"... to see your favorite performer onstage, in the flesh, rather than as a one-dimensional image glowing in your lap as you spiral down a midnight YouTube wormhole. Even our most beloved superheroes become human in person. Imagine being at Wembley Stadium in 1985 as Freddie Mercury walked onstage for the Live Aid benefit concert... It was Freddie's connection with the audience that transformed that dilapidated soccer stadium into a sonic cathedral. In broad daylight, he majestically made 72,000 people his instrument, joining them in harmonious unison.... I’ve been lifted and carried to the stage by total strangers for a glorious swan dive back into their sweaty embrace. Arm in arm, I have sung at the top of my lungs with people I may never see again. All to celebrate and share the tangible, communal power of music.... I don’t know when it will be safe to return to singing arm in arm at the top of our lungs, hearts racing, bodies moving, souls bursting with life. But I do know that we will do it again, because we have to. It’s not a choice. We’re human... [T]ogether, we are instruments in a sonic cathedral, one that we build together night after night. And one that we will surely build again."
Writes The Foo Fighters' Dave Grohl (in The Atlantic).
ADDED: Interesting that Grohl made Freddie Mercury his central example of the sublime. Mercury was the one artist Kurt Cobain — Grohl's former bandmate — cited in
his suicide note:
[W]hen we're back stage and the lights go out and the manic roar of the crowds begins, it doesn't affect me the way in which it did for Freddie Mercury, who seemed to love, relish in the love and adoration from the crowd which is something I totally admire and envy. The fact is, I can't fool you, any one of you.... I must be one of those narcissists who only appreciate things when they're gone. I'm too sensitive....