"The gig also made me remember what rockstar fandom, as a young girl, had been: a gateway drug to the opposite sex and sexual attraction in general."

"I remembered chasing Sting (as part of a mob of 14-year-old girls) as he rode with the other members of the Police in an open-top Jeep down Hammersmith Broadway in 1978. I remembered ogling his poster in my bedroom.... Aged 58, I felt as though I was somehow repeating a level on the multi-player game of life that I’d previously completed at 14: sexual and emotional infatuation with a rock star as a prelude and initiation to the real thing...."

From "A moment that changed me: I’d lost my libido – then I saw Richard Ashcroft on stage and it came bursting back/I was nearly 60 and hadn’t had sex in 10 years. And I was fine with that. But seeing the Verve’s former frontman reminded me how much fun it is to fancy someone" (The Guardian).

"Once you hear it, the ‘Gen Alpha melody’ is everywhere."

A WaPo headline aptly states. Here's a gift link to the article, and here's the viral video it's talking about:

I couldn't watch the whole thing because I was so grossed out, not that somebody put those 4 notes together first and deserves compensation for everyone else copying but by how inane and tedious all that music is. (I know, I'm old, it's not for me.)

"Three stages keep the dancers moving and the listeners happy all day with a diverse mix of sounds including Latin soul by Orquesta SalSoul del Mad, roots rock veterans The Rousers, bluegrass..."

"... from Bigtooth, and of course fest favorites like VO5 and Steely Dane…and that’s only a small sample of the local bands; the fest also features tour stops by The Band Feel, Toronzo Cannon, Kelli Baker Band and others. Food and artisan vendors are also on offer, as well as kids' activities hosted by Canopy Center. Find the full schedule below and updates at atwoodfest.com...."

I'm quoting from the middle of the page at "CANCELED: AtwoodFest" (Isthmus).

At the top of the page: "Our community and our Marquette neighbors witnessed another horrific officer-involved shooting just blocks from our festival grounds, leaving us in deep pain and justified anger. In acknowledgment of what has happened far too often in our community and our country as a whole, this year's AtwoodFest, themed 'The Heartbeat of the Neighborhood,' is canceled...."

A musical interlude....

... in 3 parts:

"And a few women describe the experience of 'leg hair harassment' or a term coined online as 'sunehara,' referring to the discomfort of being forced to see their colleague's leg hair."

From "Tokyo urges men to wear shorts to work, but some women say it's 'leg hair harassment'" (BBC).

Akifumi Funatsu, the director of Gorilla Clinic, says he has noticed more clients coming to the clinic not just for cosmetic reasons, but as a matter of "social etiquette when wearing shorts." He thinks women believe that "men should have less leg hair," which has prompted them to seek laser hair removal so as not to offend those around them.

Gorilla Clinic — I get it. A man is a gorilla if he's hairy. The BBC is reporting on a survey taken by this men's hair-removal business. Who came up with this idea that it's "harassment" to have to see a man's hairy legs in the office? I'm skeptical. It's just aesthetics. 

Anyway, as long as I'm talking about men in shorts, here's some video from the AC/DC concert last Sunday at Camp Randall, the UW football stadium a few blocks from our house. It was kind of funny to be lying in bed, falling asleep and hearing the live performance, which was pretty quiet by the time it reached our house:

"Obviously, Paul Simon’s Graceland is a huge influence on this. I do genre parody..."

"... and this is definitely mostly Graceland.... It’s a stunning masterpiece. But the lyrics are essentially him singing over Ladysmith Black Mambazo and then singing about how he’s depressed because he got divorced from Princess Leia and he’s awkward at Upper West Side parties. It was sort of loosely influenced by that, but he has these elliptical kind of lyrics; they’re hard to pin down sometimes. So a lot of the influence came from the visuals of the 'Diamonds on the Soles of Her Shoes' video and his performances with Ladysmith Black Mambazo on Saturday Night Live. There were a lot of 'a dorky white guy in front of an African choir' images. And I was definitely influenced by Talking Heads and Peter Gabriel...."

Says Kyle Gordon, interviewed in Vulture at '"Everyone Was Laughing at Me the Entire Time. It Was Awesome.'"

I highly recommend "Under African Skies" "Mr. Jambo":

"Well, I couldn’t speak his language and I couldn’t understand a word / But I knew his meaning was what I decided I had heard."

For reference, here's the 1987 Paul Simon video, "Diamonds on the Soles of Her Shoes":

"The artist Edward Gorey (1925-2000) ornamented his correspondence with elaborate drawings."

"Each year, the Edward Gorey House on Cape Cod runs an all-ages envelope art contest. This year’s theme is 'The Utter Zoo.' You have until Dec. 1 to submit envelopes decorated accordingly. The website suggests 'a compilation of creatures, a bestiary, a compendium of the fictional, plausible, cranky, vengeful or just highly undomesticated.'... My favorite winners from last year are the ones from little children who seem deeply imaginative but not necessarily artistically gifted in the classic sense. A friend told me recently about taking a singing class with a guy who couldn’t hold a tune but who was so passionate that the teacher gave him a solo in the class’s final presentation. Of course his performance was the one the audience found the most stirring...."

Writes Melissa Kirsch, in "The Good List: 6 Things to Add Some Delight to Your Day" (NYT).

Click on that link for winners from last year. Lots of great stuff, mostly by the artistically gifted. As for singers who can't hold a tune but are powerfully passionate... reminds me of the early years of "American Idol." It's highly amusing... up to a point. And these days, what's the problem? All the singers are auto-tuned. 

Total eclipse.

Bonnie Tyler has died: "Bonnie Tyler obituary: gravel-voiced singer of Total Eclipse of the Heart/The most successful Welsh female singer since Shirley Bassey did not have her first hit until 25, but went on to sell 100 million records" (London Times).

There is also the literal version of that song, a wonderful examination of the absurdities of 1980s music video:

"It is him who is wanting to hold on. He is having to come to terms that his dream is dead. The show is over, this is done."

Said an unnamed Democrat, said to be "close to Platner," quoted in "Graham Platner, isolated, defies Maine Democrats as they try to hatch a plan/People close to the Senate candidate’s campaign say that they know he has to drop out but that Platner has struggled with the decision" (WaPo)(gift link).

And there's this, from Devon Murphy-Anderson, executive director of the Maine Democratic Party: "Unfortunately, Graham Platner’s team has repeatedly reached out to us in an attempt to put their thumb on the scale of what this process looks like. We have repeatedly reiterated to Graham Platner’s team that they have no role in determining our next Democratic nominee for the U.S. Senate."

But he won the primary. Shouldn't that at least mean that someone with the same political orientation should replace him? Otherwise, it seems as though the part of the Democratic Party that lost in the primary process is stealing the nomination. That means the only way Platner’s team can have any role in determining the nominee is for Platner to hang onto the nomination he won. Unfortunately for the Party, it has no role in stopping him. 

He wants to hold on? He can hold on. The dream is dead? Hold onto that dream.

 

UPDATE: Platner abandons his dream. He’s out. Watch his video here.

Happy Birthday, America.

From There I Ruined It:

"I’m pleased that the D.C. police recognize their part in violating my rights."

Said Sam O’Hara, quote in "Man who played Star Wars music at National Guard members receives settlement/The ACLU announced it had reached a financial agreement with the D.C. government and four of its officers, resolving part of the case" (WaPo)(gift link).

"The group’s musical cocktail of symphonic arrangements blended with horns and pop was met with particular contempt by Rolling Stone magazine..."

"... which tended to look askance at anything but unadulterated rock, the music historian John Covach said. Writing in the magazine in 1969, Jon Landau said, 'The listener responds to the illusion that he is hearing something new when in fact he is hearing mediocre rock, OK jazz, etc., thrown together in a contrived and purposeless way.'"

From "David Clayton-Thomas, Lead Singer of Blood, Sweat & Tears, Dies at 84/He was also the key lyricist of the Grammy-winning, genre-blending band, whose hits included 'Spinning Wheel,' 'And When I Die' and 'You’ve Made Me So Very Happy'" (NYT).

The headline gives the impression that Blood, Sweat & Tears wrote "And When I Die." In the 7th paragraph of the obituary, Laura Nyro is given proper credit. Save your "when I die" bons mots. Laura Nyro died 29 years ago. 

"For years, Judge Eleanor Ross’s secret was passed down from law clerk to law clerk. They whispered about..."

"... the sultry jazz music that emanated from her chambers when a uniformed police commander, a man they called her 'visitor,' disappeared into her private office. The clerks could sometimes hear the unmistakable sounds of sex from behind the door.... While the clerks said they might have been willing to overlook isolated personal foibles, they were more broadly disturbed by the lack of attention Judge Ross paid to the civil disputes that came before her.... It was not unusual to go weeks without hearing much from her except for a brief email — 'Please docket.' — a few minutes after they sent her a draft order, three clerks told The Times. They estimated that she provided edits on roughly 5 percent of the civil orders that they drafted in her name, and even then mostly just for grammar or typos...."

From "Sex, Lies and Secrets: A Federal Judge’s Trysts Go Public Now, Judge Eleanor Ross’s career and caseload are under scrutiny. And her punishment, a private reprimand, has sparked backlash" (NYT).

The Times tells us that "the décor in her chambers" included a photo of Ruth Bader Ginsburg festooned with a quote from a Beyoncé and Drake song: "All them fives need to listen when a ten is talking."

I tried to find out exactly what "sultry jazz music" the judge played. I was unsuccessful, but here's a Spotify playlist titled "Sultry Jazz":

To what extent can a judge — or anyone else — use her/his private office for activities other than the job? I assume it's fine to take a nap or do calisthenics or read a novel or stare into space.

ADDED: "Was that wrong? Should I have not done that?... Because I've worked in a lot of offices and I tell you people do that all the time."

"[F]rustrated by what he saw as the harmonic limits imposed by having a pianist play chords behind his improvisations, he began performing and recording accompanied only by a bassist and drummer..."

"... an unusual (though not unprecedented) approach at the time. (Pianists 'got in the way,' he said at the time. 'They play too much.') He recorded several memorable albums without piano.... By 1959, Mr. Rollins was receiving consistently glowing reviews and was widely regarded as one of jazz’s new stars. Nonetheless, that year he suddenly stopped performing and recording and virtually disappeared from the public eye. Over the next two years, convinced that his playing was not up to his own standards, Mr. Rollins devoted much of his time to practicing, often late at night on the Williamsburg Bridge, not far from his apartment on the Lower East Side of Manhattan, where the acoustics appealed to him and there were no neighbors to complain. His absence from the scene, and reports of his bridge sessions, added to his growing mystique, and to his growing reputation as a perfectionist. 'A lot of people couldn’t comprehend why I would stop playing,' he told DownBeat magazine in 2001. 'But I learned something. It was necessary for me to do to have the kind of confidence I need to play music like this.'"

From "Sonny Rollins, Giant of the Jazz Saxophone, Is Dead at 95 Even by the standards of a music that prizes individuality, he stood out, as both a musician and a personality" (NYT). 

A playlist:

 

AND: Note that Miles Davis performs on some of those tracks and today, May 26th, is the 100th anniversary of the birth of Miles Davis (who died in 1991). See "Miles Davis at 100: Musicians explain why he is the GOAT" (L.A. Times).

ADDED: I already had a "Sonny Rollins" tag. There's only one other post. It quote Rollins, in 2020, when he published a NYT essay titled "Art Never Dies/It outlives the contentious political veneer that we cast over everything." The quote:

What duck?

Grok insists this interesting character is a "mutt duck," the offspring of a mallard and a "fancy/ornamental duck" that some human took the liberty to release into the local environment.

If you like the music Meade chose for this video, listen to more of Stephen Spencer here. He gets the lyrics from the stories his 3-year-old daughter tells.

"They said garage bands are coming back with kids, which is kind of means nature is healing."

From a Joe Rogan conversation that starts here:

From the transcript, which blends the voices of the 4 interlocutors: "It's so sad that rock is dead.... We were talking about that. Yeah, it's all queefy now. When was the last time.... Where's the new rock bands? The new Zeppelin... It used to be the biggest part of music. Rolling Stones, AC/DC.... It used to be the biggest part of music was rock and roll. What the fuck? That's kind of crazy.... What happened to rock? What happened to rock? Who are the biggest? They said garage bands are coming back with kids, which kind of means nature is healing. Yeah, that's a good sign.Yeah, kids are tired of playing video games. Want something real. But the thing about that that doesn't make sense about rock music is everybody still loves it, right? Everybody still plays covers. Oasis is doing giant arenas all over the place. I took acid at that Oasis concert...."

And that last line changes the topic. Too bad! I wanted to hear more about the return of garage bands and why that's a sign of health, but then I understand the argument. I just wanted to spend more time on it and on Joe Rogan, it seems they take every opportunity to get back onto drugs. 

The full moon sets over the prairie as the sun rises over the lake.

Video by Meade. I appear briefly, as the lone figure in a red hat. The music soundtrack is the delightful "Regular Rabbit," with lyrics by a 3-year old. See below, after the jump.

While Meade was doing video, I was doing stills. Here's one:

Mistranscription of the day.

Meade memorialized this morning's sunrise in a video with a soundtrack of one of my favorite recordings. It displayed on my computer with closed captioning:

Here's my screengrab:

Here's the full "home recording" of "Deep Blue Sea" by Grizzly Bear. The mistranscribed line should be: "Dig his grave, darling/With a silver spade." And here's a playlist I made on Spotify: "Deep Blue Sea Night."

I'd always thought woodpeckers were in it for the insects, but now I see at least this one guy is in it for the music.

He's into the metallic resonance. Listen all the way to the end:

This was out at our sunrise vantage point this morning. The boxes are part of the equipment attached to a pole out there. It's a bit unsightly, but I believe it's for science — weather, maybe, or is it surveillance?

Wherever music has emerged, hasn't the first musical instrument always been the drum? (That is, the first instrument beyond the musician's own mouth.) Or is it the flute?

"In different cultures and historical eras, pitch polarity was not designated as 'high' vs. 'low' but rather..."

"... by 'light' vs. 'heavy' (Kpelle people in Liberia), 'sharp' vs. 'heavy' (ancient Greek music theory), 'small' vs. 'large,' used in Bali and Java, as well as among Kpelle and Jabo in Liberia...), 'young' vs. 'old' (Suyá people of the Amazon basin...) or 'weak' vs. 'strong' (the Bashi people of central Africa...). Often, pitch vocabulary seems to derive from specific cultural practices. For instance, pitch classification for the Shona mbira (Zimbabwe) includes the opposition of 'crocodile' (low pitch) with 'those who follow crocodiles' (high), and 'stable (person) who holds the piece together' (low) vs. 'mad person' (high), as well as 'old men’s voices' (low) vs. 'young men’s voices' (high), 'men’s voices' vs. 'women’s voices,' and 'thin' (low) vs. 'thick' (high).... In the Gbaya xylophone (Central African Republic), notes are arranged genealogically, and include (from low to high) grandmother, mother, father, son and daughter...."

From the delightfully named "Beethoven’s last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context" (Academia) by Renee Timmers.

I got there via a discussion with Grok that began with my question "Why is it that the most emotional part of a melody is always (almost always?) a move to a higher note?" The answer shouldn't be because in real life heights are exciting/scary/magnificent.  

Imagine thinking about a melody in terms of crocodiles and those who follow crocodiles!