Nonapod लेबल असलेली पोस्ट दाखवित आहे. सर्व पोस्ट्‍स दर्शवा
Nonapod लेबल असलेली पोस्ट दाखवित आहे. सर्व पोस्ट्‍स दर्शवा

२२ जानेवारी, २०१९

Erstwhile idiot becomes genius.

I just ran across this cartoon from the March 19, 1949 issue of The New Yorker:



That caption is: "Wouldn't you think they'd have a place for withdrawals, too?"

At the time, she was laughed at as a fool, but from our point of view, she's envisioning the ATM machine. Genius!

Why am I reading the March 19, 1949 issue of The New Yorker?, you ask.

I wanted to see the old J.D. Salinger story "The Laughing Man," because I was talking about it in the comments to yesterday's post, "With a gun against my belly, I always smile." That post was about the criticism of the Covington Catholic schoolboy's smile, which was not a natural smile, but a forced smile, and I had got to thinking about our sensitivity to smiles that don't arise out of relaxed happiness.

That moved the commenter Nonapod to say, "One of the more tragic smiles is from the silent film 'The Man Who Laughs'" and to link to this:



I said:
Thanks, Nonapod. I had never seen that before. Fantastically melodramatic and completely effective.

It made me think of the J.D. Salinger story "The Laughing Man," and I see from Wikipedia:

"The Laughing Man" is a short story by J. D. Salinger, published originally in The New Yorker on March 19, 1949; and also in Salinger’s short story collection Nine Stories. It largely takes the structure of a story within a story and is thematically occupied with the relationship between narrative and narrator, and the end of youth. The story is inspired by the Victor Hugo novel of the same name: The Man Who Laughs (L'homme qui rit)."
From Salinger's story (click to enlarge and clarify):
 
In Hugo's story...
In late 17th-century England, a homeless boy named Gwynplaine rescues an infant girl during a snowstorm, her mother having frozen to death whilst feeding her. They meet an itinerant carnival vendor who calls himself Ursus, and his pet wolf, Homo. Gwynplaine's mouth has been mutilated into a perpetual grin; Ursus is initially horrified, then moved to pity, and he takes them in. Fifteen years later, Gwynplaine has grown into a strong young man, attractive except for his distorted visage. The girl, now named Dea, is blind, and has grown into a beautiful and innocent young woman. By touching his face, Dea concludes that Gwynplaine is perpetually happy. They fall in love. Ursus and his surrogate children earn a meagre living in the fairs of southern England. Gwynplaine keeps the lower half of his face concealed. In each town, Gwynplaine gives a stage performance in which the crowds are provoked to laughter when Gwynplaine reveals his grotesque face....
Since I'm talking about the Catholic schoolboy's face again and looking into literature, I wanted to link to my son John's blog post, "Why are adults freaking out about a smiling kid?" which begins:
In the novel 1984, George Orwell wrote about a dystopian future where “to wear an improper expression on your face (to look incredulous when a victory was announced, for instance) was itself a punishable offense.” It was called a "facecrime."
From "1984":
It was terribly dangerous to let your thoughts wander when you were in any public place or within range of a telescreen. The smallest thing could give you away. A nervous tic, an unconscious look of anxiety, a habit of muttering to yourself—anything that carried with it the suggestion of abnormality, of having something to hide. In any case, to wear an improper expression on your face (to look incredulous when a victory was announced, for example) was itself a punishable offense. There was even a word for it in Newspeak: facecrime, it was called. The girl had turned her back on him again.

२१ सप्टेंबर, २०१८

Cory Booker and Brett Kavanaugh — Chris Cillizza pushes away whataboutism, but we might reach for it anyway.

"What makes Cory Booker's groping incident different than the allegations against Brett Kavanaugh."

That's the CNN headline for a piece by Chris Cillizza.

The automatic, easy, snarky answer: He's a Democrat.

I still haven't read the article, and I hadn't previously noticed there was a "groping incident" about Cory Booker. Is it an allegation or something we know happened? Anyway, to give an nonsnarky answer — again, before reading the article — I'd say: Cory Booker has a limited term and faces reelection. Brett Kavanaugh is up for a lifetime appointment.

Let's read this piece now:
New Jersey Sen. Cory Booker wrote in the early 1990s -- while a student at Stanford -- about an incident on New Year's Eve 1984 (when he was 15) in which he groped a female friend's breast after the two of them had kissed.
"With the 'Top Gun' slogan ringing in my head, I slowly reached for her breast," Booker wrote of that night. "After having my hand pushed away once, I reached my 'mark.'" The point of Booker's column was how that moment, and his work on the issue after, had changed him -- and his views on women, consent and assault -- forever. "It was a wake-up call," Booker wrote in his Stanford column. "I will never be the same."
You're already consensually kissing. You try to touch her breast and are pushed away, and you try again and — what? — the end of the story is missing. But, holy God, if that's what ruins your life these days, the world has gone mad. I wonder whether college-student Cory was bullshitting when he claimed to be changed forever by this "wake up" call. But, again, I don't know the end of the story. Did the woman take him to task for trying again? And what's the "Top Gun" slogan? Maybe Cillizza isn't telling the story straight.

So the difference between the 2 stories — and this is my opinion, not Cillizza's — is that Booker's story was a story he told on himself, as part of posturing and instructing about how to be a good man. I don't know if it's true, but he chose to tell it and tell it that way. What really happened? I have no idea. Kavanaugh is suffering through someone else's telling of what is purportedly his story, and it's not told in the template of how he became such a good man, but to frame him as secretly evil. Within that other person's story, he is brutal and ugly, not boyishly copping a feel that he later lavishly regrets.

Back to Cillizza:
The rise of the #MeToo movement and the cavalcade of high-profile men admitting to behavior that ranges from boorish to criminal has opened eyes and forced uncomfortable and important conversations. The accusations against Kavanaugh are another moment to examine our assumptions and talk openly about how we should bets [sic] approach these situations -- both now and going forward.
Oh, yes. Let's have a conversation about everything! Talk openly! How do you think that will go? Place your "bets."
What we don't need amid all of this is an epic bout of "whatboutism" [sic].
Yeah, don't come after my guy while I'm going after your guy. That's whataboutism! I want you to stand down while I take all my shots. Funnily enough, that's how all these "conversations" tend to go when we're encouraged to have a conversation about some hot subject.
What Booker did as a teenager wasn't right. And he has been and will be judged by voters on them. But to turn Booker into a political missile to prove hypocrisy misses the mark. This isn't about Booker. This is about Ford, Kavanaugh, and how we, together, figure out the right way forward.
Yes, tell us what this is about.  You call out "whatboutism" — AKA whataboutism— but I'm going to call out your "what-it's-about-ism." You don't get to restrict the subject to exactly the scope you like. When you do that, it's "what-it's-about-ism" (my coinage).

But of course, everything's different from everything else. We can talk about differences and samenesses. Don't tell me what to do.

IN THE COMMENTS: Nonapod said:
"an incident on New Year's Eve 1984 (when he was 15) in which he groped a female friend's breast after the two of them had kissed. 'With the 'Top Gun' slogan ringing in my head'"

Top Gun came out in 1986. This whole story is an anti-strawman.
Wow. I found 2 typos in Cillizza's piece — "whatboutism" and "bets" — so maybe "1984" is another typo.

Anyway, checking the release date of the movie — it is indeed 1986 — I found the "slogan," I believe. It's "I feel the need... the need for speed!" That's such a stupid sex slogan.

५ ऑगस्ट, २०१६

The NYT editors pivot from assuring us Hillary's crushing Trump to warning us about thinking he's crushed.

They were putting their all into boosting her, which included minimizing him. Having done that hard work, however, they now must worry they've gone too far and people will drift away from politics, as if the election were already accomplished.

Suddenly, it's time to stress Trump's power:
He is speaking to people who disbelieve conventional politicians, who detest a Washington they think has betrayed them. He promises nothing of substance to ease their pain, but he gives voice to their rage.

So where does this leave Mrs. Clinton? It does not give her the luxury of sitting back and hoping Mr. Trump will implode, but it does present opportunities — to lure wavering Republicans and independents, not merely by stoking outrage at his statements, but by addressing in policy terms the economic anxiety and fear that underlie Mr. Trump’s appeal, as well as lingering distrust of her. Instead, she played into that distrust this week by repeatedly asserting untruthful claims* about her careless handling of government emails.

Mr. Trump’s bad week suggests he will not evolve into a politician whom anyone can count on or predict. This is Mrs. Clinton’s chance to present herself not just as a safe and conventional alternative, but as a morally serious leader determined to address the country’s real problems.
__________________________________

* AKA lying.

IN THE COMMENTS: Nonapod says:
It's pretty astonishing that someone with a functioning brain stem could actually write something like that about Hillary Clinton in 2016. "Morally serious"? Great googly moogly!
Well, they just said she has an opportunity "to present herself... as a morally serious leader."

It's like "asserting untruthful claims" — you lie. She can lie. She keeps lying. So this is the suggested lie: Instead of lying about what Comey said about you and the email, act like you're morally serious.

१० फेब्रुवारी, २०१६

"The humor website Funny or Die on Wednesday began streaming a 50-minute comedy that finds [Johnny] Depp portraying [Donald Trump,] the businessman turned politician, full-blown comb-over and all."

"Kept a secret for months — no small task in Hollywood — 'Funny or Die Presents Donald Trump’s The Art of the Deal: The Movie' was released to coincide with Mr. Trump’s victory on Tuesday in the New Hampshire Republican presidential primary.

"Funny or Die Made a Trump Biopic, Starring Johnny Depp."

I watched a couple minutes, and Depp seemed to be trying hard and getting at least some things right. I had to stop, partly because I'm not that interested and mostly because I'm too busy to sit around watching something for 50 minutes.

IN THE COMMENTS: Nonapod said:
Weirdly I think that Trump is probably more difficult to satire and have it be really funny and interesting. Let's face it, the real Trump is already pretty ridiculous and well mined in terms of comedy. I don't think you're going to get an original take on the guy at this point. 
Trump also plays himself comically. When spoofing big shots, you'll have an easier time if the guy is inflexibly serious.

२६ फेब्रुवारी, २०१३

"When does a fantasized crime become an actual crime?"

"A federal prosecutor, Randall W. Jackson, told jurors that [New York City police officer Gilberto Valle] had been plotting real crimes to kill actual victims, while Officer Valle’s lawyer, Julia L. Gatto, contended that he had merely been living out deviant fantasies in Internet chat rooms, with no intention of carrying them out."
One outside expert, Joseph V. DeMarco, an Internet lawyer and former head of the cybercrime unit in the United States attorney’s office in Manhattan, said in a recent interview that beyond its sensationalism, the Valle case highlighted the fact that there were “dark corners” of the Internet “where a whole range of illegal and immoral conduct takes place, and the general public has only a vague and fleeting knowledge that these places exist.”