"... was constantly trying to whittle away at her own perceived shortcomings. When she was a teenager, she developed anorexia — that pulverizing, paradoxical battle with both helplessness and self-control — and dropped to 75 pounds at 16. The disorder prevented her from completing a college degree. Many of the poems Glück wrote in her early 20s flog her own obsessions with, and failures in, control and exactitude. Her narrators are habitués of a kind of limitless wanting; her language, a study in ruthless austerity. (A piano-wire-taut line tucked in her 1968 debut, 'Firstborn': 'Today my meatman turns his trained knife/On veal, your favorite. I pay with my life.') In her late 20s, Glück grew frustrated with writing and was prepared to renounce it entirely...."
From the NYT's annual roundup of short essays about people who died in the past year —
"The Lives They Led" — I've chosen a bit of
Amy X. Wang's essay on the Nobel Prize-winning poet Louise Glück.
I loved the X-Acto/exactitude theme — the whittling away, the meatman and his trained knife, and the potential to end up with nothing.
ADDED: I wondered if — in 20 years of blogging — I had ever before used the word "exactitude." It's a great word, and I thought, perhaps I'd never used it. But I see I've used it twice, both times in 2018.