"Because of this awkwardness, the tendency of the typer, as opposed to the writer (in Truman Capote’s famous distinction), is to move ever forward, ever faster. Why waste thirty seconds revising an obscure clause, when you can tack on an explanatory sentence in five? Hence paragraphs come out longer than they should be, and an accretion of verbal debris weighs the typescript down. Such debris, of course, can be cleared away in revision. But the tolerance that permitted it in the first place tends to lower critical standards the second time around. The pen, on the other hand, is an instrument of thrilling mobility. Its ink flows as readily as the writer’s imagination. Its nib flickers back and forth with the speed of a snake’s tongue, deleting a cliché here, an adjective there, then rearing up suddenly into white space and emitting a spray of new words.... Unlike the electric typewriter, it does not buzz irritatedly when motionless, as if to say, Hurry up, I’m overheating. It sits quietly in the hand, comforting the fingers with acquired warmth, assuring you that the sentence you are searching for lies somewhere in its liquid reservoir...."
From the essay "The Pen Is Mightier Than the Smith-Corona" — written in 1981, before writers used word processors.
The essay, by Edmund Morris, is collected in "This Living Hand: And Other Essays" (commission earned).
I added the link on "Truman Capote's famous distinction." My link goes to Quote Investigator, which looks into whether Capote really said — about "On the Road" — "That’s not writing, that’s typing."