"Here comes Mr. Bob Dylan himself..."

The best part of this is how much James Austin Johnson looks like old Bob Dylan.

It's interesting that a woman plays Chalamet. That might have some verisimilitude, except that it made Chalamet much shorter than Dylan. In real life, Bob is 5'7" and Timothée is 5'10".

ADDED: Uproxx has an interview with James Austin Johnson about his Dylan imitation and links to this 2022 appearance on the Tonight Show where he sang "Jingle Bells" in Dylan voices from difference eras of Dylan:

James Austin Johnson sings “Jingle Bells” as Bob Dylan through the decades. #FallonTonight pic.twitter.com/kuPegi5Dhw

— The Tonight Show (@FallonTonight) November 29, 2022

"I'm dying for some action... I need a love reaction...."

Bruce Springsteen has been dying for that action for so long. "This gun's for hire," he sings to us, in that puzzlingly straining voice he's been foisting upon us since the 1970s.

And here he is, last night, at the Democratic Party rally....

 

"You can't start a fire/Worrying about your little world falling apart...."

Now, there's a political slogan.

But who's the best candidate for those of us who do worry about our "little world" falling apart?

Both VP nominees are now participating in the old tradition of responding to questions written on an orange that a reporter has rolled up the aisle of the campaign plane.

ABC reports.

Walz did it first, responding to the question "Dream dinner guest?" His answer (written on the orange and rolled back (more than a day later)): Bruce Springsteen.

(I struggle to resist re-telling the story of My Dinner With Bruce Springsteen.)

Vance's reporters wanted in on this orange action and rolled him the question "Fave Song." Under the circumstances, I would have chosen "Let Me Roll It"...

But Vance rolled back — immediately — "10 Years Gone":

Thank God something light-hearted is happening on this overwrought campaign.

Rivers always reach the sea/Flying skies of fortune, each a separate way/On the wings of maybe....

Why did it take Walz over a day to think up Bruce Springsteen? If you were going to workshop the most politically opportune answer, assuming you'd pick a pop star, wouldn't you pick a pop star affiliated with a battleground state? 

I see that Kamala Harris, on Steve Colbert's show last night — see "The high life: Kamala Harris cracks open a beer with Stephen Colbert" (Guardian)— chose Miller High Life as the beer for the little exercise in relatability" and...

Harris repeated the popular slogan “The champagne of beers”, while Colbert noted that it comes from Milwaukee, in the swing state of Wisconsin. He said: “So that covers Wisconsin. Let’s talk Michigan. Let’s appeal to the Michigan voters, OK? What are your favourite Bob Seger songs?”

Walz could have said Bob Seger! What're his politics?  

Vance answered quickly, and his choice is a bit idiosyncratic, but that doesn't free him of any suspicion of answering what he thought was politically advantageous. He's a quick thinker, and he knows the assignment. But he's chosen British pop stars, and "Ten Years Gone" is not near the top of obvious Led Zeppelin songs.  It's #40 on Vulture's "All 74 Led Zeppelin Songs, Ranked." So there's a good chance it really is his favorite Led Zeppelin song.

Is Led Zeppelin his favorite band? The name appears 4 times in "Hillbilly Elegy." Here are 2::

The perfect 4th of July playlist.

If you try a simple Spotify search, you'll get a lot of not that carefully curated efforts....

I started out looking for one to recommend — inspired by a not-too-inspiring playlist we heard last night in a fancy restaurant — but I ended up making a game out of trying to find one that didn't include "Born in the U.S.A."

"Born in the U.S.A." is not a 4th of July song! It's completely negative about America. Read the lyrics. From the "dead man's town" to the Vietnam War to joblessness to "shadow of the penitentiary" rhymed with "the gas fires of the refinery" — living in the U.S.A. is darkness and doom.

It belongs on an anti-American playlist:

It's not that an old man tripped and fell. It's that he was trying so hard to look young, wearing super-tight jeans...

... that he couldn't bend his knees at all, and it took 2 men to hoist him back up:

Bruce Biden pic.twitter.com/wMiXaPB1rL

— Citizen Free Press (@CitizenFreePres) May 29, 2023

Sorry to use this to embed the clip, which I saw the other day. I think the effort at humor — "Bruce Biden" — distracts at what's funny here, the splinting effect of tight jeans on the legs of a man whose continued wearing of tight jeans is poignant or ridiculous depending on whether you've ever liked Springsteen.

As for tripping and falling, it's part of life, and I would advise you to stop laughing at the trippers and watch where you're going. 

"Funnily enough, I don’t actually have dinner any more. I stop eating at four, and I learned that from having lunch with Bruce Springsteen."

Said Chris Martin, quoted in "Chris Martin’s one-meal-a-day diet inspired by Bruce Springsteen/Coldplay frontman says he now eats nothing after 4pm" (London Times).

That's more or less what we do at Meadhouse... but we're 70ish. You really do need to eat less when you are old. But Martin is only 46!

"At the point of 'Pump It Up,' he obviously had been listening to Springsteen too much. But he also had a heavy dose of 'Subterranean Homesick Blues.'"

"'Pump It Up' is a quasi-stop-time tune with powerful rhetoric, and with all this, Elvis [Costello] exuded nothing but high-level belligerence.... With tender hooks and dirty looks, heaven-sent propaganda and slander that you wouldn’t understand. Torture her and talk to her, bought for her, temperature, was a rhyming scheme long before Biggie Smalls or Jay Z. Submission and transmission, pressure pin and other sin, just rattled through this song. It’s relentless, as all of his songs from this period are. Trouble is, he exhausted people. Too much in his songs for anybody to actually land on. Too many thoughts, way too wordy. Too many ideas that just bang up against themselves. Here, however, it’s all compacted into one long song."

Writes Bob Dylan in "The Philosophy of Modern Song" (published today).

Here's the song — with a very cool video (I want to stand on my feet like that):

 

I was listening to the audiobook as I went on my sunrise run, and as soon as I heard the title of the song Bob was about to discuss, I called on Siri to play it for me. Listening, I thought, this is so much like "Subterranean Homesick Blues" — if Bob praises it, is he praising himself?

"For many Texans who have needed abortions since September, the law has been a major inconvenience, forcing them to drive hundreds of miles, and pay hundreds of dollars..."

"... for a legal procedure they once could have had at home. But not everyone has been able to leave the state. Some people couldn’t take time away from work or afford gas, while others, faced with a long journey, decided to stay pregnant. Nearly 10 months into the Texas law, they have started having the babies they never planned to carry to term. Texas offers a glimpse of what much of the country would face if the Supreme Court overturns Roe v. Wade this summer... Sometimes Brooke imagined her life if she hadn’t gotten pregnant, and if Texas hadn’t banned abortion just days after she decided that she wanted one. She would have been in school, rushing from class to her shift at Texas Roadhouse, eyes on a real estate license that would finally get her out of Corpus Christi. She pictured an apartment in Austin and enough money for a trip to Hawaii, where she would swim with dolphins in water so clear she could see her toes. When both babies finally started eating, Brooke took out her phone and restarted the timer that had been running almost continuously since the day they were born. She had two and a half hours until they’d have to eat again."

From "This Texas teen wanted an abortion. She now has twins. Brooke Alexander found out she was pregnant 48 hours before the Texas abortion ban took effect" (WaPo). This is a long piece by Caroline Kitchener that has lots of details about one 18-year-old who has her babies and lives with and has married their father. The father, also a teenager, is joining the Air Force.

I anticipate that many of my readers will see those first words — "For many Texans who have needed abortions..." — and set to work writing comments about the word "needed." 

Also, today is an opinion announcement day at the Supreme Court. There is only one more announcement day after today, so there's a good chance that today could be the day for the abortion case. I like to follow the live-blogging of announcements at SCOTUSblog.

Remember when Biden cured cancer?

Relive the good times — replete with Bruce Springsteen soundtrack:

 

To be fair, we really have conquered cancer in the sense that when you think about what disease is really bothering you, you don't go straight for "Cancer!" anymore.

Dreams...

Springsteen's: 

 

Ono's:

Imagine all the people living life in peace. pic.twitter.com/5xA11BVN3p

— Yoko Ono ☁️ (@yokoono) September 11, 2021

I don't know what you think of "celebrity 9/11".... It's a matter of taste, but they are trying, with decent enough sincerity.

"This is Guy Talk: an elevated version of the bro-ing down heard on countless podcasts aimed at men."

"At times it feels like Renegades is a primer on nontoxic masculinity. Obama and Springsteen are emotionally intelligent and self-aware; they poke fun at themselves, in a way that comes naturally to wildly successful people.... [T]hey lay claim, again and again, to a progressive patriotism... [W]e get a lot of solemn talk in which hard truths are articulated amid a blizzard of mixed metaphors. In a conversation about the rise of white nationalism under Trump, Springsteen proclaims that racist pathologies are 'not meandering veins in our extremities, but … continue to be running through the heart of the country—that’s a call to arms and lets us know, obviously, how much work we have left to do.'... The remedial nature of these history lessons, and the portentous way they are presented by Renegades’ producers—soundtracked by plaintive guitar noodling that suggests pearls of wisdom are being dispensed—is bizarre and undermining: It makes Obama and Springsteen sound more out-to-lunch than they can possibly be. Clichés pile up. Lest listeners get too bummed.... an old warhorse is dragged out. 'The arc of the moral universe bends towards justice,' Obama assures us...."

Writes Jody Rosen in "Obama and Springsteen’s Podcast Isn’t What It Pretends to Be/The show promises difficult conversations about race, but it avoids the actual difficulties" (Slate). 

Rosen likens the Obama/Springsteen podcast to this excellent parody of podcasts:

Podcasts saying literally nothing for 20 minutes. pic.twitter.com/nmfka1Gjsp

— Jonathan Ogden (@jogdenUK) January 5, 2021

"I dare you to name something more archetypally boomer than these two cherished idols—the Boss and the Chief—dubbing themselves rebellious in a Spotify-exclusive podcast..."

"... sponsored by Comcast and Dollar Shave Club. ('How do I handle grooming below the belt?' the ad spot asks; mercifully, neither host is made to read it.)... As a cultural figure, the Boss sits in a cross-racial sweet spot, as an anointed idol for the coded white working class who pairs his aging denim with bright-blue politics. He is also comfortable playing the good white liberal without self-punishing overtures. His home town of Freehold, New Jersey, was 'your typical small, provincial, redneck, racist little American nineteen-fifties town,' he says plainly, without squeamishness.... Discussing the protests of last summer, Obama comes just short of infantilizing the activities of those who were on the ground. 'I think there’s a little bit of an element of young people saying, "You’ve told us this is who we’re supposed to be."' A guitar strums gently in the background. 'And that’s why as long as protests and activism doesn’t veer into violence, my general attitude is—I want and expect young people to push those boundaries.'...  But I can understand the people who might still take comfort in hearing Obama right up against their eardrums, doing his host schtick, asking, 'Did you see the movie "Get Out"?,' referring to a memorable line that invokes his name."

From "Obama and Springsteen Are Here to Lull America" by Lauren Michele Jackson (The New Yorker).

The line in "Get Out" is: "By the way, I would have voted for Obama for a third term if I could." Read more about it in "Bradley Whitford didn't realize Get Out's Obama line was supposed to be a joke at first" (AV Club).

"In our own ways, Bruce and I have been on parallel journeys trying to understand this country that’s given us both so much. Trying to chronicle the stories of its people. Looking for a way to connect our own individual searches for meaning and truth and community with the larger story of America."

Said Barack Obama, quoted in "Barack Obama and Bruce Springsteen Join Many Men Before Them, Launch a Podcast" (NY Magazine).  

... journeys... stories... a way to connect our own individual searches for meaning and truth and community with the larger story of America... 

I don't know. That must appeal to some people but it sounds perfectly silly to me. 

 I love the photograph, which I'll copy because it's Spotify's picture (by Rob DeMartin) and they seem to be trying to promote the podcast, so I'm only helping them:

The 2 men and their environment are so ideal... and yet... where are the masks? Did they really do the podcast there on abutting sides of that delicate table? Does Bruce really use wheelie chairs on those loose, blanket-like rugs? That's not going to work. Did they just happen to cross their arms and legs in the same way? More importantly, do this guys have a good podcast-y way to talk back and forth? 

ADDED: I am actually going to attempt to listen to this. I'll let you know how it turns out.

UPDATE: My effort ended 14 minutes and 27 seconds in. I found it of no interest whatsoever.

Bruce Springsteen (and Jeep) call us (the Super Bowl watchers) back to the middle, to "the ReUnited States of America."

 

We see Bruce in Kansas, the geographic center of the contiguous 48 states, and he's mourning about how "the middle has been a hard place to get to lately." It's not overtly political, but I get the feeling that we're being told that the person who is President now, is more or less in the middle, and we ought to come together and feel good about that.

This is — Variety tells us — the first ad Bruce Springsteen has ever done. He'd never even allowed his songs to be used in ads.

But Springsteen has been openly political. Here's a message he put out just before the 2020 election:

There’s no art in this White House. There’s no literature, no poetry, no music. There are no pets in this White House. No loyal man’s best friend, no Socks the family cat, no kids’ science fairs. No time when the president takes off his blue suit, red tie uniform and becomes human. Except when he puts on his white shirt and khaki pants uniform, and hides from the American people to play golf. There are no images of the first family enjoying themselves together in a moment of relaxation. No Obamas on the beach in Hawaii moments or Bushes fishing in Kennebunkport. No Reagans on horseback. No Kennedys playing touch football on the Cape. Where’d that country go? Where did all the fun, the joy, and the expression of love and happiness go? We used to be the country that did the ice bucket challenge and raised millions for charity. We used to have a president who calmed and soothed the nation instead of dividing it. And a first lady who planted a garden instead of ripping one out. We are rudderless and joyless. We have lost the cultural aspects of society that make America great. We have lost our mojo, our fun, our happiness, our cheering on of others, the shared experience of humanity that makes it all worth it. The challenges and the triumphs that we shared and celebrated, the unique can-do spirit that America has always been known for. We are lost. We’ve lost so much in so short a time. On November 3rd, vote them out.

So, Bruce got what he said he wanted, the President who calms and soothes us instead of riling us up. And Bruce is driving a Jeep in Kansas to call us back into a dreamworld of Americana.

When The Ramones were on "Sha Na Na" playing "The Ramone Family" in a "Family Feud" spoof.

I just found this YouTube obscurity from 1979:



I was just stumbling around in Wikipedia, researching the insult "greasy," skimming through the subject of the "greaser sub-culture" — "The band Sha-Na-Na models their on-stage presence on New York City greasers (the band members themselves were mostly Ivy Leaguers)" — which led me to the article on "Sha Na Na":

Conceived by George Leonard, then a graduate student in humanities, Sha Na Na began performing in 1969 at the height of the hippie counterculture, and achieved national fame after playing at the Woodstock Festival, where Rob Leonard, the president and bass singer of the band, sang the lead on “Teen Angel” when the band opened for their friend Jimi Hendrix. Their 90-second appearance in the Woodstock film...

... brought the group national attention and helped spark a 1950s nostalgia craze that inspired similar groups in North America, as well as the Broadway musical Grease (and its feature film adaptation), the feature film American Graffiti and the TV show Happy Days....

That was a culturally powerful 90 seconds!

From 1969 until 1971, the band played at, among other places, the Fillmore East and Fillmore West, opening for such bands as the Grateful Dead, the Mothers of Invention, and the Kinks. When Sha Na Na began headlining at other venues, one of their opening acts was Bruce Springsteen...

On their album The Golden Age of Rock and Roll, the lead singer taunts the audience on one of the live tracks by announcing, "We've got just one thing to say to you fuckin' hippies, and that is that rock and roll is here to stay!"

Americans are always looking back to a golden age. Compare "Make America Great Again." Question whether Donald Trump's present day version of "you fuckin' hippies" is any less satirical than Sha Na Na's. They're all Ivy Leaguers restyling American culture for the edification and education of the American People.

And how about those Ramones? How much of a comedy routine were they? And how did they interface with American politics? I'll just say that at the time, in the 70s, I regarded them as a comic act, and let me give you this from Wikipedia:

[Joey and Johnny] were politically antagonistic, Joey being a liberal and Johnny a conservative. Their personalities also clashed: Johnny, who spent two years in military school, lived by a strict code of self-discipline, while Joey struggled with obsessive-compulsive disorder and alcoholism....

Sounds just like America.

"Bruce Springsteen is a phony, and he wants you to know it. 'I’ve never held an honest job in my entire life,' he shouts.."

"...  early in his one-man stage show, viewable on Netflix Sunday. 'I’ve never seen the inside of a factory, and yet it’s all I’ve ever written about. Standing before you is a man who’s become wildly and absurdly successful writing about something [with] which he has had absolutely no personal experience.'... Mr. 'Thunder Road' never drove a car until he was forced to, in his 20s, on what sounds like a nightmarish cross-country road trip with his band. The hardscrabble romance of the Jersey Shore, site of action and adventure in his songs? 'I invented that!' he calls out, during a segment about how depressing and provincial Asbury Park was when he first set off on his career. He shares these small gaps between his persona and his reality not to unburden his guilt, nor to humblebrag about what a great fabulist he is—though he does a bit of the latter. ('That’s how good I am,' he cracks after one confession.) Springsteen’s interested in the way that mystique overlays on truth, allowing ordinary life to feel extraordinary."

From "Bruce Springsteen Explains It All" (The Atlantic).

"I would go back to DNA. If you grow up in a household where people are refusing to take responsibility for their lives, chances are you’re gonna refuse."

"You’re gonna see yourself as a professional victim. And once that’s locked into you, it takes a lotta self-awareness, a lotta work to come out from under it. I’m shocked at the number of people that I know who fall into this category. And it has nothing to do with whether you’re successful or not. It’s just your baggage. So that’s important to communicate to your children: They have to take responsibility for who they are, their actions, what they do. They’ve got to own their lives."

Said Bruce Springsteen, when asked, in his Esquire interview, "Why, I ask, do so many men, whether they’re sixty-five or twenty-five, refuse to take responsibility for their actions?"

Asked if he could "make one request of citizens in this country right now, what would it be?," he said:

I think that a lot of what’s going on has been a large group of people frightened by the changing face of the nation. There seems to be an awful lot of fear. The founding fathers were pretty good at confronting their fears and the fears of the country. And it’s the old cliché where geniuses built the system so an idiot could run it. We are completely testing that theory at this very moment. I do believe we’ll survive Trump. But I don’t know if I see a unifying figure on the horizon. That worries me. Because the partisanship and the country being split down the middle is something that’s gravely dangerous. To go back to your question, what would my wish be? [Sighs] It’s corny stuff, but: Let people view themselves as Americans first, that the basic founding principles of the country could be adhered to, whether it’s equality or social justice. Let people give each other a chance."

"Representative Joseph Crowley of New York, once seen as a possible successor to Nancy Pelosi as Democratic leader of the House, suffered a shocking primary defeat on Tuesday..."

"... the most significant loss for a Democratic incumbent in more than a decade, and one that will reverberate across the party and the country. Mr. Crowley was defeated by a 28-year-old political newcomer, Alexandria Ocasio-Cortez, a former organizer for Bernie Sanders’s presidential campaign, who had declared it was time for generational, racial and ideological change.... Mr. Crowley, the No. 4 Democrat in the House, had drastically outspent his lesser-known rival to no avail, as Ms. Ocasio-Cortez’s campaign was lifted by an aggressive social media presence and fueled by attention from national progressives hoping to flex their muscle in a race against a potential future speaker...."

The NYT reports.

Is the Democratic Party as we've known it getting dragged too far left? What does Alexandria Ocasio-Cortez mean? Maybe Crowley just didn't take the threat seriously.

Ten days before the primary, Mr. Crowley skipped a debate against Ms. Ocasio-Cortez, and instead sent a surrogate, a Latina former city councilwoman. Ms. Ocasio-Cortez called it “a bizarre twist” on Twitter to be seated across from someone “with slight resemblance to me” instead of her opponent.

Ms. Ocasio-Cortez used the moment to generate a fresh wave of publicity in the race’s crucial closing days.

I've long thought it's a rule of thumb that the better looking candidate wins. I don't know what flipped this primary — and she won by 15 percentage points — but Ocasia-Cortez looks absolutely fantastic.

And here's Crowley — after he lost — playing "Born to Run" for the crowd:

Now @JoeCrowleyNY is playing guitar. He dedicated the first song to @Ocasio2018 — “Born to Run”
@ pic.twitter.com/U3sx6mth90

— J. David Goodman (@jdavidgoodman) June 27, 2018

"The show isn’t afraid to go dark; death is a fact of life, as Springsteen acknowledges..."

"... when he recounts narrowly slipping out of the Vietnam War draft and wonders who might’ve gone in his stead."

From New York Magazine's very positive review of Bruce Springsteen's Broadway show "On Broadway."

He "acknowledges" that "death is a fact of life" when he tells about "narrowly slipping out of the Vietnam War draft"? Springsteen avoided the draft — I'm reading here — by failing the physical "largely due to his deliberately 'crazy' behavior and a concussion previously suffered in a motorcycle accident."

I don't see that as acknowledging that "death is a fact of life." It's more of an acknowledgment that selfishness is a fact of life. But that is credibly called "dark," and it does take some courage to admit to something you did in the past that could be seen as a failure of courage.

ADDED: From the NYT review:

But now, entire swaths of the Walter Kerr Theater, apparently unmindful of downbeat lyrics like “I ain’t nothing but tired,” started clapping along to “Dancing in the Dark,” Mr. Springsteen’s biggest hit, from 1984.

He stopped cold. “I’ll handle it myself,” he said, shutting them down with a small, sharky glint of a smile....

Ha. Great.

"My show is just me, the guitar, the piano and the words and music."

"Some of the show is spoken, some of it is sung. It loosely follows the arc of my life and my work. All of it together is in pursuit of my constant goal to provide an entertaining evening and to communicate something of value."

Said Bruce Springsteen, who's doing that show on Broadway.

It sounds very similar to what Ray Davies did with his show "The Storyteller," which I saw here in Madison years ago. (It's available on line here.) From a 2002 review in the AV Club:

An articulate narrator with a great ear for translating his music into smaller-scale arrangements, Davies is engaging as both a singer and a storyteller. Beginning with the story of his birth in working-class London, Davies concludes by detailing the recording session that produced "You Really Got Me," the song that made [The Kinks] careers and changed music history in the process. He stops along the way to recount his early experiences with music—first as an admirer and then as a performer—that are always linked to his busy, vibrant family....

I love the part where he talks about his mother's opinion that the song "That Old Black Magic" was too sexual for young children to hear and then proves his mother's point by singing the song (beautifully, with emphasis on its sexuality).

Anyway, I have no idea how well Bruce will do in this format. He's starting big — on a Broadway stage — and selling some very expensive tickets. But the idea for the show is all about intimacy. The statement quoted above is devoid of human warmth and individuality: "in pursuit of my constant goal to provide an entertaining evening and to communicate something of value." As if what matters is his striving rather than what the audience actually receives.

But don't listen to me if you like Bruce. I have never been a Bruce Springsteen fan, largely because the idea seems to be to enact striving. Straining.