"The new job is not quite the same role that has made Wintour one of the most recognisable women in the world with her signature blow-dried bob and sunglasses and just-as-famous froideur."

"Instead, the title is 'head of editorial content, US'.... Over three decades, Wintour has transformed fashion from a mainly trade-facing industry to a billion-dollar celebrity and pop culture vehicle.She has turned Vogue from a monthly print magazine into an omnichannel digital brand.... 'Anna is basically the CEO of fashion and this new job isn’t that,' says a fashion veteran who did not want to be named. 'As we’ve seen at the other editions, these heads of content aren’t mini editors-in-chief — they’re quite muted figures. This person might be seen as ‘the new Anna’ from the outside, but Anna is still very much in control.'...There are those who say that, rather than marking a new era, this job indicates the end of one. As one industry stalwart puts it: 'This is very much an assistant position. Vogue dies with Anna.'"

From "Chloe Malle steps into Anna Wintour’s shoes at US Vogue/The fashion doyenne has stepped back from the day-to-day US Vogue editorship. Chloe Malle, the daughter of Candice Bergen and Louis Malle, has been confirmed as her replacement" (London Times).

The headline on the home page of The Times calls Chloe Malle "the daughter of Hollywood Royalty." Imagine having such parents!

Elon as Braveheart.

Everybody dies, but not everybody lives https://t.co/rYtoq01ygH

— Elon Musk (@elonmusk) February 17, 2025

AND: There's also this, from Seneca (at page 46-47 of this collection (commission earned)): 

"It’s like daddy arrived and he’s taking his belt off."

This is a big topic on X this morning:

MEL GIBSON on Trump heading to California today: “It’s like daddy arrived and he’s taking his belt off.”

pic.twitter.com/8mFU55JP7N

— Eric Daugherty (@EricLDaugh) January 25, 2025

Scanning the posts over there, I'm mostly seeing the sharing of the video, in a manner that seems to approve of Trump's style and Gibson's rhetoric. The articulated criticism seems to have more to do with a purported weirdness to calling Trump "daddy" than any outrage about using the corporal punishment of children as a simile. I'd say "he’s taking his belt off" is much milder than "he's kicking ass" (which is a very common and accepted metaphor), so the focus on "daddy" seems apt. What I'd say about that is there's a longstanding practice of analyzing Democrats and Republicans as the "mommy party" and the "daddy party," and — as we can see in the video with L.A. Mayor Karen Bass and Trump, blogged below — the mommy/daddy contrast was very much on display in California yesterday. 

I'll make a more refined criticism of Gibson's simile. Mayor Bass represented the maternal tendency of the Democratic Party. She's in the mother position, not the child. Trump represented the role of the father, but if "daddy arrived and he’s taking his belt off," he should be going after his children, because they've misbehaved. With respect to the children's mother, his wife, he should be helping her solve problems with the children, not going after her. I think — as you can see by my earlier post — that Trump was trying to encourage her to step up and to use her executive powers, to be an effective co-parent. Mommy and Daddy can work together. 

"I was doing the Rogan podcast and I was kind of ill at ease while we were talking because I knew my neighborhood was on fire."

"So I thought, I wonder if my place is still there. When I got home, sure enough, it wasn't there ... The vehicles were gone, everything. It was completely toasted. I've never seen such a complete burn. It's like someone did it on purpose to really destroy every aspect of it."

Said Mel Gibson...

NEW – Mel Gibson's Malibu Mansion Burned Down While He Was Filming Joe Rogan's Podcast

"I was doing the Rogan podcast and I was kind of ill at ease while we were talking because I knew my neighborhood was on fire. So I thought, I wonder if my place is still there. When I got… pic.twitter.com/TvknivxywB

— Chief Nerd (@TheChiefNerd) January 10, 2025

... who did look oddly nervous on Joe Rogan...

Reflecting on his losses — in that first clip — he said it was all his "stuff — remember George Carlin, talking about his stuff?"

Mel: "I've been relieved of the burden of my stuff."

Photoshopping you'd think would already have happened.

You can see that someone proposed it 8 days ago on Reddit, but it didn't happen. 

What was "deeply good" about Harry Reid?

"Few people have done more for this state and this country than this driven, brilliant, sometimes irascible, deeply good man from Searchlight, Nevada."

Said Barack Obama, quoted in the Washington Post account of yesterday's memorial service for Reid.

It's the "deeply" that gets you. It draws so much attention to "good." We might have let it go — was Harry Reid good? — if "deeply" hadn't forced us to stop and stare.

I haven't used my "deeply (the word!)" tag since last May.

Here's the original post — in 2014 — where I created the tag.

There are so many trite usages — deeply in love, deeply disappointed, deeply religious, thinking deeply, deeply troubled, deeply concerned, deeply offended, deeply regret — and "deeply" is deeply embedded in constitutional law doctrine with the phrase "deeply rooted in this nation's history and tradition."

I went back into my own archive to see how I had used it over the years and, funnily enough, the first thing on my list was about something Obama famously said about Kamala Harris:

1. "Beauty is a system of power, deeply rooted, preceding all others, richly rewarded," wrote Garace Franke-Ruta, explaining "Why Obama's 'Best-Looking Attorney General' Comment Was a Gaffe."...

Oh, what's not a gaffe these days? 

But back to the memorial service. Biden and Pelosi spoke too, and both of them told a joke premised on the reputation Reid had for being untalkative. 

Here's Biden joke : "Harry and I both liked to talk a lot... I’m just testing whether you’re asleep yet."

Here's Pelosi's: "He was a man of few words — and he wanted everyone else to be a person of few words."

They kept it light. There was an opportunity to go much lighter on the man-of-few-words theme — man of even fewer words now, ha ha — or to go much more deeply....

But I won't end with the end of Hamlet. I will lighten up and give Chuck Schumer the last word, because who doesn't love kissing and because I have a "saliva" tag that I get a kick out of using:

It was election night 2006, when Democrat Claire McCaskill won her race in Missouri, a victory that gave control of the Senate to Democrats, and Reid rushed over and kissed McCaskill through the television screen.

“His lips remained attached to the TV screen for a full 10 seconds,” Schumer said. “I had to get up and wipe the copious spittle off the TV screen.”

It can't be that Time colludes with prospective Persons of the Year to see what access it can get out of the process of honoring somebody.

Apparently, Trump needed some action last night and this must have seemed like a good gambit.

Time Magazine called to say that I was PROBABLY going to be named “Man (Person) of the Year,” like last year, but I would have to agree to an interview and a major photo shoot. I said probably is no good and took a pass. Thanks anyway!

— Donald J. Trump (@realDonaldTrump) November 24, 2017

Of course, Time defends its reputation.

The President is incorrect about how we choose Person of the Year. TIME does not comment on our choice until publication, which is December 6.

— TIME (@TIME) November 25, 2017

Time doesn't say exactly what it does in the choosing process, only that in some way the President is "incorrect." It doesn't say he's completely wrong.  But Time is getting us to notice the annual nonsense of Person of the Year, and Trump wins too because he's making (some of) us think of course he deserves it (probably), but Time won't give it to him unless the Art-of-the-Deal man makes some deal with them. I'm picturing the editors rubbing their hands together and saying "I've got this thing and it's fucking golden, and, uh, uh, I'm just not giving it up for fuckin' nothing. I'm not gonna do it."

But who really gives a damn how the process they make us look at every year actually works? It's better to leverage the occasion. Go big, go arty, go comical, go hardcore. Like Rose McGowan:

.@realDonaldTrump I found your photo shoot for @TIME pic.twitter.com/BaAYQHpdki

— rose mcgowan (@rosemcgowan) November 25, 2017

Don't like that? Then go big, arty, comical, and hardcore in the direction in a pro-Trump direction (or some other direction that suits your taste). If you like Trump, don't be boring. Be creative and viral. We're all diseased.

ADDED: If Time is right and the President is incorrect, does that make Michael Moore a liar?

Film-maker Michael Moore claims that director Mel Gibson cost him the opportunity to be Person of the Year alongside Gibson in 2004. Moore's controversial political documentary Fahrenheit 9/11 became the highest-grossing documentary of all time the same year Gibson's The Passion of the Christ became a box-office success and also caused significant controversy. Moore said in an interview "I got a call right after the '04 election from an editor from Time Magazine. He said,' Time Magazine has picked you and Mel Gibson to be Time's Person of the Year to put on the cover, Right and Left, Mel and Mike. The only thing you have to do is pose for a picture with each other. And do an interview together.' I said 'OK.' They call Mel up, he agrees. They set the date and time in LA. I'm to fly there. He's flying from Australia. Something happens when he gets home... Next thing, Mel calls up and says, 'I'm not doing it. I've thought it over and it is not the right thing to do.' So they put Bush on the cover."

ALSO: Would Time ever give the honor to the same person 2 years in a row? While a good number of men have been Man of the Year more than once, the only person who won 2 years in a row was Richard Nixon, and in the second year, he was a co-winner with Henry Kissinger. I think Trump — if indeed he was in serious consideration for the honor — was at serious risk of being paired with someone else. While Nixon getting paired with his National Security Adviser was not disrespectful to Nixon, if you look at the last time a President got paired with someone else, it was Bill Clinton, in 1998, paired with his nemesis, Ken Starr. So I think if Trump was under consideration, it was in some way where he wasn't the sole honoree, but put alongside #MeToo or The Women Who Spoke Out or Rose McGowan and Ronan Farrow or something that Trump wouldn't want anyway.

"Things got shaken up a little bit and there is a lot of light being thrown into places where there were shadows and that is kind of healthy."

"It’s painful, but I think pain is a precursor to change."

Mel Gibson weighs in.

"Oscar voters showered the neo-musical 'La La Land' with 14 nominations on Tuesday, a tie with 'Titanic' and 'All About Eve' for the most in Academy Award history."

The NYT reports.

But the academy also moved past two #OscarsSoWhite years by honoring six black actors — a record — and including diverse films like “Moonlight,” “Fences” and “Hidden Figures” in the best picture race.

"Moved past" = either became enlightened about the true worth of black actors or got ass-covering about how bad it's looked not to have honored enough black people.

The real question — papered over with nominations — is whether black actors are getting good enough roles to show what they can do.

Another thing that happened: Mel Gibson got a Best Director nomination — "officially ending his 10-year status as a Hollywood pariah for his offscreen behavior."

ADDED: The NYT has this:

“Arrival” emerged as one of the most-honored films, with support in eight categories, but its star, Amy Adams, failed to receive a nod for best actress. Instead, her slot likely went to the newcomer Ruth Negga for her understated performance in “Loving.” Joining her were Isabelle Huppert from the French film “Elle,” Emma Stone from “La La Land,” Natalie Portman from “Jackie” and Meryl Streep from “Florence Foster Jenkins.”

Which provoked this apt comments (at the NYT):

"Instead, her slot (Any Adams) likely went to the newcomer Ruth Negga for her understated performance in “Loving.”

How dare you NYT. The black woman can't be nominated on her own merit. She 'takes' her spot from a white woman.

Shame on you. Shame.

Wow! I predict the NYT will be apologizing about that. 

Howard Stern's seductive questioning style lures a woman into forfeiting $375,000.

Listen to the audio of Stern questioning Oksana Grigorieva, a woman who took a big settlement from Mel Gibson on the condition that she never talk about him in public. You can hear that she's trying not to say anything, that she's careful when she finally says something to make it so minimal that it's arguably — at least to her — nothing.

It must have been rough for Grigorieva to keep entirely to herself. Whatever happened to her incipient stardom, stardom that is the birthright of such an amazing beauty? If that's the thinking, how pathetically desperate to succumb to an invitation to go on the radio, where the advantage goes to a mind that can put words together and deploy them in a beautiful voice. Grigorieva entered Howard Stern's enclosing, comforting environment. She would not have to say anything she did not want to say — presumably she was assured — but once she was ensconced in his lair, she was so vulnerable.

Listen to that audio. She has $375,000 to lose and it's an intriguing game to him, a game he's played thousands of times. Listen to him empathize with her, then wait, then empathize more. The man is a master — a dear, sweet kind evil master.

She only murmurs a few words, but the judge rules against her. She agreed to say nothing. No means no, and nothing means nothing. $375,000 lost.

One more time, the man with the ultimate face-for-radio ugliness scores with a woman.

AND: Meade read this and said: "She can say whatever she wants now."

"He’s the most beloved actor I’ve ever worked with — and there’s a reason for it."

Jodie Foster on Mel Gibson (who stars in her new movie "The Beaver").

"'I can't handle a Jaguar right now.' He said that many times. 'All I want is a Chevrolet.'"

The 2d of 3 of his wives quotes or purports to quote Newt Gingrich as he spoke to the minister who was — allegedly — brought in to counsel the couple through what turned out to be their crack up.

He asked her to just tolerate the affair, an offer she refused. He'd just returned from Erie, Pennsylvania, where he'd given a speech full of high sentiments about compassion and family values. The next night, they sat talking out on their back patio in Georgia. She said, "How do you give that speech and do what you're doing?"

"It doesn't matter what I do," he answered. "People need to hear what I have to say. There's no one else who can say what I can say. It doesn't matter what I live."

I got distracted at this point in writing this post by a little boy arguing passionately toward his mother who was walking away from him out of this café. I didn't catch what the argument was about, but I could tell from his tone and a few of the words that he was making an argument based on the kind of principles that constitutional lawyers use: liberty, equality, fairness. Like grammar, these principles are built into the human brain. Just as toddlers naturally learn to speak, they learn to use these concepts to argue for what they want. The lawyerly human little boy was perhaps 3 years old.

Anyway, you don't have to be much more than 3 to call bullshit on Newt. The things husbands say to their wives! (And wives to their husbands.) Laughably unprincipled assertions that you'd never inflict on anyone other than a spouse — these words will make a fool of you if they are ever quoted to the general public. And God help you if you're caught on audiotape: "I deserve to be blown fast! Before the fucking Jacuzzi!" Ha. That never gets old. Seriously, I think the phrase "Before the Jacuzzi!" should become a witty comeback that you use to mock your spouse when he (or she) makes an argument of the sort that is only used intra-marriage and that one would never even attempt to aim at someone who wasn't maritally bound to you. "Before the Jacuzzi" = You only think you can say something like that to a human being because that human being is your spouse.

"What kind of a man is that? Hitting a woman when she’s holding a child in her hands? Breaking her teeth twice in the face! What kind of man is that?"

"Oh, you’re all angry now! You know what, you f*cking deserved it!"

The new Mel Gibson recording.

Mel Gibson teaches us that Americans are more roused by racism than misogyny (or breasts).

There's so much talk of Mel's "racist rant." I listened. Although he most certainly says the n-word and says it in a line that suggests contempt for black men, the rant is all about the woman's purportedly fake breasts. The hatred is squarely aimed at the (white) woman.

A feminist issue.

"You're a bitch"/"I didn't do anything"/"Did so."

The Mel Gibson tapes. And that's not the worst of it.

The tapes do not make it clear what the couple was arguing about.

But Mel tells Oksana, "Look what you did to me... look what you are... look what every part of you is... f**king fake... f**king fake.

"You are the most synthetic person... who the f*** are you?"

That's not the worst of it either. I excerpted the bit in the title because of the childishness of "Did so." I excerpted the other part because Gibson chose Oksana Grigorieva presumably because of and not in spite of her looks. But maybe "every part" included her soul and it was only after harsh experience that he was able to determine that that part of her was fucking fake too. But our Mel — he is not fucking fake. He's always had genuinely great looks and a genuinely horrible temper.

Live-blogging the Golden Globes.

1. Oh, why not? Ricky Gervais is here, hosting, making jokes about the tininess of his penis and how it looks big in his small hands where it usually is. That might sound funnier if it weren't 7 pm (Central Time) on network TV. Then, here's Nicole Kidman looking great with red hair and a light pink dress featuring prominent tiny nipples. She reminds us about Haiti, then hands out the best supporting actress award to Mo'nique, who is overdraped in gold satin and fabulously made up with ultralong eyelashes. Mo'nique loves God and all the other actors in her movie "Precious."

2. Most of the women are wearing asymmetrical dresses, and Julianna Margulies, who won the TV actress award, looked like she got confused getting into the straps of hers. Michael C. Hall, who won the TV actor award, has on a wool stocking cap for some reason. As a tribute to victims of the Haitian earthquake? I don't know. [ADDED: I'm told Hall has cancer. I'm sorry.]

3. The set is orange. I'm tired of looking at orange. Is it supposed to be "golden"? Hey, suddenly: Cher! She looks statuesque and hourglassy. It's the song award. Paul McCartney is nominated and there, but he doesn't win.

4. Meryl Streep wins best [comedy/musical] actress for "Julie and Julia." She's shrouded in a big black dress clamped on with a thick buckled belt. But she has one naked shoulder left out of the shroud, so she's on the asymmetry kick with everyone else. She pretends she didn't remember what she wanted to say and stammers her way into a tribute to her mother and a mini-breakdown over all the suffering in the world.

5. Drew Barrymore gets a TV actress award for "Grey Gardens." She's wearing the best outfit for the day, but it's quite silly, covered in crystal pimples with a glitter hedgehog at one shoulder and the opposite hip.

6. Samuel L. Jackson introduces "a real-life movie star" — Sophia Loren. She's got a beautiful symmetrical dress. It's black, outlining her famous breasts and nipping in at her should-be-equally-famous waist, and it has sheer sleeves that are shaded at the shoulders with a sprinkling of black beads for an ombre effect. She gives the foreign film award to "The White Ribbon."

7. "Mad Man" is the best TV show. The best TV actress is Chloe Sevigny (for "Big Love"). Cool. I like her. She's wearing an insane widely-ruffled mauve dress and she's gasping about ripping it, not that she ripped it in any kind of an interesting way.

8. Halle Berry looks sharp and sleek in a tight black dress with little cap sleeves and a giant plunge down the chest. Her hair is crisply modern too — short and sticking up on top. She gives the supporting movie actor award to Christoph Waltz, who was so wonderful as the Nazi in "Inglourious Basterds."

9. "Marty eats, drinks, and sleeps film. I hear there are videos on the internet of Marty having sex with film." It's Robert DeNiro, talking about Martin Scorsese, who's getting one of these lifetime awards. Cool clip show, reminding me, among other things, of how much I love...  "After Hours"... and "King of Comedy"....

10. Oh, they love Jodie Foster. She's wearing a plain black dress, that makes it's nod to asymmetry with a slit up the left leg. She's not giving an award, just presenting one of the films. Gervais, sipping from that beer he's got at the lectern: "I like a drink as much as the next man... unless the next man... is Mel Gibson." Here's Gibson, acting drunk, for fun... supposedly. The category is director, and the award goes to ... suspense... James Cameron. He doesn't say "I'm the king of  the world." He tells us he's got to "pee something fierce."

11. The best TV show is "Glee." That's nice, I guess. "This is for everybody who got a wedgie in high school."

12. Ah, we're almost done. It's the best comedy/musical award. "The Hangover." Mike Tyson is involved. Strange!

13. Arnold Schwarzenegger! The actor. It's as if that whole thing about him being governor was just some crazy dream. He presents "Avatar," which looks really annoying. Then Mickey Rourke comes out — in a cowboy hat — to do the drama actress award. It's Mickey because he won best actor last year, not because he's the height of Hollywood glamour, which he's not. The winner is Sandra Bullock, and Mickey looks really disappointed. Sandra is wearing a very filmy, very purple dress.

14. Sally Hutton announces the drama actor award. She's wearing a nutty short dress. It's Robert Downey Jr.! I've always loved him. He's got a whole standup routine going. He's not going to thank anyone... but he does. "Art in the blood is liable to take the strangest forms." [ADDED: Oops. That was the comedy/musical actor. Hmm. Sherlock Holmes is comedy? Or was there music?]

15. The best drama actor is actually Jeff Bridges. The presenter was the lovely Kate Winslet, who's wearing a simple black dress with one thick vertical strap on the right side. Asymmetry. Jeff gets a standing O. Why? Because he's The Dude? "You're really screwing up my 'under appreciated' status," he says.

16. The best drama movie — presented by Julia Roberts, who thought it was cute to tell her kids to go to bed — is "Avatar." James Cameron warns us that now he has peed, so he's going to blabber. He loves his job. We have the best job. "Give it up for yourselves." He says that twice. Because "that's the most amazing thing." Jeesh. "'Avatar' asks us to see that everything is connected, all human beings to each other, and us to the earth."

17. And us to bed!

That divorce will cost $500 million.

But the damage to his hyper-Catholic reputation is so much worse.

10 thoughts about "The Wrestler."

1. To be fair to Marisa Tomei, it should have been titled "Meat." But "The Wrestler" is apt, because Mickey Rourke's role, as a wrestler, is much larger. But the 2 actors have equivalent parts, as human meat, making a life out of a crude display of the body. And when Rourke's character, Randy the Ram Robinson, retires from wrestling, he works at a deli counter, making up orders of sliced meat, and there is, at one point, a literal depiction of the man as meat — which I won't spoil. (Don't you hate spoiled meat?)

2. We see a lot of Marisa Tomei's naked body. It's right in our face, lap-dance style. Unlike Kate Winslet, who is always getting naked for the movie cameras, Marisa Tomei has already won an Oscar. And she is not bathed in the kind of cinematic romantic light that makes us think — as we always think when we get to gawk Kate — how beautiful and how brave. You have to struggle — crawl across the floor — to get to a feeling of respect for the actress who submitted to this script. Like the sex dancer she portrays, you think does this woman need the money so desperately?

3. Tomei and Rourke display formidable bodies topped with aging, messed up faces. In one scene, Tomei — off from work — shows up with no makeup at all. Tomei is 45 and — in her face — she looks it. Randy tells her she looks clean. She didn't look that clean, but practically nothing is clean in this movie. It's an entire world of ramshackle filth.

4. Tomei is required to utter some of the most awkward lines I have ever heard in a movie. While giving Mickey Rourke a lap dance, she has to spontaneously utter some quotes from the movie "The Passion of the Christ" and then explain that she was quoting something from the movie "The Passion of the Christ." You get the point, early on, that Randy the Ram should be understood as a Christ figure and that the narrative should be seen as The Passion. Now, you may rightly wonder why. Movies often cue us to understand a character as a Christ figure, but what is The Ram suffering for?

5. Randy the Ram. Get it? Christ is the Lamb. And The Wrestler is the Ram. O, ram of God, who... who what? Redeems us of our last shred of dignity?

6. The Ram is scourged like mad. I haven't seen "The Passion of the Christ," so I can't tell you how close the various shots in that movie might be to the shots in Mel Gibson's magnum opus. But that cut to the forehead — crown of thorns, right? — even if it is self-inflicted. Getting staple-gunned all over his body? You just know that if the Romans had had staple guns, they would have staple-gunned Christ all over his body. (If that had happened, the staple would now be a holy symbol. Link to the script for "Lenny," wherein Lenny Bruce says "Good thing we nailed him when we did, because if we had done it within the last years, we'd have to contend with generations of parochial schoolkids with little electric chairs hanging around their necks." And here's the corresponding Bizarro cartoon.)

7. I've been noting a Hollywood trend of delivering pedophiliac titillation with artistic prettification. But "The Wrestler" does not fit the trend. The sex in the movie is completely adult — and it's also grubby and ugly. There are children in the movie too, though, and Randy the Ram actually plays with them. He wants to retain his self-esteem as a wrestling hero, so he play wrestles with them, gives one an action figure of himself, and lures another one into his shabby trailer to play an old Ninetendo game (in which he is a character). In real life, people seeing that evidence would suspect the man is a pedophile, but in the movie, he is absolutely not.

8. This movie belongs on a list titled "Movies With Scenes in a Supermarket Aisle." (I'd love some help compiling this list — and also a sub-list "Movies With Scenes in a Supermarket Cereal Aisle.")

9. Of all the things that made me voice the syllable best transliterated as "ugh" — one of them was egg salad.

10. I know people want me to say, when I do one of these lists, whether I am recommending the movie.

ADDED: Re #9:



AND: Mickey Rourke talks about making the movie: Part 1, Part 2.

UPDATE: This post memorializes my first date with Meade, on January 17, 2009.

The Farrelly brothers are making a 3 Stooges movie.

"Over the years such A-list Stoogephiles as Russell Crowe and Mel Gibson have been mentioned for the movie, but no casting has been announced."

Any ideas?

What are the new classics?

Entertainment Weekly does a very nice job of ranking the new classics — movies, TV, etc. — from the last 25 years. From the movie list:

1. Pulp Fiction (1994)
7. Hannah and Her Sisters (1986)
10. Moulin Rouge (2001)
11. This Is Spinal Tap (1984)
12. The Matrix (1999)
13. GoodFellas (1990)
14. Crumb (1995)
15. Edward Scissorhands (1990)
16. Boogie Nights (1997)
17. Jerry Maguire (1996)
18. Do the Right Thing (1989)
19. Casino Royale (2006)
23. Memento (2001)
24. A Room With a View (1986)
32. Fight Club (1999)
33. The Breakfast Club (1985)
34. Fargo (1996)
44. The Player (1992)
77. Sid and Nancy (1986)
91. Back to the Future (1985)

From the TV list:

1. The Simpsons, Fox, 1989-present
2 The Sopranos, HBO (1999-2007)
3 Seinfeld, NBC (1989-98)
5 Sex and the City, HBO (1998-2004)
6 Survivor, CBS (2000-present)
12 South Park, Comedy Central (1997-present)
14 The Daily Show, Comedy Central (1996-present)
17 The Office (U.K. version), BBC2 (2001-03)
18 American Idol, Fox (2002-present)
21 Roseanne, ABC (1988-97)
22 The Real World, MTV (1992-present)
28 The Larry Sanders Show, HBO (1992-98)
30 Late Show With David Letterman, CBS (1993-present)
38 Beavis and Butt-head, MTV (1993-97)
39 Six Feet Under, HBO (2001-05)
43 Late Night With Conan O'Brien, NBC (1993-present)
45 Curb Your Enthusiasm, HBO (2000-present)
49 Twin Peaks, ABC (1990-91)
55. Pee-wee's Playhouse, CBS (1986-90)
63. Mystery Science Theater 3000, Comedy Central (1989-96), Sci Fi (1997-99)
64. The Osbournes, MTV (2002-05)
69. The Colbert Report, Comedy Central (2005-present)
75. Project Runway, Bravo (2004-present)
79. The Comeback, HBO (2005)
83. Absolutely Fabulous, BBC2 (1992), BBC1 (1994-2004)

From the book list:

4. The Liars' Club, Mary Karr (1995)
5. American Pastoral, Philip Roth (1997)
7. Maus, Art Spiegelman (1986/1991)
11. Into Thin Air, Jon Krakauer (1997)
28. Naked, David Sedaris (1997)
33. The Year of Magical Thinking, Joan Didion (2005)
66. A Supposedly Fun Thing I’ll Never Do Again, David Foster Wallace (1997)
72. The Curious Incident of the Dog in the Night-Time, Mark Haddon (2003)

(The book list is heavily weighted toward fiction.)

From the style list:

1. Madonna at the MTV Video Music Awards (1984)
2. Sarah Jessica Parker in the opening credits of Sex and the City (1998)
3. Michael Jackson in the ''Thriller'' video (1983)
4. Sharon Stone at the Oscars (1996)
5. Kurt Cobain and grunge style (1991)
7. Amy Winehouse's frocks, bold bras, and sky-high bouffant (2007)
13. Tom Cruise's Ray-Bans and tighty whities in Risky Business (1983)
16. Courtney Love's vintage slip dresses, Mary Janes, and home-grown dye jobs (1995)
17. The leather trenches and Neo-style shades in The Matrix (1999)
48. The goth look of Robert Smith and the Cure (1987)

From the tech list:

3. TiVo (1999)
4. iPod (2001)
5. YouTube (2005)
7. Digital Video Cameras for Consumers (1995)
9. Satellite-Radio Stations (2001)

From the video games:

1. Tetris (1985)

Ha ha. Sorry, I'm old!

From the stage list:

21. Hedwig and the Angry Inch (1998)

Sorry, I've seen a lot of these — the most expensive of these cultural pleasures — and didn't like them very much.

Romantic gestures (these aren't numbered for some reason):

• John Cusack blasts Peter Gabriel outside Ione Skye's window in 1989's Say Anything...
• Ewan McGregor breaks into ''Your Song'' while wooing Nicole Kidman in 2001's Moulin Rouge (2001).
• After her beloved Pedro (Marco Leonardi) dies making love to her in Like Water for Chocolate, Tita (Lumi Cavazos) eats matches, literally igniting her inner flame and burning her whole ranch to the ground.

Movie posters (pictured here):

The Devil Wears Prada
The 40 Year-Old Virgin
Jungle Fever
The Silence of the Lambs

Death scenes:

• Steve Buscemi + a woodchipper + the pure white snow of 1996's Fargo = arguably the most hilarious ooky death on film.
• Mel Gibson, sans intestines, bellows ''Freeeeedommmmmm!'' in Braveheart (1995).
• Warring exes Michael Douglas and Kathleen Turner fall to their doom on a chandelier in 1989's The War of the Roses.
• Jack telling Rose not to say her goodbyes before freezing to death in Titanic (1997).
• Lucy Liu losing her head to Uma Thurman's blade in Kill Bill Vol. One (2003).

More lists at the link, but I'll stop here.