Talented kid, and certainly his sweet, low-T, androgynous mien is right on point for today's youth, but if we want civilization to survive we need somehow to raise up a lot of men of a very different nature.
Not to doxx myself, but my given name is Timothy. In France I found that it hands French women a laugh that an older adult should have that name. I wonder if Timothée Chalamet found that.
I think it's a good vocal impression, but he's way overdoing the lisp.
It's interesting that this film focuses on the "Dylan goes electric" firestorm of 1965 -- which was apparently a big deal among the era's strident folkies, but seems like a ridiculous controversy half a century later.
I like that he didn't try to do a Dylan impossible but that he did try to sign like Dylan. That doesn't make much sense I know but he had to know he can't copy Dylan but he can act like it. I will see this movie, which frankly is very high praise.
So, I see above that the "electric guitar" incident is a major focus, as well it should be. It was a huge deal. Folk music then, as now, tends to be pretty insular from a larger audience and single acoustic only is kind of their sweet spot. Dylan had bigger fish to fry and he needed more power that only an electric guitar would provide. I hope it at least gits to the nascent formation of The Band.
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Pleasantly surprised. He’s becoming one of my favorite actors.
Wow. This might be the one movie I'll go out to see this year.
Both Walk the Line and Ford v Ferrari were good movies. I'm in the not-a-BobDylanfan club, but this has promise.
He’s mastered it. The voice of Bobby D. Our generation’s Hebrew Prophet.
That's a pretty good Dewey Cox impersonation!
I liked the edie brickell cover
I got roped into seeing this guy in Wonka and it was possibly the worst movie I have ever sat all the way through. Painful it was.
Voice is to good to be Dylan...
https://m.youtube.com/watch?v=GFaHVqKgG-U
"Muad'Dib, you can sing."
Talented kid, and certainly his sweet, low-T, androgynous mien is right on point for today's youth, but if we want civilization to survive we need somehow to raise up a lot of men of a very different nature.
Amazing how he gets all the inflections - would never have thought it could be done so so well.
Is it even possible to make a movie nowadays without Chalamet or Anna-Taylor Joy?
Looks promising. Dylan deserves a good movie made about him.
Chalamet is too tall to play Dylan.
Not to doxx myself, but my given name is Timothy. In France I found that it hands French women a laugh that an older adult should have that name. I wonder if Timothée Chalamet found that.
Not nasally enough. But ok. Not Gary Busey level, though.
I think it's a good vocal impression, but he's way overdoing the lisp.
It's interesting that this film focuses on the "Dylan goes electric" firestorm of 1965 -- which was apparently a big deal among the era's strident folkies, but seems like a ridiculous controversy half a century later.
For a minute there, I saw 'Dan Fogler' but read 'Dan Fogelburg' - and thought, man, that's gonna be weird.
Why is he singing slowly? Dramatic effect? It's annoying.
I like that he didn't try to do a Dylan impossible but that he did try to sign like Dylan. That doesn't make much sense I know but he had to know he can't copy Dylan but he can act like it. I will see this movie, which frankly is very high praise.
So, I see above that the "electric guitar" incident is a major focus, as well it should be. It was a huge deal. Folk music then, as now, tends to be pretty insular from a larger audience and single acoustic only is kind of their sweet spot. Dylan had bigger fish to fry and he needed more power that only an electric guitar would provide. I hope it at least gits to the nascent formation of The Band.
Wait - what??? An actor with a God-like level of male beauty is playing Dylan? Not that Dylan is that ugly, but wow. I never would have guessed.
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