१९ जून, २००६

The most ever paid for a painting: $135 million.

And it's for a Klimt painting. A Klimt! I mean -- wow! -- it's pretty. Look at all the gold.


Museum Associates/Agence France-Presse - Getty Images

Speaking of prettiness, the purchaser's money comes from cosmetics.

Actually, the purchase and the price make a lot of sense. The buyer, Ronald S. Lauder, is the founder of the Neue Galerie, "a tiny museum at Fifth Avenue and 86th Street devoted entirely to German and Austrian fine and decorative arts." The painting exactly fits the place and is one of the artist's greatest paintings. Lauder had to convince the owner to sell. And the owner, the niece of the woman in the portrait (Adele Bloch-Bauer), fought a long and hard to obtain the painting from the Austrian government, which, she successfully argued, had obtained it by way of the Nazis.

१६ टिप्पण्या:

High Desert Wanderer म्हणाले...

I saw pictures of it in art history classes. It's pretty, but worth $135 million? I'm no that impressed.

MadisonMan म्हणाले...

I wonder by how much the stolen-by-Nazi history upped its worth?

Ann Althouse म्हणाले...

It has a story... That adds depth to something that is stunningly superficial

Wolfe म्हणाले...

The Mona Lisa it ain't.

Not remotely to my taste, but another cool thing I learned from Ann Althouse without having to endow her university (much less register!)

Good on Maria Altmann for regaining the painting. The story does indeed elevate it, though I'm tempted to think only a lawyer could truly appreciate such a story. [No, no, not a shot at lawyers because of the Nazi angle; a shot at lawyers for the complexity]

-wolfe

MadisonMan म्हणाले...

Yes, I was blanking on the word 'provenance' when I commented at 9:09. Thanks for filling it in. We tried to get into ARS when they stopped in Madison, but failed to get tickets. This was several years ago.

Wolfe म्हणाले...

It's the smile, Dave. And no, I supposed dentist's wouldn't agree with me. Too bad.
-Wolfe

Wolfe म्हणाले...

ugh. 'suppose' and 'dentists'. Bleh I need more tea.
-wolfe

Ann Althouse म्हणाले...

Leah: I agree. I absolutely love that Lauder has a gemlike museum and paid what he needed to for this painting which will do so well there. I love the art museums on the Upper East Side. I'd do a trip to New York just to go to them all and, especially, to see this painting.

Gordon Freece म्हणाले...

It breaks my heart to think that if Klimt had lived only a few more years, he could have finished his transition to black velvet.

tjl म्हणाले...

Althouse said:
"It has a story... That adds depth to something that is stunningly superficial."

The apparent superficial prettiness is purposeful. Klimt's work expresses a theme common to many artists and thinkers in belle-epoque Vienna: a polished surface barely masking neurotic turmoil beneath. The context of this piece is Freud, Mahler, Hofmannsthal, and Wittgenstein.

jeff म्हणाले...

I wouldn't buy a print of it for $10 to grace my wall.
It's ugly to me and would probably clash with our other decor.

अनामित म्हणाले...

I'm not a fan of gold as I usually find it to be quite gaudy.

But this painting - Wow! Stunning.

reader_iam म्हणाले...

would probably clash with our other decor.

This puts me in mind of the clash between the characters played by Max Von Sydow (a painter) and Daniel Stern (a wealthy rock star looking to decorate his places in the Hamptons) in "Hannah and Her Sisters."

Ann Althouse म्हणाले...

"the clash between the characters played by Max Von Sydow (a painter) and Daniel Stern (a wealthy rock star looking to decorate his places in the Hamptons)"

Perfect!

mtrobertsattorney म्हणाले...

"The context of this piece is Freud, Mahler, Hoffmannsthal and Wittgenstein."

Tj, in you search for context, how could you have possibly overlooked Fritz, the bartender at Der Stein?

tjl म्हणाले...

Alaska Jack:

"Tj, in you search for context, how could you have possibly overlooked Fritz, the bartender at Der Stein?"

For the answer to that one, you'll have to check with Carl Schorske, author of "Fin de Siecle Vienna: Politics and Culture," who initially made these comparisons. I don't think old Carl was much of a drinker, though.