “What I would like to see is a democratic majority that actually has the chance to make that choice right now the Democrats have very few tools at their disposal to stop the Republicans from going full speed ahead and engaging in the kind of unprecedented behavior as they did with the Garland nomination. So I’m not in favor of either unilateral disarmament or Defcon-10."I had to look up "Defcon-10." Urban Dictionary, with lots of down votes, says it means "awesome." Wikipedia has an entry for "Defcon," showing levels of military readiness that begin at 5, the lowest level, normal readiness, and go up to 1 — "maximum readiness," "imminent nuclear war."
Why would Hillary Clinton, the former Secretary of State, say "Defcon-10"? What is that, one tenth of normal readiness?! Does she not know Defcon is a 5-point scale and that the lower the number, the more intense the situation? Saying "Defcon-10" is stupider than saying "It goes up to 11" or "I support him 1,000%," because she not only got the scale wrong, she had it going in the wrong direction.
"I think there has to be some effort to try to get back to regular order, try to get back to having a system, a process in place so that we are not subjected to the hardball behavior of the Republicans.... I mean, there can’t be one set of rules for Democrats and one set of rules for Republicans...."That is, we need to play hardball, because they play hardball. We'd be foolish to unilaterally disarm.
That’s one of the reasons why people don’t have any confidence in the Congress. How can you? You don’t know what’s going to happen from day to day. I remember back in the Thomas hearing when senator bird...Patsy Bird?!
... was asked what he was going to do...."He" = him:
... and he said in a situation like this we should give the benefit of the doubt to the court and the country. And that’s what the Republicans should be doing right now, from the White House down Pennsylvania avenue to the Senate, give the benefit of the doubt to the court and the country. And that means have an investigation that will then lead to a hearing that will then lead to a vote if appropriate.This is the new move of the Democrats: After Republicans acceded to a hearing, they demanded an investigation. To be followed by hearing. And with the words "a vote if appropriate," Hillary reveals the planned goal: There will never be a vote. Make that happen.
And instead, they are playing the hardest of hardballs...They are playing hardball. You're playing, what? Rope a dope?
... to try to pack the court with, you know, another nominee, regardless of the questions....Everyone is always trying to pack the Court. The other side will always have more questions. It's challenging to play from the down position, but the Democrats are trying. It's working pretty well too!
But do I need to hear from Hillary on this subject?
That's — and I'm choosing my words carefully — looney tunes.
__________________
* "Patsy" is a common noun. It means, to quote the unlinkable OED, "A person who is easily taken advantage of, esp. by being deceived, cheated, or blamed for something; a dupe, a scapegoat." But it originated as a proper noun, in the context of — surprise! — a minstrel show:
1889 H. F. Reddall Fact, Fancy & Fable 404 A party of minstrels in Boston, about twenty years ago, had a performance... When the pedagogue asked in a rage, ‘Who did that?’, the boys would answer, ‘Patsy Bolivar!’... The phrase..spread beyond the limits of the minstrel performance, and when a scapegoat was alluded to, it was in the name of ‘Patsy Bolivar’..the one who is always blamed for everything.My favorite "patsy" quote is — "Patsy" being a nickname for Patti/Patty — something Patti Smith sang about Patty Hearst:
And I was standin' there in front of that flagAnd now the F.B.I. is looking for Brett Kavanaugh... in the Democrats' dream. Well, 60 days ago, he was such a lovely child...
With a car bomb between my legs
You know, I felt so free of death beyond me
I felt so free, the F.B.I. is looking for me baby
But they'll never gonna find me, no
They can hunt me down like a dog
And I will stay on the run
And they can speculate what I'm feelin'
But daddy, daddy, you'll never know just what I was feelin'
But I'll tell you
I am no little pretty little rich girl
I am nobody's million dollar baby
I am nobody's patsy anymore
I'm nobody's million dollar baby
I'm nobody's patsy anymore
And I feel so free...

AND: I had a feeling I'd riffed on "patsy" before. Here: "Let's look at the word 'patsy' — used yesterday by Donald Trump to describe the United States" — back in 2015. Look how similar my stream of consciousness was, complete with Patti Smith. BUT: In the old post, I had Lee Harvey Oswald. That was suggested by Meade though, and didn't come out of my stream of consciousness. My stream got diverted.
৭ সেপ্টেম্বর, ২০১৮
"I miss her terribly. Even now, it’s hard on me. I don’t know why I was so stupid. Men are like that, you know. You find the perfect person, and then you do everything you can to screw it up."
Said Burt Reynolds.
I'm not going to research how they broke up. I must have followed their relationship at the time, however, because from 1973 to 1975, I workd at a market research firm where my job was reading dozens of magazines every month — including all the news magazines and women's magazines — and I must have read hundreds of articles about that love affair. But their story is not indelible in my mind. It wasn't my love affair. What were the other celebrity love affairs of those years? All I can think of is Patty Hearst and General Field Marshal Cinque.
With a little research: John and Yoko, Barbara Streisand and Elliot Gould, Jane Fonda and Donald Sutherland, Carly Simon and James Taylor, Steve McQueen and Ali MacGraw, Jack Nicholson and Anjelica Huston, Liz Taylor and Richard Burton, Farrah Fawcett and Lee Majors, Jerry Hall and Mick Jagger, Diane Keaton and Warren Beatty.
That actually does seem much grander than what we have today, at least from the perspective of someone who was in her 20s in the 1970s.
Let's go back:
Reynolds had wives either side of his relationship with Field; He was married to Judy Carne from 1963 to 1965, and to Loni Anderson from 1988 to 1993.... Field also had a spouse either side of the relationship; she was married to Steve Craig from 1968 to 1975; and to Alan Greisman from 1984 to 1993.Sally Field, on hearing of the death of Burt Reynolds, said:
There are times in your life that are so indelible, they never fade away. They stay alive, even 40 years later... My years with Burt never leave my mind. He will be in my history and my heart, for as long as I live. Rest, Buddy.He said she was the perfect person. She said she doesn't forget him, even though 40 years have passed. But who would forget a big love affair just because 40 years passed? Her statement about him is so much weaker that his about her. And she had the additional push to say good things that is his death.
I'm not going to research how they broke up. I must have followed their relationship at the time, however, because from 1973 to 1975, I workd at a market research firm where my job was reading dozens of magazines every month — including all the news magazines and women's magazines — and I must have read hundreds of articles about that love affair. But their story is not indelible in my mind. It wasn't my love affair. What were the other celebrity love affairs of those years? All I can think of is Patty Hearst and General Field Marshal Cinque.
With a little research: John and Yoko, Barbara Streisand and Elliot Gould, Jane Fonda and Donald Sutherland, Carly Simon and James Taylor, Steve McQueen and Ali MacGraw, Jack Nicholson and Anjelica Huston, Liz Taylor and Richard Burton, Farrah Fawcett and Lee Majors, Jerry Hall and Mick Jagger, Diane Keaton and Warren Beatty.
That actually does seem much grander than what we have today, at least from the perspective of someone who was in her 20s in the 1970s.
Let's go back:
Tags:
1970s,
Burt Reynolds,
Patty Hearst,
Sally Field,
Young Althouse
৪ মে, ২০১৬
"I had told Jann Wenner of Rolling Stone that I would cover the Patty Hearst trial..."
"... and this pushed me into examining my thoughts about California. Some of my notes from the time follow here. I never wrote the piece about the Hearst trial, but I went to San Francisco in 1976 while it was going on and tried to report it. And I got quite involved in uncovering my own mixed emotions. This didn’t lead to my writing the piece, but eventually it led to—years later—Where I Was From (2003). When I was there for the trial, I stayed at the Mark. And from the Mark, you could look into the Hearst apartment. So I would sit in my room and imagine Patty Hearst listening to Carousel. I had read that she would sit in her room and listen to it. I thought the trial had some meaning for me—because I was from California. This didn’t turn out to be true...."
Writes Joan Didion in the new issue of The New York Review of Books.
Writes Joan Didion in the new issue of The New York Review of Books.
Tags:
1970s,
Joan Didion,
Patty Hearst
২৩ জুলাই, ২০১০
"Floor boss slides up to me and he says/Hey sister, you're just movin too fast..."
"You're screwin' up the quota/You're doin your piece work too fast/Now you get off your mustang, Sally/You ain't goin' nowhere, you ain't goin' nowhere/I lay back. I get my nerve up. I take a swig of Romilar/And walk up to hot shit Dot Hook and I say/Hey, hey sister, it don't matter whether I do labor fast or slow/There's always more labor after/She's real Catholic, see. She fingers her cross and she says/There's one reason. There's one reason/You do it my way or I push your face in/We knee you in the john if you don't get off your mustang, Sally/If you don't shake it up baby. Shake it up, baby/Twist & shout. Oh, would I could get a radio here..."
Just an old song that last post got me thinking about. Is it relevant? Patti Smith sings/speaks of working too fast and getting told to slow down. Yes, it's relevant: Workers have an interest in keeping the work pace comfortable. That's in the song and in the story about the Italian workers. I bought that Patti Smith record the day it came out, June 5, 1974. I had a job. Not in a piss factory inspecting pipe. In a market research firm, coding magazines. And we had a radio. We listened to music and followed the news of the day, and the big story was Patty Hearst. "Miss Hearst is Now Tania, But How and Why?" read the NYT headline 10 days before that record came out. "Piss Factory" was the B-side, and the A-side, "Hey Joe" was Patti's effort at answering that question about Patty. We were doing our work pretty slow — there wasn't enough work to fill up the day — and listening to the radio. We heard the new song, the A-side, and spun out all our theories about Patti/Tania. Listening to the radio, reading magazines, filling up the time elaborating about it all....
Life is different now. But not completely different.
Just an old song that last post got me thinking about. Is it relevant? Patti Smith sings/speaks of working too fast and getting told to slow down. Yes, it's relevant: Workers have an interest in keeping the work pace comfortable. That's in the song and in the story about the Italian workers. I bought that Patti Smith record the day it came out, June 5, 1974. I had a job. Not in a piss factory inspecting pipe. In a market research firm, coding magazines. And we had a radio. We listened to music and followed the news of the day, and the big story was Patty Hearst. "Miss Hearst is Now Tania, But How and Why?" read the NYT headline 10 days before that record came out. "Piss Factory" was the B-side, and the A-side, "Hey Joe" was Patti's effort at answering that question about Patty. We were doing our work pretty slow — there wasn't enough work to fill up the day — and listening to the radio. We heard the new song, the A-side, and spun out all our theories about Patti/Tania. Listening to the radio, reading magazines, filling up the time elaborating about it all....
Life is different now. But not completely different.
Tags:
blogging,
careers,
Patti Smith,
Patty Hearst,
radio,
Young Althouse
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