Showing posts with label 1920s. Show all posts
Showing posts with label 1920s. Show all posts

March 29, 2023

I reveal the name of the puzzle cited in yesterday's post, "She feels that curves are far more appealing than angles...."

I didn't want to spoil the day's "Name Drop" puzzle, but now that I've updated the post, I'm afraid you won't see it and some other new material that I added there, and because I think some of it is kind of cool, I'm going to repeat it here, after the jump:

March 23, 2022

"Masculine Women! Feminine Man!"

I just stumbled into this song from 1926 with lyrics like "Masculine women, feminine men/Which is the rooster, which is the hen?/It's hard to tell 'em apart today" and "Knickers and trousers, baggy and wide/Nobody knows who's walking inside!"

The audio here is the Irving Kaufman version, from 1926, and the visual is a lot of pictures from movies of the 1910s/1920s/1930s (and from "Some Like It Hot," which is set in the 1920s): 

 

I wasn't looking for transgender-adjacent popular songs. What happened was, I was reading about various 1960s pop stars and saw this about Tiny Tim:

In a 1968 interview on The Tonight Show, he described the discovery of his ability to sing in an upper register: "I was listening to the radio and singing along; as I was singing I said 'Gee, it's strange. I can go up high as well.'" In a 1969 interview he said he was listening to Rudy Vallée sing in a falsetto, and "had something of a revelation – I never knew that I had another top register," describing it as a religious experience.

Through Spotify, I found the key Rudy Vallée recording, "Deep Night." I have listened to that recording a hundred times in the last month. I'm trying to understand all the mysterious elements that make me love that song. It's because of "Deep Night" that I've been delving into 1920s playlists on Spotify. That's what put me in a position to notice "Masculine Women! Feminine Man!" And I thought you'd enjoy the diversion.

Here's an instrumental version with an excellent collection of photographs of less famous people — presumably centering on the 1920s and showing many women dressed as men and men as women (or, perhaps, transgender men and women):

Here are the full lyrics, written by Edgar Leslie/James V. Monaco: