# 2 above the fold is really nice. I’m distracted a bit by the chop but the deep oranges with the clouds painting brush strokes make for a really pleasing shot.
At summer camp, I ran some really slow exposure to to soften the chop; I was using my Canon with tripod legs inverted/camera upside down so shooting a couple of inches from the waterling. I didn’t get what I wanted per se (it just got too dark for the photos to turn out how I wanted without some major Lightroom edits- just not worth the time)
There are some really cool tricks you can do by taking a motion shot with the “live” feature on the iPhone and then stacking them for wave blur. I saw a couple of articles at Lew Rockwell’s site where he has a section for iPhone photography and his results are really cool. Your photos are fantastic in the style that you do them but I think you might have some fun playing with other features after your standard set.
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Rob writes:
# 2 above the fold is really nice. I’m distracted a bit by the chop but the deep oranges with the clouds painting brush strokes make for a really pleasing shot.
At summer camp, I ran some really slow exposure to to soften the chop; I was using my Canon with tripod legs inverted/camera upside down so shooting a couple of inches from the waterling. I didn’t get what I wanted per se (it just got too dark for the photos to turn out how I wanted without some major Lightroom edits- just not worth the time)
There are some really cool tricks you can do by taking a motion shot with the “live” feature on the iPhone and then stacking them for wave blur. I saw a couple of articles at Lew Rockwell’s site where he has a section for iPhone photography and his results are really cool. Your photos are fantastic in the style that you do them but I think you might have some fun playing with other features after your standard set.
Nice job this morning.
I hate reading that kind of thing. Doesn't seem like anything I'd call "playing."
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