Here are 7 TikToks for your amusement and edification. Let me know what you like best.

1. How she worries people are going to react whenever she arrives anywhere.

2. What Elizabeth Taylor likes about Richard Burton most — his anger.

3. A granddaughter's love.

4. That walking is just too bouncy. It must be punished.

5. The International Museum of Surgical Science in Chicago.

6. "Inspirational quotes from my 11-year-old on today's hike."

7. "Mona Lisa" transformed into a photographically real-looking face.

"That’s the way the cookie crumbles and that’s the way the ball bounces are... the two commonest of a score of variant [catchphrases] for That’s fate–that’s the way things go..."

According to Eric Partridge's "Dictionary of Catch Phrases":

that’s the way (or that’s how) the cookie crumbles ... It has been a frequent c.p. in the US since the 1950s and in UK since the middle 1960s... in 1975, Prof. Emeritus F.E.L. Priestley spoke of ‘the now happily obsolete “that’s the way the cookie crumbles”’ and referred to ‘the lovely take-off line in the movie The Apartment [1960] when Jack Lemmon says, “That’s the way it crumbles cookiewise” ’–when he is also deriding ‘the horrible “-wise” jargon of about ten years ago’ (F.E.L.P.).  

Continuing with the catchphrase dictionary:

In The Zoo Story, prod. in Berlin 1959, in New York 1960, and pub’d in 1960, Edward Albee employs the more usual form thus:

"It is important to note that Mr. Albee wrote Nick as a Caucasian character, whose blonde hair and blue eyes are remarked on frequently in the play, even alluding to Nick’s likeness as that of an Aryan of Nazi racial ideology."

“Furthermore, Mr. Albee himself said on numerous occasions when approached with requests for nontraditional casting in productions of ‘Virginia Woolf’ that a mixed-race marriage between a Caucasian and an African-American would not have gone unacknowledged in conversations in that time and place and under the circumstances in which the play is expressly set by textual references in the 1960s."

Said the letter from the estate of Edward Albee, quoted in a NYT article about the refusal to grant rights for a Portland, Oregon production "Who’s Afraid of Virginia Woolf?" with a black actor cast in the secondary role of Nick (the character George Segal played in the movie with Richard Burton in the leading male role).

"Edward Albee, widely considered the foremost American playwright of his generation, whose psychologically astute and piercing dramas explored the contentiousness of intimacy..."

"... the gap between self-delusion and truth and the roiling desperation beneath the facade of contemporary life, died Friday at his home in Montauk, N.Y. He was 88...."

He introduced himself suddenly and with a bang, in 1959, when his first produced play, “The Zoo Story,” opened in Berlin on a double bill with Samuel Beckett’s “Krapp’s Last Tape.” A two-handed one-act that unfolds in real time, “The Zoo Story” zeroed in on the existential terror at the heart of Eisenhower-era complacency, presenting the increasingly menacing intrusion of a probing, querying stranger on a man reading on a Central Park bench....

“Albee is not a fan of mankind,” the critic John Lahr wrote in The New Yorker in 2012. “The friendships he stages are loose affiliations that serve mostly as a bulwark against meaninglessness.”

From a nice, long obituary in The New York Times.

I've only written the name Edward Albee once in the 12 years of this blog. It was in the context of an interview that Alec Baldwin did with Elaine Stritch. Stritch had "described having 'an orgasm for the first time in my life' on stage in a very emotional moment of Edward Albee's play 'Who's Afraid of Virginia Woolf?' ("'You know, that big scene? "Our son," he yells in my face, "is dead." And I went "No!" At the height of my force, I said no to him.')" And Alec Baldwin said to her: "Honey, I just think it speaks volumes about you, about what a real creature of the theater you are that the only time that you ever had an orgasm was saying the words of a homosexual man. It was as far from a heterosexual orgasm as you could possibly get."

I guess I never wrote about it, but we did go out to see an Edward Albee play in 2014 at The American Players Theater. It was "Seascape," the one with talking lizards...



... a male-and-female couple of lizards encountering male-and-female married humans.

"Honey, I just think it speaks volumes about you, about what a real creature of the theater you are that the only time that you ever had an orgasm..."

"... was saying the words of a homosexual man. It was as far from a heterosexual orgasm as you could possibly get."

Said Alec Baldwin to Elaine Stritch after she described having "an orgasm for the first time in my life" on stage in a very emotional moment of Edward Albee's play "Who's Afraid of Virginia Woolf?" ("You know, that big scene? ‘Our son,’ he yells in my face, ‘is dead.’ And I went ‘No!’ At the height of my force, I said no to him.")

That's in the transcript of the May 13, 2013 episode of Baldwin's podcast "Here's The Thing." Here's the audio, with Stritch doing a very dramatic yelling of "Nooooo!" She was 88 at the time, suffering from diabetes, and a year and a month away from her death.